This is an Atlantic Records Discography, albums released on the Atlantic Records label from its founding up until 1982, ordered by catalog number. Two of the major series of LP recordings were the "1200" and "8000" series, started by Nesuhi Ertegun. The "1200" series was reserved for jazz albums. The "8000" and subsequent series, started shortly after the 1200 in 1956, featured Atlantic's R&B and pop albums; when the "1200" series was discontinued in the 1970s, the jazz albums were mixed with the R&B and pop albums in their respective series. This list includes albums using Atlantic's numbering system that were released under their numerous subsidiary labels. There is a section containing albums related to the label as well.
Atlantic's first 33⅓ RPM LP records were 10-inch albums and their first release in 1949 was a recording of Walter Benton's poetry set to music which was also issued as three 12 inch 78 RPM records.[1] This was followed by two albums in 1950 with the bulk of Atlantic's 10-inch albums released between 1951 and 1953. The 100 Series released mainly instrumental jazz LPs and the 400 Series featured vocalists. The album catalog numbers were often denoted by the prefix "LP" on the album cover and "ALS" or "ALR" on the record label.
| Catalog | Artist | Album | Notes | |
|---|---|---|---|---|
| 110 | and Vernon Duke | This Is My Beloved | Also released as a 12-inch 3 record 78 RPM set | |
| 108 | I Love a Piano | |||
| 109 | Rhapsody | |||
| 111 | Heart Songs | |||
| 112 | Erroll Garner: Piano Solos | |||
| 113 | Piano Panorama | Volume 1 of Piano Panorama Series – reissued as part of LP 1277 | ||
| 114 | Piano Panorama | Volume 2 of Piano Panorama Series | ||
| 115 | Ruth Brown Sings Rhythm and Blues Favorites | Unreleased | ||
| 116 | Sarah Vaughan Sings | |||
| 117 | Tenor Sax Solos | |||
| 118 | Soprano Sax Solos | |||
| 119 | Jazz Guitar | |||
| 120 | A Fabulous Collection of His Most Famous Piano Solos | |||
| 121 | Fantasy for Clarinet and Strings | |||
| 122 | Square Dance Party | |||
| 123 | Drums of Haiti | Haiti Dances | Recorded in Haiti under the supervision of Nicky Peters | |
| 124 | Various Artists | Waltzes of Vienna | ||
| 125 | Goldie Plays By the Sea | |||
| 126 | Pee Wee Russell | |||
| 127 | Jimmy Jones: Piano Solos | |||
| 128 | Passport to Fame | Erroll Garner's First Recordings | ||
| 129 | Be-Bop | |||
| 130 | & Mama Yancey | Yancey Special | ||
| 131 | Al Hibbler | Unreleased | ||
| 132 | Piano Panorama | Volume 3 of the Piano Panorama Series | ||
| 133 | Interpretations of the Great Boogie-Woogie Styles | |||
| 134 | Jimmy Yancey: Piano Solos | |||
| 135 | Erroll Garner: Piano Solos Vol. II | |||
| 136 | Piano Panorama | Volume 4 of the Piano Panorama Series | ||
| 137 | Songs By Sylvia Syms | |||
| 138 | Dizzy Volume I | Compilation of French recordings for the Blue Star label | ||
| 139 | Various Artists | Dixieland at Jazz, Ltd. Volume 1 | Featuring Miff Mole, Doc Evans, Ralph Blank, Doc Cenardo, Sy Nelson, and Bill Reinhardt | |
| 140 | Various Artists | Dixieland at Jazz, Ltd. Volume 2 | Featuring Sidney Bechet, Muggsy Spanier, Doc Evans, Don Ewell, Wally Gordon, Munn Ware, Sid Thall and Bill Reinhardt | |
| 141 | Rampart St. Ramblers | |||
| 142 | Dizzy Volume 2 | Compilation of French recordings for the Blue Star label | ||
| 143 | Rampart St. Ramblers Volume 2 | |||
| 144 | with Harry Carney | Johnny Hodges with Harry Carney | ||
| 402 | Songs by Mabel Mercer Volume One | |||
| 403 | Songs by Mabel Mercer Volume Two | |||
| 404 | Fun with Mae Barnes | |||
| 405 | Greta Keller Sings Kurt Weill | |||
| 406 | Hugh Shannon Sings and Plays | |||
| 407 | Vernon Duke Plays Vernon Duke | Vocals by Dorothy Richards and Huguette Ferley | ||
| 408 | Songs by Mabel Mercer Volume Two | |||
| 409 | George Byron Sings Jerome Kern | |||
| 410 | George Byron Sings George Gershwin |
Atlantic commenced releasing 12 inch LP records with the establishment of their 1200 series in 1949 with an album consisting of three 78 RPM records of Walter Benton's poetry. This was followed by a two record set of William Shakespeare's Romeo and Juliet in 1951.[2] Subsequent releases featured Dixieland, opera and selections from Broadway musicals before Nesuhi Ertegun took over responsibility for the LP series in 1955 and the series focused almost exclusively on jazz releases. After one a very early experiment in 1953 stereo releases of Atlantic LPs began production in 1958 and by 1960 all releases were available in mono or stereo pressings—indicated by the prefix SD on the catalog number. The series continued until late 1977 when it concluded with SD 1700 and most of the popular jazz artists moved to the SD 18100 Series and a limited number of albums were released on the 8800 Series.[3]
| Catalog Number | Year | Artist | Title | Notes | |
|---|---|---|---|---|---|
| 1201–3 | 1949 | and Vernon Duke | This Is My Beloved | 3 record 78 RPM set | |
| 1204–5 | 1951 | Romeo and Juliet Scenes | 2 record 33⅓ RPM set produced by Margaret Webster | ||
| 1206 | 1952 | and Muggsy Spanier | Duets | ||
| 1207 | 1952 | Marie Powers Concert | |||
| 1208 | 1952 | Wilbur de Paris and His Rampart Street Ramblers | Issued in "binaural," an early stereo process | ||
| 1209 | 1953 | and Rex Stewart | Big Jazz | ||
| 1210 | 1954 | Charles Sherrill Plays Music from "Show Boat" and "Roberta" | |||
