| Avraham Ofek | |
| Birth Date: | 14 August 1935 |
| Birth Place: | Burgas, Bulgaria |
| Death Place: | Jerusalem, Israel |
| Nationality: | Israeli |
| Movement: | Leviathan Group |
| Field: | Painting, sculpture, and interdisciplinary artworks |
Avraham Ofek (Hebrew: אברהם אופק; August 14, 1935 - January 13, 1990[1]) was a multidisciplinary Israeli artist.
Avraham Ofek was born in Burgas, Bulgaria. Within two years of the establishment of the State of Israel in 1948, 45000 of Bulgaria’s 50000 Jews left voluntarily for Israel, including fourteen-year-old Avraham Ofek.[2] Ofek’s birth parents died prior to this, and he emigrated with an adoptive family. Ofek's adoptive status remained unknown to him until his twenties.https://www.haaretz.co.il/gallery/art/artreview/.premium-1.6430537 They settled in Kibbutz Ein HaMifratz. Informally, Ofek studied painting under his neighbour, Aryeh Rothman.
In 1952, Ofek's adoptive father passed away. Two years later, Ofek enlisted in the Nahal Brigade of the Israel Defense Forces.[3]
In 1958 he went to Italy to continue his studies and to participate in the mural on a wall of the Accademia di Belle Arti in Florence. Under the spell of the art of mural painting, which Ofek considered the primary medium of his work, he painted several of his best-known works, such as the mural on the wall of Beit Haam in Kfar Uria (1970), the mural in the Central Post Office in Jerusalem (1972) and the mural 'Israel, a Shattered Dream', at Haifa University (1986–1987).
Upon returning to Israel in 1962, Efrat, his eldest daughter, was born in Kibbutz Ein Hamifratz. The family shortly moved to Jerusalem, and in 1966 began teaching at the Bezalel Academy.
In 1963, Ofek served as one of the coffin-bearers at the funeral of Yitzhak Ben-Zvi, the second president of Israel.
In 1977, Ofek began studying at Yeshiva Mercaz HaRav.
Avraham Ofek's early works were traditional landscapes, in a distinctly hybrid style that is particular to Middle Eastern, Jewish art. Later in his career, landscapes became undefined and receded into the background. Towards the end of Ofek's life, the landscape of Jerusalem became an important motif, reflecting loss and despair. Many of Ofek's landscapes convey a sense of alienation and solitude, as well as nostalgia for the city of his birth, Sofia.[4]
In 1957 his first solo exhibition was held at the Acre Museum. Following the exhibition, Ofek was invited to exhibit in the prestigious exhibition hall of the Bezalel Academy of Art and Design. Most of his works in these years and until the early 1960s are made of gouache and tempera on paper. Iconographically, the paintings are characterised by the use of concrete images such as cows, agricultural machinery and landscapes of the country, painted using dark coloration that differs from earlier attempts to reflect the "light of the Land of Israel".[5] Ofek's works included images of Arab workers and slums, which he painted during his visits to Haifa, Acre and Jaffa.[6]
During the late 1960s and throughout the 1970s he was an active member of the Leviathan Group, with the artists Shmuel Ackerman and Mikhail Grobman. The group, which was founded in 1976, combined symbolism, metaphysics, Judaism and conceptual and environmental art. Within the framework of this group Ofek created performances and symbolic activities into which Jewish traditional symbolism was integrated.
From the 1980s onward, Ofek returned to more traditional painting, which continued to feature Jewish themes, Israeli landscapes, and views of his city, Jerusalem.[7]
In 1989, the Jerusalem Print Workshop issued a collection of reproductions of his prints edited by Uri Katz, with text in Hebrew and English.