| Editor: | Briana Rodriguez |
| Editor Title: | Editor-in-chief |
| Frequency: | Weekly |
| Company: | Backstage, LLC |
| Country: | United States |
| Based: | New York City and Los Angeles |
| Language: | English |
| Issn: | 0005-3635 |
Backstage, also previously written as Back Stage, is an American entertainment industry trade publication. Founded by Allen Zwerdling and Ira Eaker in 1960, it covers the film and performing arts industry from the perspective of performers, unions, and casting, with an emphasis on topics such as job opportunities and career advice. The brand encompasses the main Backstage magazine, and related publications such as its website, Call Sheet (formerly Ross Reports)—a bi-monthly directory of talent agents, casting directors, and casting calls, and other casting resources.
The publication was founded in, and originally focused primarily on New York City and the U.S. east coast. In the 1990s, Back Stage established the Los Angeles–based Back Stage West, which competed primarily with the longer-established Drama-Logue; in 1998, Drama-Logue was acquired by Back Stage and merged into Back Stage West. In 2008, both versions were merged into a single national edition.
From the 1990s through the early 2010s, Backstage was a sister to fellow entertainment publications Billboard and The Hollywood Reporter, and later Adweek, via Billboard Publications and its corporate successors, such as Nielsen Business Media and Prometheus Global Media. In 2011, Back Stage was divested by Prometheus to a group led by John Amato, who relaunched the print and digital publications. After being briefly being re-acquired by Prometheus, it was sold to RZ Capital in 2013.
Backstage (the company) was founded by Allen Zwerdling and Ira Eaker in New York City in December 1960 as a weekly tabloid-sized newspaper called Back Stage.[1] Zwerdling and Eaker had worked together for years as editor and advertising director, respectively, of the Show Business casting newspaper, which was founded by Leo Shull as Actor's Cues in 1941. After Zwerdling and Eaker left Show Business they looked into creating a casting section within The Village Voice newspaper; but, having been turned down, they decided to launch Backstage on their own.[2]
At the time of its founding, Backstage (the newsmagazine) was primarily a casting paper for New York actors intended to compete with Show Business Weekly. It gradually broadened its scope to include coverage of New York's television commercial production industry and a variety of performing arts, the former of which proved to be so lucrative advertising-wise that the commercial-production beat came to dominate the publication. Additionally, Backstage's reach began to slowly spread across the U.S., although the largest portion of its readership remained on the East Coast.[3]
In 1986, Backstage was bought by Billboard Publications Inc. (BPI), owner of such publications as Billboard (magazine).[4] In 1988, BPI bought The Hollywood Reporter.[5] Backstage and The Hollywood Reporter along with a few other related brands, were grouped together within BPI, becoming its film and performing arts division, a group designed to compete with Variety and other entertainment-industry trade publications. Backstage would become involved in a number of other acquisitions, mergers, spin-offs, and sales over the next few decades.[6]
See main article: article. On July 6, 1990, the Backstage Shoot pull-out section of Backstage magazine was spun off into a full, standalone publication, SHOOT. The concept was to have Backstage concentrate on actors, performing artists, and theatre, while SHOOT would continue to "serve the news and information needs of creative and production decision-makers at ad agencies, and executives & artisans in the production industry" (according to their official press materials found on ShootOnline.com).[7] To emphasize the change, the official Backstage tagline "The complete service weekly for the communications and entertainment industry" was switched to The Performing Arts Weekly.
In early 1994, Netherlands-based company VNU bought Backstage owner BPI.[8] VNU eventually came to own a variety of trade publications—including all of the BPI magazines as well as Mediaweek, Adweek, Film Journal International, The Hollywood Creative Directory, and many others—along with measurement company Nielsen Media Research, and events such as ShoWest and the Clio Awards.
In May 1998, Back Stage acquired its main local competitor, Drama-Logue;[9] The Drama-Logue company was founded by Bill Bordy in 1969 as a casting hotline, and in 1972 it became a weekly trade publication entitled The Hollywood Drama-Logue Casting Sheet, commonly known simply as Drama-Logue. Before the end of 1998, Drama-Logue's holdings were fully integrated into Backstage.com and Back Stage West,[10] which for a time was co-branded as Back Stage West/Drama-Logue.
Former publishers include Steve Elish, Jeff Black, and Charlie Weiss. Former lead editors include Sherry Eaker, Rob Kendt, Jamie Painter Young, Daniel Holloway, Dany Margolies, Tom Penketh, Erik Haagensen, Roger Armbrust, Leonard Jacobs, David Fairhurst, Andrew Salomon, Dan Lehman, dance editor Jennie Schulman (who wrote for Backstage for over 40 continuous years, starting with its first issue on Dec. 2, 1960[11]), film and television editor Jenelle Riley, contributing editor Jackie Apodaca, and actor-columnist Michael Kostroff (known for his work in The Wire), among others.