| 1211 | 1954 | Charles Sherrill Plays Music from "Pal Joey" and "A Connecticut Yankee" | |||
| 1212 | 1955 | and His Giants | The Swinging Mr. Rogers | First album produced by Nesuhi Ertegun | |
| 1213 | 1955 | Mabel Mercer Sings Cole Porter | |||
| 1214 | 1955 | Songs by Bobby Short | |||
| 1215 | 1955 | Paul Barbarin and His New Orleans Jazz | |||
| 1216 | 1955 | Octet | Jazz & Romantic Places | ||
| 1217 | 1955 | and Warne Marsh | Lee Konitz with Warne Marsh | ||
| 1218 | 1955 | Ted Straeter's New York | |||
| 1219 | 1955 | Wilbur de Paris and His New New Orleans Jazz | |||
| 1220 | 1955 | Tony Fruscella | |||
| 1221 | 1955 | Wein, Women & Song | |||
| 1222 | 1956 | The Magic Piano | |||
| 1223 | 1956 | with Bob Gordon | Arranged/Played/Composed by Jack Montrose | ||
| 1224 | 1956 | Lennie Tristano | |||
| 1225 | 1956 | and the Famous Sidemen | Tribute to Benny Goodman | ||
| 1226 | 1955 | Nobody Else but Me | |||
| 1227 | 1956 | The Greatest Garner | |||
| 1228 | 1956 | Chris Connor | |||
| 1229 | 1956 | The Teddy Charles Tentet | |||
| 1230 | 1956 | Bobby Short | |||
| 1231 | 1956 | Fontessa | |||
| 1232 | 1956 | and His Giants | Martians Come Back! | ||
| 1233 | 1956 | and His New New Orleans Jazz | Marchin' and Shoutin | ||
| 1234 | 1956 | The Boss of the Blues | |||
| 1235 | 1956 | Here Is Phineas | |||
| 1236 | 1956 | Rodgers Revisited | |||
| 1237 | 1956 | Pithecanthropus Erectus | |||
| 1238 | 1956 | The Jimmy Giuffre Clarinet | |||
| 1239 | 1956 | Various artists | Rock and Roll Forever | Featuring Joe Turner, LaVern Baker, The Clovers, Clyde McPhatter & The Drifters, Ray Charles, Ruth Brown and T-Bone Walker | |
| 1240 | 1956 | He Loves Me, He Loves Me Not | |||
| 1241 | 1956 | The World of Alcina | |||
| 1242 | 1956 | Ballads & Blues | |||
| 1243 | 1956 | Sylvia Syms Sings | |||
| 1244 | 1956 | Midnight at Mabel Mercer's | |||
| 1245 | 1956 | and Thomas Talbert | Wednesday's Child | ||
| 1246 | 1956 | Baritone Sax | |||
| 1247 | 1956 | and Jimmy Giuffre | The Modern Jazz Quartet at Music Inn | ||
| 1248 | 1956 | The Clovers | |||
| 1249 | 1956 | Octet | Love Story | ||
| 1250 | 1956 | Bix, Duke, Fats | |||
| 1251 | 1956 | After the Lights Go Down Low | |||
| 1252 | 1956 | and Vernon Duke | This Is My Beloved | ||
| 1253 | 1957 | Wilbur de Paris at Symphony Hall | |||
| 1254 | 1957 | The Jimmy Giuffre 3 | |||
| 1255 | 1957 | Lush Life | |||
| 1256 | 1957 | with Phil Moore's Music | That Satin Doll | ||
| 1257 | 1957 | Dizzy at Home and Abroad | |||
| 1258 | 1957 | Inside Hi-Fi | |||
| 1259 | 1957 | The Great Ray Charles | |||
| 1260 | 1957 | The Clown | |||
| 1261 | 1957 | Various artists | Dixieland at Jazz, Ltd. | Featuring Sidney Bechet, Muggsy Spanier, Doc Evans, Don Ewell and Bill Reinhardt | |
| 1262 | 1957 | Speaking of Love | |||
| 1263 | 1957 | The Warm Sound | |||
| 1264 | 1957 | Mood Jazz | |||
| 1265 | 1957 | The Modern Jazz Quartet | |||
| 1266 | 1957 | and Jimmy Witherspoon | New Orleans Blues | ||
| 1267 | 1957 | & Sacha Distel | Afternoon in Paris | ||
| 1268 | 1957 | & Lou Levy | West Coast Wailers | ||
| 1269 | 1957 | Plenty, Plenty Soul | |||
| 1270 | 1957 | and His Giants | Way Up There | ||
| 1271 | 1957 | /Barbara Carroll | Ladies of Jazz | ||
| 1272 | 1957 | The John Lewis Piano | |||
| 1273 | 1957 | The Real Lee Konitz | |||
| 1274 | 1957 | Word from Bird | |||
| 1275 | 1957 | Knight Music | |||
| 1276 | 1958 | and His Music Men | The Music Man | ||
| 1277 | 1958 | The Billy Taylor Touch | Includes seven 1951 recordings originally issued on Piano Panorama with four tracks from 1957 | ||
| 1278 | 1958 | Art Blakey's Jazz Messengers with Thelonious Monk | Art Blakey's Jazz Messengers with Thelonious Monk | ||
| 1279 | 1957 | & Ray Charles | Soul Brothers | ||
| 1280 | 1958 | The Most Happy Fella | |||
| 1281 | 1958 | LaVern Baker Sings Bessie Smith | |||
| 1282 | 1958 | Trav'lin' Light | |||
| 1283 | 1958 | and Mama Yancey | Pure Blues | ||
| 1284 | 1958 | The Modern Jazz Quartet Plays No Sun in Venice | |||
| 1285 | 1958 | Sing Me a Swing Song | |||
| 1286 | 1958 | A Jazz Date with Chris Connor | |||
| 1287 | 1957 | Various Artists | Jazz Piano International | Featuring Derek Smith, Dick Katz and René Urtreger | |
| 1288 | 1958 | Wilbur de Paris Plays Cole Porter | |||
| 1289 | 1958 | Ray Charles at Newport | |||
| 1290 | 1958 | Chris Craft | |||
| 1291 | 1958 | Warne Marsh | |||
| 1292 | 1959 | Here Is Chris Barber | |||
| 1293 | 1959 | Premiere Performance! | George Byron Sings New & Rediscovered Jerome Kern Songs | ||
| 1294 | 1959 | Bags & Flutes | |||
| 1295 | 1959 | The Four Brothers Sound | |||
| 1296 | 1959 | Various Artists | Voodoo Drums in Hi-Fi | Authentic ceremonial & street music recorded in Haiti with native musicians & singers | |
| 1297 | 1959 | Young Tuxedo Brass Band | Jazz Begins | ||
| 1298 | 1959 | Various artists | Historic Jazz Concert at Music Inn | Featuring Jimmy Giuffre, Teddy Charles, Pee Wee Russell, Dick Katz, Herbie Mann, Oscar Pettiford, Rex Stewart, Ray Brown, George Wein and Connie Kay | |
| 1299 | 1958 | and Sonny Rollins | The Modern Jazz Quartet at Music Inn Volume 2 | ||
| 1300 | 1959 | Wilbur de Paris Plays Something Old, New, Gay, Blue | |||
| Catalog Number | Year | Artist | Title | Notes | |
|---|---|---|---|---|---|
| 1301 | 1959 | Once in a Blue Moon | |||
| 1302 | 1959 | The Mad Twenties | |||
| 1303 | 1959 | /Joe Thomas | Mainstream | ||
