Barbaro family explained

The Barbaro family (pronounced as //'bar.ba.ro//) was a patrician family of Venice. They were wealthy and influential and owned large estates in the Veneto above Treviso.[1] Various members were noted as church leaders, diplomats, patrons of the arts, military commanders, philosophers, scholars, and scientists.[2] [3]

History

Barbaro family tradition claims they were descended the Roman gens Catellia[3] [4] and more distantly from the Fabii.[4] Like other Venetian patrician families, they also claimed descent from Roman families with similar names, in this case Ahenobarbus.[5] [6] Tradition also says they fled to Istria to avoid persecution during the reign of Emperor Diocletian.[3] The family's wealth came from the salt trade.[7]

Records show the family moved from Pula to Trieste in 706 and then to Venice in 868.<[3] [4] [8] At this time the family's surname was Magadesi.[9] [10] (Alternate spellings were Magadezzi[4] [8] and Maghadesi.)[11]

The first recorded member of the family was Paolo Magadesi, who was Procurator of San Marco.[4] [11] Charles Yriarte says this occurred when Pietro Tradonico was Doge of Venice (836–864),[11] though most sources say the family did not live in Venice until later.[3] [4] [8] An Antonio Magadesi was also Procurator of San Marco in 968.[12] and Johannes Magadesi was a presbyter of the Church of San Zorzi in 982 and has also been cited as the first member of the Barbaro family that we have a historical record of.[3]

Recorded genealogy of the Barbaro family begins in 1121 with Marco, naval commander and creator of the modern coat of arms,[3] who changed his surname name from Magadesi to Barbaro.[4] [9]

The Barbaro family was recognized as one of the leading families (Ottomati) of the Republic of Venice in the year 992. In 1297, the Maggior Consiglio (Senate of Venice) recognized the family as patricians[3] The Kingdom of Lombardy–Venetia confirmed the family status as Patricians as part of a series of resolutions issued from 1818 to 1821.[3] This status was officially recorded again in Venice in 1891 for all members of the family.[3]

In the sixteenth century there was a division between those Venetian families who opposed or favored the influence of the Holy See. The latter opposed the law that barred holders of church offices from also holding political appointments in Venice. The Barbaro family was part of this "papalist" group, along with the Badoer, Corner, Emo, Foscari, Grimani, and Pisani families.[13] These families also acted as patrons of Battista Franco, Palladio, Francesco Salviati, Michele Sanmicheli, Giovanni da Udine, and Federico Zuccari.[13]

The Barbaro family fortunes diminished after Napoleon's defeat of Venice and they had to turn most of the Palazzi Barbaro into apartments.[2] By the time art critic John Ruskin visited Venice in 1851 all that was left of the once powerful Barbaro family were a pair of elderly brothers living in poverty in the garret of the Palazzo Barbaro.[14]

Ruskin wrote that the poverty of these last members of the Barbaro family was justice for the family having rebuilt the Church of Santa Maria Zobenigo as a monument to themselves, which Ruskin called "a manifestation of insolent atheism".[14] The last of the family died in the mid-nineteenth century.[2]

Some branches of the family survived outside Venice. The most prominent was in Malta,[15] but there were also branches in Galatia and other parts of Italy.[3]

Family arms

There is disagreement over the form of the ancient Barbaro coat of arms. Johannes Rietstap and others identify it as "D'or, à deux bandes d'azur, accompagne de deux roses du même", a gold field with two bands of blue between two roses of the same color.[4] [11] [16] d'Eschavannes identifies it as "D'azur, à trois roses d'or"', a blue field with three gold roses.[17]

Sources agree that the modern Barbaro coat of arms is D'argent, au cyclamore de gueules, a red ring on a white field.[3] [17] [18]

The modern Barbaro family arms were officially recognized by the Venetian Senate in 1125 in remembrance of Marco Barbaro cutting off the hand of a Moor during a naval action near Ascalon and using the bleeding stump to draw a circle onto a turban, which he flew as a pennant from his masthead.[10] [11] [19] [20] [21] [22]