In October 2008, Backstage East and Backstage West were permanently combined into a single weekly publication with an expanded national focus. This new "national edition" was given the same name as the original 1960 edition: Back Stage.[12]
Backstage also launched a number of blogs around this time, including Blog Stage, Espresso, Backstage Unscripted, and The Backstage 411 Casting FAQ, all of which were discontinued in early 2012.
In early 2009, Ross Reports was renamed Call Sheet by Backstage, working with The Hollywood Creative Directory to expand its listings to include a wider variety of entertainment-industry contacts.
In late 2009, Backstage and other Nielsen Business Media brands were sold to e5 Global Media, which was later renamed Prometheus Global Media, and then renamed Guggenheim Digital Media.[13]
The Backstage brand remained closely tied to its primary sister publications, The Hollywood Reporter and Billboard, as well as the other e5 Global Media publications, such as Adweek, Film Journal International, and The Hollywood Creative Directory. However, Backstage also carved out its own industry niche by focusing on the needs of actors, models, performers, and casting directors; publishing directories (such as Call Sheet, a bimonthly listing of talent agents, casting directors, and film productions), books (actor handbooks and biographies published under the Watson-Guptill imprint Backstage Books),[14] casting-director mailing labels,[15] and special "insert" magazines (such as award-season nomination guides, theatre-school guides, and the ACTION magazine for actors interested in making their own movies); producing live events; and continuing the development of Internet casting technology.
In October 2011, media entrepreneur John Amato led Backstage through a spin-off from Prometheus Global Media as part of a new strategic partnership, with the new company being called Backstage, LLC. Prometheus shareholder Guggenheim Partners backed the sale.[16] [17]
In August 2012, Back Stage was relaunched again, with the magazine switching from a tabloid-sized newspaper to a smaller, full-color glossy magazine (and also being slightly rebranded from Back Stage to Backstage). The magazine added increased cross-promotion for the resources and utilities on the similarly-redesigned Backstage.com. Amato stated readers had requested that the print edition have a smaller form factor to make it easier to take to casting calls, while the redesigned website was meant to "[lead] the user into the products and content that we’ve seen historically be the most helpful for our audience".[18]
In January 2013, Backstage LLC acquired Sonicbids, a service designed to help musicians find gigs, for $15 million.[19] In April 2013, Prometheus Global Media, now fully owned by Guggenheim, bought the remainder of Backstage LLC. John Amato was made president of the Billboard Group, a new unit that would oversee Backstage, Billboard, and Sonicbids.[20] [21] [22] In December 2013, Backstage and Sonicbids were acquired by RZ Capital.
In December 2016, Backstage expanded its online casting tools and editorial coverage to include a wider international scope, with an initial focus on casting in the United Kingdom.[23]
In October 2017, Backstage launched its first fully integrated mobile casting app.[24]
In 2019, Ridgemont Equity Partners invested in Backstage.[25]
In February 2021, Backstage acquired StarNow and Mandy Network.[26]
As of 2017, principals at Backstage included vice president and national casting editor Luke Crowe. At that time, Backstage writers and editors included managing casting editor Melinda Loewenstein and supervising casting editor Veronika Daddona, among many others.[27]
Backstage’s casting department reviews and publishes more than 30,000 casting notices on Backstage.com every year, for projects that range from major studio and network productions and Broadway shows to indie and student films. By monitoring the notices, Backstage is able to quickly work to protect actors from scams,[28] while facilitating the distribution of hundreds of thousands of performance opportunities via a suite of online casting tools.[29]
Backstage Magazine features a different actor on its cover every week with original photography, along with entertainment-industry news and advice columns. Previous cover subjects have included Academy Award winners Kevin Spacey, Benicio Del Toro, Jennifer Lawrence, Lupita Nyong’o, and Eddie Redmayne.[30] Backstage.com also features a series of advice columns written by industry insiders called Backstage Experts, offering aspiring and working actors the know-how to find work and improve their craft.[31] There are also features on different acting schools, coaches, and theater companies around the country.
From 1992 to 2012, Backstage produced annual Actorfest trade shows, entertainment-industry networking events held in various cities. Past Actorfest events took place in New York City,[32] Los Angeles, Philadelphia, and Detroit. Other Backstage events in the past included the annual Backstage Garland Awards (previously known as the Drama-Logue Award) honoring the California theatre scene; the annual Bistro Awards honoring the cabaret industry, especially NYC-based cabaret; and the bi-coastal An Evening With ... series that combined film screenings with Q&A sessions featuring key actors and directors from each film being shown.
Additionally, Backstage hosted classes, workshops, and networking events through its Backstage University brand,[33] and sponsors numerous events and panels for talent working in the fields of film, television, commercials, radio/voice-overs, theatre, dance, modeling, and club talent (comedians, singers, etc.). Its "Successful Actor" panel series was done in partnership with the American Academy of Dramatic Arts.