| 1304 | 1960 | Fathead | |||
| 1305 | 1960 | Blues & Roots | |||
| 1306 | 1959 | and Charlie Rouse | The Jazz Modes | ||
| 1307 | 1959 | Ballads of the Sad Cafe | |||
| 1308 | 1959 | Late Date with Ruth Brown | |||
| 1309 | N/A | Chris Connor Sings the George Gershwin Almanac of Song, Vol. 1 | unreleased | ||
| 1310 | N/A | Chris Connor Sings the George Gershwin Almanac of Song, Vol. 2 | unreleased | ||
| 1311 | 1960 | Giant Steps | |||
| 1312 | 1959 | The Genius of Ray Charles | |||
| 1313 | 1959 | Improvised Meditations and Excursions | |||
| 1314 | 1959 | Piano & Pen | |||
| 1315 | N/A | Perpetual Emotion | unreleased | ||
| 1316 | 1960 | and Coleman Hawkins | Bean Bags | ||
| 1317 | 1959 | The Shape of Jazz to Come | |||
| 1318 | 1959 | & His New New Orleans Jazz | That's a Plenty | ||
| 1319 | 1959 | Stringsville | |||
| 1320 | 1960 | Portrait of the Artist | |||
| 1321 | 1960 | On the East Side | |||
| 1322 | 1960 | Merely Marvelous Mabel Mercer | |||
| 1323 | 1960 | The Legendary Buster Smith | |||
| 1324 | 1960 | Groove Funk Soul | |||
| 1325 | 1960 | Pyramid | |||
| 1326 | 1960 | Win with Irwin | The World's Foremost Authority Campaigns at the Playboy Club | ||
| 1327 | 1960 | Change of the Century | |||
| 1328 | 1960 | Woody Herman's Big New Herd at the Monterey Jazz Festival | |||
| 1329 | 1959 | One for Fun | |||
| 1330 | 1960 | Western Suite | |||
| 1331 | 1960 | Newport Jazz Festival All Stars | Newport Jazz Festival All Stars | Buck Clayton, Vic Dickenson, Pee Wee Russell, Bud Freeman, George Wein, Champ Jones and Jake Hanna | |
| 1332 | 1960 | Big Joe Rides Again | |||
| 1333 | 1960 | & Allan Ganley | The Jazz Makers | ||
| 1334 | 1960 | The Golden Striker | |||
| 1335 | 1960 | Eastern Exposure | |||
| 1336 | 1960 | The Wild Jazz Age | Wilbur de Paris Plays Music of the 1920s | ||
| 1337 | 1961 | Various artists | The Blues in Modern Jazz | ||
| 1338 | 1961 | Various artists | Jazz at Jazz, Ltd. | Featuring Bill Reinhardt and Max Hook | |
| 1339 | 1960 | Sister Salvation | |||
| 1340 | 1960 | Philly Joe's Beat | |||
| 1341 | 1960 | The Compleat Musician | |||
| 1342 | 1960 | The Ballad Artistry of Milt Jackson | |||
| 1343 | 1960 | The Common Ground | |||
| 1344 | 1960 | Blue and Sentimental | |||
| 1345 | 1960 | Third Stream Music | |||
| 1346 | 1960 | Various artists | Southern Folk Heritage Series: Sounds of the South | ||
| 1347 | 1960 | Various artists | Southern Folk Heritage Series: Blue Ridge Mountain Music | ||
| 1348 | 1960 | Various artists | Southern Folk Heritage Series: Roots of the Blues | ||
| 1349 | 1960 | Various artists | Southern Folk Heritage Series: White Spirituals | ||
| 1350 | 1960 | Various artists | Southern Folk Heritage Series: American Folk Songs for Children | ||
| 1351 | 1960 | Various artists | Southern Folk Heritage Series: Negro Church Music | ||
| 1352 | 1960 | Various artists | Southern Folk Heritage Series: The Blues Roll On | ||
| 1353 | 1961 | This Is Our Music | |||
| 1354 | 1961 | Coltrane Jazz | |||
| 1355 | 1961 | A Taste of Honey | |||
| 1356 | 1961 | More Soul | |||
| 1357 | 1962 | The New Tristano | |||
| 1358 | 1961 | Blues Shout | |||
| 1359 | 1961 | The Modern Jazz Quartet & Orchestra | |||
| 1360 | 1961 | and Milt Jackson | Soul Meeting | ||
| 1361 | 1961 | My Favorite Things | |||
| 1362 | 1961 | Somethin' Sanctified | |||
| 1363 | 1961 | Wilbur DeParis on the Riviera | |||
| 1364 | 1961 | ||||
| 1365 | 1961 | /Gunther Schuller/Jim Hall | Jazz Abstractions | ||
| 1366 | 1961 | Straight Ahead | |||
| 1367 | 1962 | & Herbie Mann | This Is My Beloved | ||
| 1368 | 1961 | & John Coltrane | Bags & Trane | ||
| 1369 | 1961 | The Genius After Hours | |||
| 1370 | 1961 | Original Sin | Music for Ballet | ||
| 1371 | 1961 | The Family of Mann | |||
| 1372 | 1962 | The Soul Clinic | |||
| 1373 | 1961 | Olé Coltrane | |||
| 1374 | 1962 | The Catbird Seat | |||
| 1375 | 1961 | The Wonderful World of Jazz | |||
| 1376 | 1962 | Red Mitchell-Harold Land Quintet | Hear Ye! | ||
| 1377 | 1962 | Oh Yeah | |||
| 1378 | 1962 | Ornette! | |||
| 1379 | 1962 | Jazz with a Twist | |||
| 1380 | 1962 | Herbie Mann at the Village Gate | |||
| 1381 | 1962 | Lonely Woman | |||
| 1382 | 1962 | Coltrane Plays the Blues | |||
| 1383 | 1962 | , Chris Connor, Herbie Mann & Bobby Short | Richard Rodgers' No Strings: An After-Theatre Version | ||
| 1384 | 1962 | Right Now | |||
| 1385 | 1962 | European Concert, Vol. 1 | |||
| 1386 | 1962 | European Concert, Vol. 2 | |||
| 1387 | 1962 | From the Heart | |||
| 1388 | 1962 | A Milanese Story | Original Soundtrack | ||
| 1389 | 1962 | I Don't Worry About a Thing | |||
| 1390 | 1962 | The Comedy | |||
| 1391 | 1962 | Feeling + Finesse = Jazz | |||
| 1392 | 1962 | & Svend Asmussen | European Encounter | ||
| 1393 | 1962 | Suddenly the Blues | |||
| 1394 | 1962 | Ornette on Tenor | |||
| 1395 | 1962 | Sonny Stitt & the Top Brass | |||
| 1396 | 1962 | Explosion! The Sound of Slide Hampton | |||
| 1397 | 1963 | Do the Bossa Nova with Herbie Mann | |||
| 1398 | 1963 | Swingin' Machine | |||
| 1399 | 1963 | Fathead Comes On | |||
| 1400 | 1963 | Another Dimension |
| Catalog Number | Year | Artist | Title | Notes | |
|---|---|---|---|---|---|
| 1401 | 1966 | Kenny Clarke & Francy Boland | Jazz Is Universal | ||
| 1402 | 1964 | , Albert Mangelsdorff & The Zagreb Jazz Quartet | Animal Dance | ||