Until this incident, he was known as Marco Magadesi.[4] [8] [9] Saracens boarded the galley he commanded and tore down the ship's flag, which bore the family coat of arms.[4] [8] Marco Magadesi used the bloody turban as an improvised flag to let the rest of the fleet know his ship had not been captured.[4] [8] After the action, he changed his family name from Magadesi to Barbaro<[8] in recognition of the incident and to honor the heroism of his fallen enemies, who he considered barbarians.[4]

The Barbaro coat of arms are depicted on the façade of the church of Santa Maria Zobenigo.[23] It is also displayed on the pediment of the Villa Barbaro and the family crypt in the San Francesco della Vigna.[11] [24]

In 1432, Sigismund, Holy Roman Emperor granted Ambassador Francesco Barbaro the title of Knight of the Holy Roman Empire and the right to quarter his arms with the Imperial Eagles.[3] In 1560, Queen Elizabeth I of England granted Ambassador Daniele Barbaro right to use the Tudor Rose in his personal arms.[3]

Notable members

The brothers Daniele Barbaro and Marcantonio Barbaro, were patrons of the architect Andrea Palladio and the painter Paolo Veronese.[25] Barbaro-family members acted as deans and professors of the University of Padua. Several members were also Patriarchs of Aquileia.[3] [11] [26]

Patronage

The Barbaro family commissioned works from and actively supported the careers of several men. This list includes:

Architecture

The Barbaro family was connected to several buildings in and near Venice, some of which include:

Notes and References

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  4. Francesco Barbaro: Früh-Humanismus und Staatskunst in Venedig, Percy Gothein, Berlin, 1932
  5. Virgil and the myth of Venice, Craig Kallendorf, Oxford University Press, 1999, pg. 17
  6. Venice, Pure City, Peter Ackroyd, Doubleday, New York, 2009, p.96
  7. Web site: Palazzo Barbaro-Curtis website. .
  8. Das Schiff aus Stein: Venedig u.d. Venezianer, Hermann Schreiber, München, 1979
  9. The life of Poggio Bracciolini, William Shepherd, Longman, Rees, Orme, Brown, Green & Longman, London, 1837
  10. Una famiglia veneziana nella storia: i Barbaro, Michela Marangoni, Manlio Pastore Stocchi, Istituto Veneto di Scienze, Lettere ed Arti, 1996,
  11. La vie d'un patricien de Venise au seizième siècle, Charles Yriarte, Paris, 1874
  12. Venice on foot, with the itinerary of the Grand Canal and several direct routes to useful places, Hugh A Douglas, C. Scribner's Sons, 1907
  13. Venice and the Renaissance, Manfredo Tafuri, trans. Jessica Levine, 1989, MIT Press,
  14. Views of Venice, Antonio Canaletto, Antonio Visentini, J. G. Links, Dover Publications, 1971,
  15. Caruana Dingli . Petra . Creating a Family Patrimony: Villa Barbaro in Tarxien . Vigilo . 2020 . 54 . 18–23 .
  16. Web site: Armorial de J.B. RIETSTAP . 2010-02-05.
  17. Armorial universel, précédé d'un traité complet de la science du blason, et suivi d'un Supplément:, Jouffroy d'Eschavannes, Paris : L. Curmer, 1845–1848
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  30. A new general biographical dictionary, Volume 3, Hugh James Rose, Henry John Rose, 1857
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  37. Dei rettori veneziani in Rovigo: illustrazione storica con documenti, Giovanni Durazzo, Venezia, Tip. del Commercio, 1865
  38. Chroniques gréco-romanes inédites ou peu connues, pub. avec notes et tables généalogiques, Carl Hermann Friedrich Johann Hopf, Weidmann, 1873
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  40. Venice: A Documentary History, 1450–1630, Brian Pullan, 2001, University of Toronto Press
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