| Babes in Arms | |
| Type: | compilation |
| Artist: | MC5 |
| Cover: | Babes in Arms (album).jpg |
| Released: | 1983 |
| Genre: | Proto-punk[1] |
| Label: | ROIR[2] |
| Producer: | Wayne Kramer |
| Prev Title: | High Time |
| Prev Year: | 1971 |
| Next Title: | Do It |
| Next Year: | 1987 |
Babes in Arms is an album by the American band MC5, released in 1983.[3] [4] Originally released as a cassette, it has been reissued several times.[5]
The album was assembled by guitar player Wayne Kramer. It contains remixes and alternate versions of songs, early singles, and an unreleased track.[4] "Looking at You" was produced by John Sinclair prior to the recording of Kick Out the Jams.[6] "Kick Out the Jams" is included in its uncensored form; "Shaking Street" appears in an acoustic version.[7] [5] "I Can Only Give You Everything" is a cover of the Them song. "Gold" was recorded after the release of High Time.
Robert Christgau noted that "the raw songcraft and new-thing chaos of Detroit's other great protopunk band were further ahead of their time than it seemed five years ago."
The Boston Globe called the album "a concise glimpse into the career of the fiercest band of the '60s," writing that "Rob Tyner was endowed with a volcanic set of lungs, which he needed to rise above the shrill but blessed sound of guitarists Wayne Kramer and Fred 'Sonic' Smith."[8] The Los Angeles Daily News determined that "this well-put-together testimonial to MC5's raw power sounds even better today."
The Boston Herald concluded that Babes in Arms "captures the raw energy of the now seminal Motor City band better than any of its album from the late 60's and early '70s."[9] The Tampa Tribune considered it "perfectly on the line between the sloppy excess of the Five live show and the sometimes thin and ordinary studio records."[10]
AllMusic deemed the album "a howling, furious blast of what made the MC5 one of the finest (and most dangerous) American rock bands of the 1960s." The Spin Alternative Record Guide pointed out that the MC5 "borrowed openly enough from black influences to make a person wonder at the bleaching of alternative in the years that followed."