| 1403 | 1963 | Plays the Theme from "Beyond the Fringe" and All That Jazz | |||
| 1404 | 1963 | Clarke-Boland Big Band | Handle with Care | ||
| 1405 | 1963 | Soul of the Ballad | |||
| 1406 | 1963 | The Jack Wilson Quartet featuring Roy Ayers | |||
| 1407 | 1963 | Herbie Mann Returns to the Village Gate | |||
| 1408 | 1963 | Eureka Brass Band of New Orleans | Jazz at Preservation Hall 1 | ||
| 1409 | 1963 | & De De Pierce/Jim Robinson's New Orleans Band | Jazz at Preservation Hall 2 | ||
| 1410 | 1963 | & His Jazz Band/Punch Miller's Bunch & George Lewis | Jazz at Preservation Hall 3 | ||
| 1411 | 1963 | George Lewis Band of New Orleans | Jazz at Preservation Hall 4 | ||
| 1412 | 1963 | Quartet featuring Jim Hall | Interaction | ||
| 1413 | 1963 | Herbie Mann Live at Newport | |||
| 1414 | 1964 | The Sheriff | |||
| 1415 | N/A | unreleased | unreleased | ||
| 1416 | 1965 | Tonight at Noon | |||
| 1417 | 1964 | Vibrations | |||
| 1418 | 1964 | Stitt Plays Bird | |||
| 1419 | 1964 | Coltrane's Sound | |||
| 1420 | 1964 | /Quartetto di Milano/Hungarian Gypsy Quartet | A Quartet Is a Quartet Is a Quartet | ||
| 1421 | 1964 | Quartet featuring Jim Hall | Live at the Half-Note | ||
| 1422 | 1964 | Latin Fever | |||
| 1423 | 1964 | True Blue | |||
| 1424 | 1964 | The Word from Mose | |||
| 1425 | 1964 | Essence | John Lewis Plays the Compositions & Arrangements of Gary McFarland | ||
| 1426 | 1964 | & the Bill Evans Trio | Nirvana | ||
| 1427 | 1964 | The Two Sides of Jack Wilson | |||
| 1428 | 1964 | & Elvin Jones | Together! | ||
| 1429 | 1964 | with Laurindo Almeida | Collaboration | ||
| 1430 | 1964 | Quartet featuring Jim Hall | To Sweden With Love | ||
| 1431 | 1964 | & Matthew Gee | Soul Groove | ||
| 1432 | 1965 | The Laws of Jazz | |||
| 1433 | 1965 | My Kinda Groove | |||
| 1434 | 1965 | The Swinger from Rio | |||
| 1435 | 1965 | The Max Roach Trio featuring the Legendary Hasaan | |||
| 1436 | 1965 | Dig These Blues | |||
| 1437 | 1965 | Herbie Mann Plays The Roar of the Greasepaint – The Smell of the Crowd | |||
| 1438 | 1965 | The Grass Roots | |||
| 1439 | 1965 | Autobiography | |||
| 1440 | 1965 | The Modern Jazz Quartet Plays George Gershwin's Porgy and Bess | |||
| 1441 | 1965 | The New Thing & the Blue Thing | |||
| 1442 | 1965 | Quartet | Sing Me Softly of the Blues | ||
| 1443 | 1965 | And Then Again | |||
| 1444 | 1965 | ||||
| 1445 | 1965 | Standing Ovation at Newport | |||
| 1446 | 1966 | Soulero | |||
| 1447 | 1965 | The Fantastic Jazz Harp of Dorothy Ashby | |||
| 1448 | 1965 | The In Sound | |||
| 1449 | 1966 | and the All Star Jazz Band | Jazz Dialogue | ||
| 1450 | 1966 | Mose Alive! | |||
| 1451 | 1967 | & Don Cherry | The Avant-Garde | ||
| 1452 | 1966 | Flute By-Laws | |||
| 1453 | 1966 | Mean Greens | |||
| 1454 | 1966 | Today! | |||
| 1455 | 1966 | After Hours | |||
| 1456 | 1966 | Wild Man on the Loose | |||
| 1457 | 1966 | Jazz for the Jet Set | |||
| 1458 | 1966 | After This Message | |||
| 1459 | 1966 | Quartet | Dream Weaver | ||
| 1460 | 1966 | Sayin' Somethin' | |||
| 1461 | 1966 | Bully! | |||
| 1462 | 1966 | Monday Night at the Village Gate | |||
| 1463 | 1966 | A Change Is Gonna Come | |||
| 1464 | 1966 | Our Mann Flute | |||
| 1465 | 1966 | Joe Harriott-John Mayer Double Quintet | Indo-Jazz Suite | ||
| 1466 | 1966 | The Great Arrival | |||
| 1467 | 1966 | Drums Unlimited | |||
| 1468 | 1966 | Blues at Carnegie Hall | |||
| 1469 | 1966 | Boss Sounds! | |||
| 1470 | 1967 | Mr. Blues | |||
| 1471 | 1966 | New Mann at Newport | |||
| 1472 | 1967 | Tobacco Road | |||
| 1473 | 1967 | Forest Flower | |||
| 1474 | 1967 | Live at Memory Lane | |||
| 1475 | 1967 | Impressions of the Middle East | |||
| 1476 | 1967 | Horizons | |||
| 1477 | 1967 | Backlash | |||
| 1478 | 1967 | The Tender Storm | |||
| 1479 | 1967 | Harlem Lullaby | |||
| 1480 | 1967 | The Beat of Brazil | |||
| 1481 | 1967 | Quartet | Love-In | ||
| 1482 | 1967 | Joe Harriott–John Mayer Double Quintet | Indo-Jazz Fusions | ||
| 1483 | 1967 | The Beat Goes On | |||
| 1484 | 1967 | Do It Now! | |||
| 1485 | 1967 | Elvin Jones | Midnight Walk | ||
| 1486 | 1967 | Live At The Lighthouse | |||
| 1487 | 1967 | & His Men | Jazz Gunn | ||
| 1488 | 1967 | Virgo Vibes | |||
| 1489 | 1967 | House Of David | |||
| 1490 | 1967 | The Herbie Mann String Album | |||
| 1491 | 1967 | Jimmy Owens–Kenny Barron Quintet | You Had Better Listen | ||
| 1492 | 1967 | People Get Ready | |||
| 1493 | 1967 | Quartet | Journey Within | ||
| 1494 | 1967 | The Grass Is Greener | |||
| 1495 | 1968 | The Electrifying Eddie Harris | |||
| 1496 | 1968 | I Believe to My Soul | |||
| 1497 | 1967 | The Wailing Dervishes | |||
| 1498 | 1968 | & David Newman | Double Barrelled Soul | ||
| 1499 | 1968 | The Complete Yusef Lateef | |||
| 1500 | 1968 | Charles Lloyd in Europe |
| Catalog Number | Year | Artist | Title | Notes | |
|---|---|---|---|---|---|
| 1501 | 1968 | High Blues Pressure | |||
| 1502 | 1968 | The Inflated Tear | |||
| 1503 | 1968 | Double Cross | |||
| 1504 | 1968 | A Tribute to Courage | |||
| 1505 | 1968 | Bigger & Better | |||
| 1506 | 1968 | Plug Me In | |||
| 1507 | 1968 | Windows Opened | |||
| 1508 | 1968 | The Blue Yusef Lateef | |||
| 1509 | 1968 | Laws' Cause | |||
| 1510 | 1968 | Members, Don't Git Weary | |||
| 1511 | 1968 | I've Been Doin' Some Thinkin' | |||
| 1512 | 1968 | featuring Wayne Henderson | Soul Sound System | ||
