Our Man in Marrakesh | |
Director: | Don Sharp |
Based On: | original story by Peter Welbeck (Harry Alan Towers) |
Producer: | Harry Alan Towers |
Starring: | Tony Randall Senta Berger Herbert Lom Wilfrid Hyde-White Terry-Thomas |
Cinematography: | Michael Reed |
Editing: | Teddy Darvas |
Music: | Malcolm Lockyer |
Studio: | Marrakesh Film |
Distributor: | Anglo-Amalgamated American International Pictures (US) |
Runtime: | 92 minutes |
Country: | United Kingdom |
Language: | English |
Our Man in Marrakesh (released in North America as Bang! Bang! You're Dead!) is a 1966 British comedy spy film shot in Morocco produced and co-written by Harry Alan Towers, directed by Don Sharp and starring Tony Randall, Herbert Lom and Senta Berger.[1] [2]
One of six travellers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a powerful local man (Herbert Lom) to fix United Nations votes on behalf of an unnamed nation. But not even the powerful man knows which of them it is - and his background checks reveal that at least three of them aren't who they claim to be. As agents from other nations may be among them, he and his henchmen have to be very careful until the courier chooses to reveal himself - or herself. Amidst the international espionage and involvement of criminal gangs, an American businessman finds himself at the centre of the situation and, assisted by an attractive super-spy, must set out to clear his name.
Writer Yeldham and director Sharp were both Australians who worked several times with Harry Alan Towers.[3] Sharp said "it had a cast which showed you where the money had come from." The film was shot in Morocco using "frozen" funds owed to Warner Bros. Sharp says just before filming started Warner's revealed that the exchange rate meant their funds would not cover the cost for the whole film so Towers had to scramble to raise additional financing. This involved Towers arranging for suitcases of cash to be smuggled into the country.[4]
Our Man in Marrakesh opened in London on 5 May 1966, the same day as A Man Could Get Killed and the day before Modesty Blaise. This caused the critic in The Times to write a combined review titled "Humorous variations on theme of the secret agent", where Our Man in Marrakesh is noted for having a story similar to A Man Could Get Killed, but comparatively lacking in wit. However, the film gets some credit for a colourful chase through Marrakesh's dyers' quarter.