Baoquansi Caves Explained

The Baoquansi Caves is a Buddhist site located on the western bank of Pingdingchuan, Taibai Township, Heshui County, Gansu in Northwest China. Built during the Northern Wei Dynasty (386AD–534AD) and excavated on an 8-meter tall cliff, Baoquansi consists of 25 horseshoe-shaped niches and 153 stone statues. Most of the niches have been well preserved, however some parts have been damaged by erosion and looting.[1] The Baoquansi Caves is a valuable site to study the spread of Buddhism since it is located on one of the ancient northern Silk Road paths.[2]

Niches description & list

The Baoquansi Caves were carved into a cliff wall and are 40 meters long and eight meters high, with the grottoes running east to west.[3] Among the niches, three, four, five, and six are the largest. Some of these niches are square-shaped while others are horseshoe-shaped or domed. The largest of all is niche four. The width, height, and depth are all three meters. The main wall consists of the Buddhas Śākyamuni and Prabhūtaratna sitting side by side with Maitreya. The north and south walls are each composed of two Buddhas. There are also two Bodhisattvas standing at the entrance.[4]

List of Niches!Niche No.!Time Period!Content!Current Condition
1Early Northern Wei (Year 477-499) One Buddha, two Bodhisattva  Good
2One Buddha, two Bodhisattva  The Bodhisattva in good condition; the other two statues eroded
3Cross-legged Bodhisattva, two Buddhas sitting by each other, Manjusri, small Buddhas on the wall Two Buddhas' face destroyed; cross-legged Bodhisattva face eroded; left Manjusri eroded  
4Cross-legged Bodhisattva, two Buddhas sitting by each other, Manjusri, small Buddhas on the wall Two Buddhas' surface destroyed; Manjusri's upper body destroyed   
5One Buddha, two Bodhisattva  Collected by the Longdong Ancient Carved Stone Art Museum (Chinese: 陇东古石刻艺术博物馆)
6Eleven Buddha statues  Heads damaged 
7Late Northern Wei to Western Wei (Year 534-557) Cross-legged Bodhisattva, two Buddhas sitting by each other Heads damaged 
8Buddha statue  Head damaged 
9One Buddha, two Bodhisattva  Heads damaged 
10One Buddha, two Bodhisattva  Leg lost for the right Bodhisattva
11One Buddha, two Bodhisattva  Face eroded  
12One Buddha, two Bodhisattva  Heads damaged 
13Mid Northern Wei (Year 490-512) Two Buddha statues  Heads damaged 
14One Buddha, two Bodhisattva  Collected by the Longdong Ancient Carved Stone Art Museum (Chinese: 陇东古石刻艺术博物馆)
15Cross-legged Bodhisattva, two Manjusri Heads damaged 
16Late Northern Wei to Western Wei (Year 534-557) Buddha statue  Eroded
17Buddha statue  Eroded
18Buddha statue  Eroded
19Two Buddha statues Faces damaged
20Unknown  Damaged due to erosion  
21Two Buddha statues Faces damaged
22One Buddha, two Bodhisattva  Manjusri destroyed  
23Cross-legged Buddha, lion head, Buddha head  Lion and Buddha heads eroded  
24One Buddha, two Bodhisattva  Only legs remain
25One Buddha, two Bodhisattva  Eroded  
26Unknown  Damaged due to erosion  
27Unknown  Damaged due to erosion  
28Unknown  Damaged due to erosion  
29Five Buddha statues  Partially remained
30Unknown  Damaged due to erosion  
31Early Northern Wei (Year 477-499) Strongman statue  Lower body covered in ground; head missing
32Late Northern Wei (Year 512-534) One Buddha, two Bodhisattva  Heads damaged 
33Buddha statue  Head damaged 
34Unknown  Statue building incomplete
35Buddha statue  Collected by the Longdong Ancient Carved Stone Art Museum (Chinese: 陇东古石刻艺术博物馆)
36Buddha statue  Eroded
37One Buddha, two Bodhisattva  Collapsed
38UnknownDamaged due to erosion  
39Unknown  Damaged due to erosion  
40Unknown  Damaged due to erosion  
41Unknown  Damaged due to erosion  

Murals

During the mid to late Northern Wei Dynasty, murals, utilizing many colors, were used to emphasize different characters. These murals mainly included images of the Asparas, the Bodhisattva, the thousand buddhas, Buddha, and donors. These characters were often portrayed as tall and thin figures with a clear composition outline. Various shades of green were also used heavily during the Northern Wei Dynasty. Complementary and supplementary colors were used to create a total sense of harmony.

Relic destruction, protection, and relocation

Across Chinese history, there has been looting and destruction of buddha statues, however, this was exacerbated in the late 19th and 20th centuries. During the Cultural Revolution, there was an increased belief in destroying ancient Chinese culture. For instance, the "Destroy the Four Olds" motto led to the mass destruction of antique items. After the Cultural Revolution, the Gansu government listed these caves in the Provincial Cultural Relics Protection Unit and sent caretakers to look after the caves. However, despite this protection, looting still continued to plague the area. As a result, the government decided to move three buddha statues in the best condition to the Longdong Ancient Carved Stone Art Museum (Chinese: 陇东古石刻艺术博物馆), where they are now preserved.

See also

Notes and References

  1. Zheng . Guomu . Wei . Wenbin . 2011 . 甘肃合水保全寺石窟调查简报 . 石窟寺研究=Studies of The Cave Temples . 文物出版社=Cultural Relics Publishing House . 2.
  2. Web site: 保全寺石窟 . Silk Roads World Heritage 丝绸之路世界遗产.
  3. Web site: January 3, 2018 . 保全寺—张家沟门石窟 . live . https://web.archive.org/web/20231017215057/https://wwj.gansu.gov.cn/wwj/c105528/201801/765071ac52f948b2b96f4dc212207a9e.shtml . October 17, 2023.
  4. Book: 国家文物局=National Cultural Heritage Administration . 中国文物地图集: 甘肃分册 . 测绘出版社=Surveying and Mapping Press . June 2001 . Atlas of Chinese Cultural Relics: Gansu Book.