| Babilla | |
| Type: | studio |
| Artist: | Vico C |
| Cover: | Babilla_cover.jpg |
| Released: | October 6, 2009 |
| Recorded: | 2009 |
| Length: | 54:52 |
| Label: | Caribbean Records |
| Prev Title: | Desahogo |
| Prev Year: | 2005 |
| Next Title: | Colaboraciones de Ayer y Hoy |
| Next Year: | 2011 |
Babilla is the studio album by Puerto Rican rapper Vico C, released on October 6, 2009 through Caribbean Records under exclusive license to EMI Televisa. The 69% of the album was recorded at Luny Tunes' Más Flow Studios in Carolina, Puerto Rico, while the remaining 31% was recorded at Pichaera Studios, Golden Boy Studios (both in San Juan, Puerto Rico) and Rotary Music Studios (Bayamón, Puerto Rico). Vico C produced almost the entire album, while Hyde, Luis Almonte and Joel Morales worked as recording engineers. Half the album was mixed at KDS Studios, while American producer Mike Fuller mastered it at Fullersound Inc., both studios located in Florida. All tracks feature session musicians for guitars, drums, trumpet, trombone, saxophone and choirs, while Vico C played the electronic keyboard on eight of the thirteen songs that includes the album.
It features urban artists including Arcángel, Yaga & Mackie and Wiso G, and also other artists from other genres like Gustavo Laureano, Ángel López and Andy Montañez. The album was nominated for a Latin Grammy Award for Best Urban Music Album on 2010, losing to Chino & Nacho's Mi Niña Bonita. Its lead single, "Sentimiento", was also nominated for a Latin Grammy Award for Best Urban Song, but lost to La Mala Rodríguez' "No Pidas Perdón".
This production was followed by a compilation release made by Sony Music Latin titled Frente A Frente with former reggaeton artist Julio Voltio, released in 2013. Commercially, Babilla is the less successful studio album by Vico C since 1998 and also the first one since that year that appeared in only one category on Billboard charts, debuting 13th on Top Latin Albums and charting just two weeks.
Babilla was released four years after his last studio album, Desahogo, and three years after his last production (excluding greatest hits compilations), which was a live album titled El Encuentro. During the 2000s, Vico C was certificated twice by the Recording Industry Association of America (RIAA) for his albums En Honor A La Verdad and Desahogo,[1] and won two Latin Grammy Awards for Best Urban Music Album for Vivo and also for En Honor A La Verdad. According to EMI Latin, Vico C sold 750,000 copies worldwide as of May 2004.[2] As of his personal life, he adopted a 7-year-old girl named Joselyn in September 2006, being his fourth child with his wife Sonia Torres and fifth in total.[3] In 2008, Vico C collaborated for the first time with Héctor el Father, who was recently converted into christianity and also wrote the song "Y Llora" for his last album: Juicio Final.
Vico C was always been characterized for his social, political and religious themes on his lyrics, which became more common after his full conversion into christianity in the mid-90s.[4] The themes on Babilla are centered in Vico's personal experiences, society, morality, low class life, human self reflection and romance, with conscious hip hop and alternative reggaeton as its main genres.
The cover's dark atmosphere and Vico C holding up an anti-pollution mask might represent the society's contamination with crime (blood on the street, the police car behind Vico and a barricade tape), poverty (the homeless man and the buildings deterioration) and prostitution (the strip club at the background).
The first track, «Babilla» (Puerto Rican jargon for Courage), serves as the album's intro, and its concept is similar to the one in his previous studio album, Desahogo, being a relief to all that annoys him, mentioning Donald Trump's xenophobia, sexual video games, religion and people who want to take advantage with his music. «Sentimiento» (Spanish for Feeling) talks about a beautiful and attractive woman who wants a sincere romantic relationship and getting married instead of money and luxury. «Se Escapa» (Spanish for She Escapes) is about respecting and taking care of one's girlfriend in order to not lose her. «Moriré» (Spanish for I Will Die) is a romantic ballad about dying for a woman if she is no longer interested in one's feelings after a long relationship, using a lot of analogies centered in animals and nature. «El Silencio Mata» (Spanish for Silence Kills) talks about a woman who suffers of domestic violence but needs to talk to someone about that, although she's too scared to denounce his own spouse. «El Corazón Se Pone Bruto» (Spanish for The Heart Gets Stupid) is a moralizing reggaeton about thinking before acting and encouraging the use of preservative, telling two stories about girls that are attracted to men they recently know, both with terrible endings (one girl ends pregnant and the other contracting AIDS). «La Prueba de Farmacia» (Spanish for Pharmacy Test) tells the story about a pregnant teenager who tries to convince her mother that her boyfriend will take care of her whatever happens. «Angelina» tells the story about a low class single mother who have to work as a stripper in order to earn enough money to feed her baby after being abandoned by her boyfriend. «Agua» is about Vico's detention in late 2002 because of porting heroin in his car, complaining about the police and Puerto Rican justice.[2] The term agua (literally water in Spanish) is used in the song as a Puerto Rican jargon referring to the police.
All tracks produced by Vico C (except track 6, produced by Diesel).[5]
Credits adapted from the CD information.
| Chart (2009) | Position |
|---|---|
| Argentine Album (CAPIF)[6] | 16 |
| U.S. Top Latin Albums[7] | 13 |
|-|align="center" rowspan="2"|2010|Babilla|Latin Grammy Award – Best Urban Music Album[8] ||-|"Sentimiento" (featuring Arcángel)|Latin Grammy Award – Best Urban Song[8] ||}