| Barbie of Swan Lake | |
| Director: | Owen Hurley |
| Producer: | Kim Dent Wilder Rob Hudnut |
| Based On: | Swan Lake by Pyotr Ilyich Tchaikovsky |
| Starring: | Kelly Sheridan Mark Hildreth Kelsey Grammer Maggie Wheeler Kathleen Barr Nicole Oliver |
| Music: | Arnie Roth |
| Editing: | Greg Richardson |
| Studio: | Mainframe Entertainment Mattel Entertainment |
| Distributor: | North America: Artisan Home Entertainment (Family Home Entertainment) Overseas: Universal Pictures Video UK and Ireland: Right Entertainment[1] |
| Runtime: | 83 minutes |
| Country: | Canada United States |
| Language: | English |
Barbie of Swan Lake is a 2003 animated fantasy film co-produced by Mainframe Entertainment and Mattel Entertainment, and distributed by Artisan Home Entertainment.
Based on the Tchaikovsky ballet Swan Lake,[2] [3] it is the third in the Barbie film series, with Kelly Sheridan providing the voice of Barbie.
Barbie of Swan Lake was released on VHS and DVD on September 30, 2003 by Artisan, later making a television premiere on Nickelodeon on November 16, 2003.[4] and was subsequently released overseas through Entertainment Rights and Universal Pictures Video.[5]
The story is being told by Barbie to her little sister, Kelly, who is feeling uneasy about being at overnight camp for the first time.
Odette is a young woman who lives in a small village with her father and sister, and works in the family bakery. She is a talented dancer but is shy and timid about it. Meanwhile, Prince Daniel is informed by his mother that it is time for him to marry and she is hosting a ball for him to choose a wife. The men of the village go after a unicorn named Lila. She is followed by a curious Odette into an Enchanted Forest. Lila becomes caught in a bush, so Odette looks for something to free her. She spots a crystal lodged in a rock which she easily removes as the other denizens of the forest watch in astonishment.
The Fairy Queen tells Odette that by freeing the magic crystal, she is destined to defeat the sorcerer Rothbart. Rothbart, her cousin, was angered when she was chosen to become the next ruler of the Forest. Rothbart left and returned years later with his daughter Odile; and has since taken over most of the forest, turning the fairies and elves into animals. Odette, afraid to get involved, declines to help but is confronted by Rothbart, who gives her the same curse as the others, turning her into a swan. The Queen gifts Odette with a tiara embedded with the crystal that protects her from Rothbart's magic. As her powers are too weak, the Queen only partially reverses the spell, allowing Odette to regain human form by night but turn back into a swan by day.
Odette and Lila go meet Erasmus, a troll who takes care of a massive library, in order to find the Book of Forest Lore, which can tell them how to break the spell; however, they are unsuccessful. Daniel, who is out hunting, is lured into the forest by Rothbart, determined to get him to hunt and kill Odette. However, just as he's about to shoot her down, Daniel is captivated by the swan's beauty and decides to let her live. Odette then transforms in front of him and protects him from Rothbart. The two of them spend the night together and fall in love. Daniel invites Odette to the ball the next night.
Erasmus finds the book and reveals that the key to defeating Rothbart is true love. However, if Daniel falls for another girl, the magic crystal will lose its power and Odette will die. Rothbart abducts Erasmus and the book. While Odette rescues Erasmus, Rothbart attends the ball with Odile, magically disguised as Odette. Odette flies to the castle in her swan form to warn Daniel, but is too late; Daniel pledges his love to Odile, causing Odette to collapse.
With the crystal's power gone, Rothbart takes it from Odette. In the Forest, he turns the Fairy Queen into a mouse. Odette wakes up as Daniel arrives to confront Rothbart. Rothbart's spell hits them both, their hands intertwined. At that moment, Rothbart is consumed by the crystal's magic, as Daniel and Odette had tried to protect each other out of true love. Rothbart's evil is undone. Everyone from the village and the Forest celebrate as Odette and Daniel are to be married. Rothbart becomes a cuckoo clock while Odile ends up as a maid in Erasmus's library.
The story of courage gives Kelly new resolve and she promises she will participate in a race the following day.
The huge success of the first two Barbie videos, Barbie in the Nutcracker and Barbie as Rapunzel, led to Mattel deciding to make a third film.[6] with the movie being announced by Mainframe in September 2002.[7] Barbie of Swan Lake
As with Barbie's first ballet film Barbie in the Nutcracker, Barbie of Swan Lake was choreographed by the New York City Ballet master-in-chief Peter Martins, and features the movement of New York City Ballet dancers computer animated through motion capture imaging. The dancers were filmed over two days for the ballet sequences with 16 light-emitting cameras that tracked their movements based on reflective squares attached to the dancers' elbows, wrists and legs. The production team at Mainframe Entertainment then superimposed the motion capture data onto computer models of the movie characters, and animated the characters' faces.[9] Motion capture performer Cailin Stadnyk portrayed Barbie's movements,[10] while ballerina Maria Kowroski performed the character's dancing scenes.[11]
The film features Tchaikovsky's score from Swan Lake performed by the London Symphony Orchestra, with 15-year-old violinist Nicola Benedetti performing the violin solos.[12] [13] In addition, the film has a theme song that plays over the end credits, "Wings", written by Jason Blume and performed by Leslie Mills.
The film was released on VHS and DVD on September 30, 2003.
The DVD includes the bonus features "The Ballet Dances of Swan Lake", which showcases the film's ballet sequences with accompanying commentary for young viewers, "The Music in You", a 20-minute documentary profiling four girls studying at the Juilliard School of Music,[14] and an interactive game, "Explore the Stars!", challenging children to identify the constellations.
As with the previous two Barbie movies, Entertainment Rights secured global distribution rights to the film outside North America, which remained as such despite the company losing international merchandising rights back to Mattel at the end of the year.[15]
Joseph Szadkowski of The Washington Times praised the film as "beautiful" and "another triumph for Barbie that should inspire youngsters".[16] Rating it two-and-a-half stars out of five, the New Straits Times
Describing the film as "teem[ing] with villainy, magic and fantasy", Nancy Churnin in The Dallas Morning News wrote that Barbie of Swan Lake "exceeds expectations"; she noted its educational value.[19] Reviewing the film for Video Business, Buzz McClain wrote, "Director Hurley overcomes the potential robotic coldness of the digital animation, which at times resembles that of a videogame, by infusing undeniable charm into the story and characters." McClain also noted the cultural value of the film's ballet sequences and classical music, highlighted in the DVD extras.[20]
K. Lee Benson of The Video Librarian recommended Barbie of Swan Lake, calling it a "class act" and a "marked improvement" over the previous two CGI Barbie films.[21] Lynne Heffley of the Los Angeles Times called it a "lavishly detailed computer-animated feature whose creativity and sweet nature nearly mitigates its unavoidable product promotion."[22] Stephanie Prange of Video Store praised the film's animation as "truly beautiful, with bright colours and [a] polished look".[23]
A review in The Daily Telegraph opined that "Transformed into cartoon form, Swan Lake isn't exactly a masterpiece", but recommended the film as a way to introduce children to Tchaikovsky.[24] In a negative review, Robert Gottlieb of The New York Observer opined that Barbie of Swan Lake
In a 2021 retrospective review, The Sunday Telegraph called it a "gentle tale" and wrote, "The 2003 animation looks a bit dated now but it can still capture the imagination."[27]