| 1513 | 1968 | The Inspiration I Feel | |||
| 1514 | 1968 | Stoned Soul Picnic | |||
| 1515 | 1968 | Soul Song | |||
| 1516 | 1968 | Much Les | |||
| 1517 | 1968 | Silver Cycles | |||
| 1518 | 1968 | Left And Right | |||
| 1519 | 1969 | Soundtrack | |||
| 1520 | 1968 | Thesaurus | |||
| 1521 | 1968 | Live at the Top | Guest Artist: David Newmam | ||
| 1522 | 1968 | Memphis Underground | |||
| 1523 | 1969 | Mr. Blues Plays Lady Soul | |||
| 1524 | 1968 | The Many Facets of David Newman | |||
| 1525 | 1969 | Yusef Lateef's Detroit | |||
| 1526 | 1968 | A Soul Experiment | |||
| 1527 | 1968 | The Little Giant | |||
| 1528 | 1969 | Various Artists | Jazz Super Hits | featuring Eddie Harris, John Coltrane, Herbie Mann, Ray Charles and The Modern Jazz Quartet with Laurindo Almeida | |
| 1529: | 1969 | High Voltage | |||
| 1530 | 1969 | Right On | |||
| 1531 | 1969 | Throb | |||
| 1532 | 1969 | Shirley Scott & the Soul Saxes | |||
| 1533 | 1969 | George Wein's Newport All Stars | |||
| 1534 | 1970 | Volunteered Slavery | |||
| 1535 | 1969 | Jump for Joy | |||
| 1536 | 1969 | Live at the Whisky a Go Go | |||
| 1537 | 1969 | & Eddie Harris | Swiss Movement | Recorded Live at The Montreux Jazz Festival, Switzerland | |
| 1538 | 1969 | Daddy Bug | |||
| 1539 | 1970 | Kings/Queens | |||
| 1540 | 1969 | Concerto Grosso in D Blues | |||
| 1541 | 1969 | The Best of John Coltrane | |||
| 1542 | 1969 | The Best of Mose Allison | |||
| 1543 | 1970 | The Best of Ray Charles | |||
| 1544 | 1970 | The Best of Herbie Mann | |||
| 1545 | 1970 | The Best of Eddie Harris | |||
| 1546 | 1970 | The Best of The Modern Jazz Quartet | |||
| 1547 | 1970 | Comment | |||
| 1548 | 1969 | The Diverse Yusef Lateef | |||
| 1549 | 1969 | The Black Angel | |||
| 1550 | 1970 | Hello There, Universe | |||
| 1551 | 1970 | & The Enforcers | Doin' What We Wanna | ||
| 1552 | 1970 | Over and Over Again | |||
| 1553 | 1970 | The Coltrane Legacy | |||
| 1554 | 1970 | Come On Down! | |||
| 1555 | 1970 | The Best of Charles Mingus | |||
| 1556 | 1970 | The Best of Charles Lloyd | |||
| 1557 | 1970 | The Best of Hank Crawford | |||
| 1558 | 1970 | The Best of Ornette Coleman | |||
| 1559 | 1970 | Various Artists | Jazz Super Hits Vol. 2 | Featuring John Coltrane, Charles Lloyd, Hank Crawford, Ray Charles & David Newman, Herbie Mann, Jack McDuff and Yusef Lateef | |
| 1560 | 1970 | Good Vibes | |||
| 1561 | 1970 | Something | |||
| 1562 | 1970 | With a Lotta Help from My Friends | |||
| 1563 | 1970 | Suite 16 | |||
| 1564 | 1971 | MCMLXX | |||
| 1565 | 1970 | Burnin | |||
| 1566 | 1970 | and Will Holt | The Me Nobody Knows | Original Cast Recording | |
| 1567 | 1970 | Mongo '70 | |||
| 1568 | 1970 | Just a Little Lovin | |||
| 1569 | 1970 | Chapter Two | |||
| 1570 | 1970 | The World's Greatest Jazz Band of Yank Lawson and Bob Haggart Live | |||
| 1571 | 1970 | Charles Lloyd in the Soviet Union | |||
| 1572 | 1970 | The Art of the Improvisers | |||
| 1573 | 1970 | Free Speech | |||
| 1574 | 1970 | Nobody Else But Me | |||
| 1575 | 1970 | Rahsaan Rahsaan | |||
| 1576 | 1970 | and İlhan Mimaroğlu | Sing Me a Song of Songmy | ||
| 1577 | 1971 | and Keith Jarrett | Gary Burton & Keith Jarrett | ||
| 1578 | 1971 | ||||
| 1579 | 1971 | Zawinul | |||
| 1580 | 1970 | New Orleans Suite | |||
| 1581 | 1970 | Mongo's Way | |||
| 1582 | 1970 | World's Greatest Jazz Band of Yank Lawson and Bob Haggart | What's New? | ||
| 1583 | 1971 | and Les McCann | Second Movement | ||
| 1584 | 1971 | Western Man | |||
| 1585 | 1971 | and The Enforcers | The Love I've Been Looking For | ||
| 1586 | 1971 | Quartet | The Flowering | ||
| 1587 | 1971 | with the J.C. White Singers | Lift Every Voice And Sing | ||
| 1588 | 1971 | Twins | |||
| 1589 | 1971 | Plastic Dreams | |||
| 1590 | 1970 | The Best of David Newman | |||
| 1591 | 1971 | The Best of Yusef Lateef | |||
| 1592 | 1971 | The Best of Rahsaan Roland Kirk | |||
| 1593 | 1971 | Mongo at Montreux | |||
| 1594 | 1971 | Quiet Fire | |||
| 1595 | 1971 | Live At Newport | |||
| 1596 | 1971 | The Mourning of a Star | |||
| 1597 | 1971 | & Stephane Grappelli | Paris Encounter | ||
| 1598 | 1971 | Alone at Last | |||
| 1599 | 1972 | In the Beginning | Reissue of Presenting Isaac Hayes originally released on the Enterprise label (SD 13–100) | ||
| 1600 | 1972 | Lonely Avenue |
| Catalog Number | Year | Artist | Title | Notes | |
|---|---|---|---|---|---|
| 1601 | 1971 | Blacknuss | |||
| 1602 | 1972 | The Gentle Giant | |||
| 1603 | 1972 | Invitation to Openness | |||
| 1604 | 1972 | Dealing with Hard Times | |||
| 1605 | 1971 | The Don Shirley Point of View | |||
| 1606 | 1971 | Truth Is Fallen | |||
| 1607 | 1972 | The Last Set at Newport | |||
| 1608 | 1971 | Mirror | |||
| 1609 | 1971 | African Cookbook | |||
| 1610 | 1972 | Mississippi Gambler | |||
| 1611 | 1971 | Instant Death | |||
| 1612 | 1971 | Birth | |||
| 1613 | 1971 | The Many Faces of Ragtime | |||
| 1614 | 1971 | Strange Fruit | |||
| 1615 | N/A | Unissued | Unissued | ||
| 1616 | N/A | Unissued | Unissued | ||
| 1617 | N/A | and Ben Webster | Unissued | Unissued | |
| 1618 | N/A | Unissued | Unissued | ||
| 1619 | 1972 | Talk to the People | |||
| 1620 | 1972 | The Very Best of Bobby Short | |||
| 1621 | 1972 | Up from the Roots | |||
| 1622 | 1972 | Mountain in the Clouds | |||
| 1623 | 1972 | The Legendary Profile | |||
| 1624 | 1972 | Wild Flower | |||
| 1625 | 1972 | Eddie Harris Sings the Blues | |||
| 1626 | 1972 | Alone at Montreux | |||
| 1627 | 1972 | Mose in Your Ear | |||
| 1628 | 1972 | Doin' It Right Now | |||
| 1629 | 1972 | Movin' On | |||
| 1630 | 1972 | & Al Hibbler | A Meeting of the Times | ||
| 1631 | 1972 | Ella Loves Cole | |||
| 1632 | 1972 | Hold On, I'm Coming | |||
| 1633 | 1973 | Gypsy Man | |||
| 1634 | 1973 | Young-Holt Unlimited | Oh, Girl | ||
| 1635 | 1973 | Hush 'N' Thunder | |||
| 1636 | 1972 | The New Chicago Blues | |||
| 1637 | 1973 | & Champion Jack Dupree | Blues at Montreux | ||
| 1638 | 1972 | The Weapon | |||
| 1639 | 1972 | Art Ensemble of Chicago | Bap-Tizum | ||
| 1640 | 1972 | Prepare Thyself to Deal With a Miracle | |||
| 1641 | 1973 | , Gerry Mulligan and Paul Desmond | We're All Together Again for the First Time | ||
| 1642 | 1973 | Turtle Bay | |||
| 1643 | 1973 | Svengali | |||
| 1644 | 1973 | Terra Nova | |||
| 1645 | 1973 | Two Generations of Brubeck | |||
| 1646 | 1974 | Layers | |||
| 1647 | 1974 | E.H. in the U.K. | |||
| 1648 | 1974 | London Underground | |||
| 1649 | 1974 | Brother, Where Are You? | |||
| 1650 | 1974 | Part of the Search | |||
| 1651 | 1974 | Art Ensemble of Chicago | Fanfare for the Warriors | ||
| 1652 | 1974 | Blues on Bach | |||
| 1653 | 1974 | Mingus Moves | |||
| 1654 | 1973 | Experience and Judgment | |||
| 1655 | 1974 | Reggae | |||
| 1656 | 1974 | Stompin' at the Savoy | |||
| 1657 | 1974 | Raw Root | |||
| 1658 | 1974 | First Light | |||
| 1659 | 1974 | Is It In | |||
| 1660 | 1974 | Brother, The Great Spirit Made Us All | |||
| 1661 | 1974 | Journey | |||
| 1662 | 1974 | Newmanism | |||
| 1663 | 1974 | Free Fall | |||
| 1664 | 1974 | The Mad Twenties | |||
| 1665 | 1974 | Recollections of the Big Band Era | |||
| 1666 | 1974 | Another Beginning | |||
| 1667 | 1974 | Mingus at Carnegie Hall | |||
| 1668 | 1975 | Alternate Takes | |||
| 1669 | 1975 | I Need Some Money | |||
| 1670 | 1975 | Discothèque | |||
| 1671 | 1975 | with The New York Jazz Repertory Company | Satchmo Remembered: The Music of Louis Armstrong at Carnegie Hall | ||
| 1672 | 1975 | Solo Piano | |||
| 1673 | 1975 | El Juicio (The Judgement) | |||
| 1674 | 1975 | The Case of the 3 Sided Dream in Audio Color | |||
| 1675 | 1975 | Bad Luck Is All I Have | |||
| 1676 | 1975 | Waterbed | |||
| 1677 | 1975 | Changes One | |||
| 1678 | 1975 | Changes Two | |||
| 1679 | 1975 | Hustle to Survive | |||
| 1680 | 1975 | Confessin' the Blues | |||
| 1681 | 1976 | Rhyme and Reason | |||
| 1682 | 1976 | Surprises | Featuring Cissy Houston | ||
| 1683 | 1976 | That Is Why You're Overweight | |||
| 1684 | 1976 | All The Things We Are | With Anthony Braxton, Alan Dawson, Roy Haynes, Lee Konitz and Jack Six | ||
| 1685 | 1976 | The Doctor Is In... and Out | |||
| 1686 | 1976 | Other Folks' Music | |||
| 1687 | 1976 | Echoes of Blue | Compilation of tracks from the albums Backlash and High Blues Pressure. | ||
| 1688 | 1977 | Duke Ellington's Jazz Violin Session | With Svend Asmussen, Stephane Grappelli and Ray Nance | ||
| 1689 | 1977 | My Personal Property | |||
| 1690 | 1976 | River High, River Low | |||
| 1691 | 1976 | Your Mind Is on Vacation | |||
| 1692 | 1976 | Daddy Bug & Friends | |||
| 1693 | 1976 | Jazz Gala Concert | |||
| 1694 | 1976 | Concerto Retitled | Compilation of tracks from The Rise and Fall of the Third Stream, Zawinul and Money in the Pocket | ||
| 1695 | 1976 | Springfever | |||
| 1696 | 1977 | /Herbie Hancock/Keith Jarrett/McCoy Tyner | Chick Corea – Herbie Hancock – Keith Jarrett – McCoy Tyner | ||
| 1697 | N/A | Unissued | Unissued | Unissued | |
| 1698 | 1977 | How Can You Live Like That? | |||
| 1699 | 1977 | Tomorrow's Promises | |||
| 1700 | 1977 | Three or Four Shades of Blues |
| Catalog Number | Year | Artist | Title | Notes | |
|---|---|---|---|---|---|
| 8800 | 1978 | The Last of the Blue Devils | |||
| 8801 | 1978 | Cumbia & Jazz Fusion | |||
| 8802 | 1978 | Montreux Concert | |||
| 8803 | 1979 | Me, Myself an Eye | |||
| 8804 | 1979 | The Big Apple Bash | |||
| 8805 | 1980 | Something Like a Bird | |||
| 8806 | 1981 | More from the Last Concert | |||
| 8807 | 1982 | Eddie Harris | The Versatile Eddie Harris | ||
| 8808 | 1982 | Keith Jarrett | Somewhere Before | live at Shelley Manne-Hole; reissue of 1969 Vortex release | |
| 8809 | 1981 | Charles Mingus | Pithecanthropus Erectus | reissue of 1237 (1956) | |
| 8810 | 1982 | Ornette Coleman | Twins | reissue of 1588 (1971) | |
| 8811 | 1982 | Milt Jackson | Plenty, Plenty Soul | reissue of 1269 (1957) | |
| 8812 | 1982 | Joe Turner | The Boss of the Blues | reissue of 1234 (1956) | |
| 8813 | 1981 | Hubert Laws | The Laws of Jazz | reissue of 1432 (1964) |
A small run of eight jazz LPs released between 1965 and 1967.[6] [7]
| Catalog | Year | Artist | Title | Notes | |
|---|---|---|---|---|---|
| 3001 | 1965 | Bagpipe Blues | |||
| 3002 | 1966 | Nonet | Honeybuns | ||
| 3003 | 1966 | Portrait in Soul | |||
| 3004 | 1966 | Money in the Pocket | |||
| 3005 | 1966 | Prairie Dog | |||
| 3006 | 1966 | Scotch & Soul | |||
| 3007 | 1967 | Here Comes the Whistleman | |||
| 3008 | 1967 | Deuces Wild |
Atlantic commenced releasing 12-inch LPs of popular music in 1956 with the 8000 Series collections of hit singles by their roster of established rhythm and blues artists.[8] The 1960s saw the expansion of Atlantic's roster with the addition of popular music performers, international artists and the emerging dominance of soul music singers such as Solomon Burke and Aretha Franklin.[9] By the end of the 1960s the label experienced its greatest commercial success breaking rock music supergroups like Led Zeppelin and Crosby, Stills & Nash.[10]
| Catalog | Artist | Album | Notes | |
|---|---|---|---|---|
| 8001 | Various Artists | The Greatest Rock & Roll | Featuring LaVern Baker, Ruth Brown, Ray Charles, The Clovers, The Drifters, Ivory Joe Hunter, Clyde McPhatter, Joe Turner and Chuck Willis | |
| 8002 | LaVern | |||
| 8003 | and The Drifters | Clyde McPhatter and The Drifters | Rock & Roll Series | |
| 8004 | Ruth Brown | Rock & Roll Series | ||
| 8005 | Joe Turner | Rock & Roll Series | ||
| 8006 | Ray Charles | Rock & Roll Series | ||
| 8007 | LaVern Baker | Rock & Roll Series | ||
| 8008 | Ivory Joe Hunter | Rock & Roll Series | ||
| 8009 | The Clovers | |||
| 8010 | Various Artists | Rock & Roll Forever | Featuring Joe Turner, LaVern Baker, The Clovers, Clyde McPhatter & The Drifters, Ray Charles, Ruth Brown and T-Bone Walker | |
| 8011 | and His Orchestra | Hi-Fi Sounds for Young Parisians | ||
| 8012 | Mac-Kac | Mac-Kac & His French Rock & Roll | ||
| 8013 | Various Artists | Dance the Rock & Roll | Featuring Willis Jackson, Chuck Calhoun, Tommy Ridgley, Arnett Cobb, Joe Morris, Frank Culley and Tiny Grimes | |
| 8014 | I Miss You So | |||
| 8015 | Ivory Joe Sings the Old and the New | |||
| 8016 | Cy Walter Plays Gershwin Classics | |||
| 8017 | Betty Johnson | |||
| 8018 | The King of the Stroll | |||
| 8019 | Blues from the Gutter | |||
| 8020 | T-Bone Blues | |||
| 8021 | Various Artists | Rock & Roll Forever Vol II | Featuring Chuck Willis, Ray Charles, The Bobbettes, Joe Turner, LaVern Baker, Clyde McPhatter, Ruth Brown, Ivory Joe Hunter, The Clovers, The Drifters and The Jaye Sisters | |
| 8022 | Rockin' & Driftin | |||
| 8023 | Rockin' the Blues | |||
| 8024 | Love Ballads | |||
| 8025 | Yes Indeed! | |||
| 8026 | Miss Rhythm | |||
| 8027 | The Song You Heard When You Fell In Love | |||
| 8028 | ¡Amor!: The Fabulous Guitar of Luiz Bonfa | |||
| 8029 | What'd I Say | |||
| 8030 | Blues Ballads | |||
| 8031 | Clyde | |||
| 8032 | Witchcraft | |||
| 8033 | Big Joe is Here | |||
| 8034 | The Clovers' Dance Party | |||
| 8035 | The Wildest Guitar | |||
| 8036 | Precious Memories: LaVern Baker Sings Gospel | |||
| 8037 | Various Artists | The Rocking 50s | Featuring LaVern Baker, The Bobettes, Ruth Brown, Ray Charles, The Clovers, The Drifters, Ivory Joe Hunter, Clyde McPhatter, Joe Turner and Chuck Willis | |
| 8038 | Skiffle Folk Music | |||
| 8039 | Ray Charles in Person | |||
| 8040 | Chris in Person | |||
| 8041 | The Drifters' Greatest Hits | |||
| 8042 | Tell the World About This | |||
| 8043 | Makin' the Scene | |||
| 8044 | and His Continental Dance Orchestra | Romantica | ||
| 8045 | Natural & Soulful Blues | |||
| 8046 | A Portrait of Chris | |||
| 8047 | Yakety Yak | |||
| 8048 | Fun Life | |||
| 8049 | and Maynard Ferguson | Double Exposure | ||
| 8050 | Saved | |||
| 8051 | and Dolly Jonah | On the Brink | ||
| 8052 | The Genius Sings the Blues | |||
| 8053 | Robert Clary Lives It Up at the Playboy Club | |||
| 8054 | Do the Twist! with Ray Charles | |||
| 8055 | Last Night! | |||
| 8056 | Champion of the Blues | |||
| 8057 | Gee Whiz | |||
| 8058 | Various Artists | The Greatest Twist Hits | Featuring LaVern Baker, The Bobettes, Solomon Burke, Ray Charles, The Clovers, King Coleman, King Curtis, The Mar-Keys, Clyde McPhatter, Tommy Ridgley, Lloyd Sims, The Top Notes, Tee Tucker and Big Joe Turner | |
| 8059 | Save the Last Dance for Me | |||
| 8060 | & His Commanders | Twist Party at the Roundtable | ||
| 8061 | Free Spirits | |||
| 8062: | Do the Pop-Eye with the Mar-Keys | |||
| 8063 | The Ray Charles Story Volume One | |||
| 8064 | The Ray Charles Story Volume Two | |||
| 8065 | Various Artists | The Solid Gold Groups | ||
| 8066 | Mel Tormé at the Red Hill | |||
| 8067 | Solomon Burke's Greatest Hits | |||
| 8068 | Various Artists | Hound Dog's Old Gold | ||
| 8069 | Comin' Home Baby! | |||
| 8070 | The Boss of the Bossa Nova | US release of João Gilberto (Odeon, 1961) | ||
| 8071 | See See Rider | |||
| 8072 | Inside Folk Songs | |||
| 8073 | Up on the Roof: The Best of the Drifters | |||
| 8074 | He's In Charge Here! | |||
| 8075 | You Never Know | |||
| 8076 | The Warm World of Joao Gilberto | US release of Chega de Saudade (Odeon, 1959) | ||
| 8077 | The Best of Clyde McPhatter | |||
| 8078 | The Best of LaVern Baker | |||
| 8079 | I Remember Chuck Willis | |||
| 8080 | The Best of Ruth Brown | |||
| 8081 | The Best of Joe Turner | |||
| 8082 | The Best of Chris Connor | |||
| 8083 | The Ray Charles Story Vol. 3 | |||
| 8084 | Out of the Shadows | US release of UK LP (Columbia, 1962) | ||
| 8085 | If You Need Me | |||
| 8086 | Hello Stranger | |||
| 8087 | The New World Singers | |||
| 8088 | Doris Troy Sings Just One Look | |||
| 8089 | Surfin' with the Shadows | |||
| 8090 | Snap Your Fingers | Subtitled Barbara Lewis Sings the Great Soul Tunes | ||
| 8091 | Mel Tormé Sings Sunday in New York | |||
| 8092 | Anamari | Anamari | ||
| 8093 | Our Biggest Hits | Discontinued after a very short time in favor of 8099 | ||
| 8094 | The Ray Charles Story Volume 4 | |||
| 8095 | The Complete Life of General Douglas MacArthur Through His Own Words | |||
| 8096 | Rock 'n' Soul | |||
| 8097 | The Shadows Know! | |||
| 8098 | Various Artists | Jamaica Ska | Featuring Byron Lee & the Ska Kings, The Blues Busters, The Charmers, Stranger, Ken & Patsy and The Maytals | |
| 8099 | Under the Boardwalk | |||
| 8100 | Various Artists | Porky's Golden Dusties | Featuring The Robins, The Penguins, The Falcons, The Nite Caps, The Aladdins, The Avalons, The Superiors, Jimmy McHugh, Tony March, The Coasters, The Swingin' Hearts, Larry Dale, The Caps, The Versatones, The Clovers, The Royaltones, Clyde McPhatter, Ronnie Jones & The Classmates, The Dubs and The Blonde Bomber | |
| 8101 | Various Artists | Saturday Night at the Uptown | Live album recorded at The Uptown Theatre in Philadelphia featuring The Drifters, Wilson Pickett, The Vibrations, Patty & the Emblems, The Carltons, Barbara Lynn and Patti LaBelle & Her Bluebells | |
| 8102 | And I Love Him! | |||
| 8103 | The Good Life with the Drifters | |||
| 8104 | Mercy! | |||
| 8105 | & João Gilberto | Herbie Mann & Joao Gilberto with Antonio Carlos Jobim | ||
| 8106 | Hold On To What You've Got | |||
| 8107 | Austin Cromer Sings for Her | |||
| 8108 | Killer Joe's International Discothèque | |||
| 8109 | The Best of Solomon Burke | |||
| 8110 | Baby, I'm Yours | |||
| 8111 | and Clarence Pettiford | Chiles & Pettiford Live at Jilly's | ||
| 8112 | and Brasil '65 | In Person at El Matador | ||
| 8113 | Where The Music's Playing | |||
| 8114 | In the Midnight Hour | |||
| 8115 | The New Boss | |||
| 8116 | Various Artists | Solid Gold Soul | Featuring Solomon Burke, Don Covay, Ben E. King, Wilson Pickett, Otis Redding and Joe Tex | |
| 8117 | Land of 1000 Dances | |||
| 8118 | It's Magic | |||
| 8119 | and The Bluebelles | Over the Rainbow | ||
| 8120 | See-Saw | |||
| 8121 | Bobby Darin Sings The Shadow of Your Smile | |||
| 8122 | Esther Phillips Sings | |||
| 8123 | The Young Rascals | |||
| 8124 | The Love You Save | |||
| 8125 | When a Man Loves a Woman | |||
| 8126 | In a Broadway Bag | |||
| 8127 | Fabulous New French Singing Star | |||
| 8128 | A Time to Love | |||
| 8129 | The Exciting Wilson Pickett | |||
| 8130 | The Country Side of Esther Phillips | |||
| 8131 | Not released | |||
| 8132 | Warm and Tender Soul | |||
| 8133 | I've Got to Do a Little Bit Better | |||
| 8134 | Collections | |||
| 8135 | If I Were a Carpenter | |||
| 8136 | The Piano of Eddie Higgins | |||
| 8137 | Various Artists | Solid Gold Soul Volume 2 | Featuring Solomon Burke, Ray Charles, Chris Kenner, Wilson Pickett, Percy Sledge and Joe Tex | |
| 8138 | The Wicket Pickett | |||
| 8139 | I Never Loved a Man the Way I Love You | |||
| 8140 | Various Artists | Beach Beat | Featuring The Clovers, The Coasters, The Drifters, Barbara Lewis, Stick McGhee, Clyde McPhatter, Willie Tee, Doris Troy and Chuck Willis | |
| 8141 | & Tamiko Jones | A Mann & A Woman | ||
| 8142 | Inside Out | |||
| 8143 | For Once in My Life | |||
| 8144 | The Best of Joe Tex | |||
| 8145 | The Sound of Wilson Pickett | |||
| 8146 | The Percy Sledge Way | |||
| 8147 | & The Bluebelles | Dreamer | ||
| 8148 | Groovin' | |||
| 8149 | Cowboys & Colored People | |||
| 8150 | Aretha Arrives | |||
| 8151 | The Best of Wilson Pickett | |||
| 8152 | I Can Tell | |||
| 8153 | The Drifters' Golden Hits | |||
| 8154 | Bobby Darin Sings Doctor Dolittle | |||
| 8155 | The Sweet Inspirations | |||
| 8156 | Live and Lively | |||
| 8157 | Daktari | |||
| 8158 | King Solomon | |||
| 8159 | & Gail Parent | Here Comes the Bird | ||
| 8160 | Made in France | |||
| 8161 | Various Artists | History of Rhythm & Blues Volume 1: The Roots 1947–52 | Featuring Ruth Brown, The Cardinals, The Clovers, Frank Culley, The Delta Rhythm Boys, Lead Belly, Stick McGhee, Edna McGriff, The Orioles, The Ravens, Laurie Tate & Joe Morris Orchestra and Joe Turner | |
| 8162 | Various Artists | History of Rhythm & Blues Volume 2: The Golden Years 1953–55 | Featuring LaVern Baker, Ruth Brown, Ray Charles, The Chords, The Clovers, The Diamonds, The Drifters featuring Clyde McPhatter, The Five Keys, Tommy Ridgeley and Joe Turner | |
| 8163 | Various Artists | History of Rhythm & Blues Volume 3: Rock & Roll 1956–57 | Featuring The Robins, The Clovers, Joe Turner, The Drifters, Clyde McPhatter, Ivory Joe Hunter, LaVern Baker, The Coasters and Chuck Willis | |
| 8164 | Various Artists | History of Rhythm & Blues Volume 4: The Big Beat 1958–60 | Featuring LaVern Baker, Ray Charles, The Coasters, Bobby Darin, The Drifters, Ben E. King, Clyde McPhatter and Carla Thomas | |
| 8165 | Portrait of Carmen | |||
| 8166 | Latin Bugalu | |||
| 8167 | Various Artists | Brazil's Super Hits | Featuring Luiz Bonfa, João Gilberto, Herbie Mann, Sergio Mendes, The Modern Jazz Quartet with Laurindo Almeida, and Baden Powell | |
| 8169 | Once Upon a Dream | |||
| 8170 | Various Artists | This Is Soul | Featuring Solomon Burke, Arthur Conley, Eddie Floyd, Aretha Franklin, Ben E. King, Wilson Pickett, Otis Redding, Sam & Dave, Percy Sledge and Carla Thomas | |
| 8171 | Here Is Barbara Lynn | |||
| 8172 | Love Songs | featuring Billy Taylor | ||
| 8173 | Workin' on a Groovy Thing | |||
| 8174 | & Judy Clay | Storybook Children | ||
| 8175 | I'm in Love | |||
| 8176 | Lady Soul | |||
| 8177 | Sérgio Mendes' Favorite Things | |||
| 8178 | and George Foster | The Handwriting on the Wall | Subtitled The Sounds of Graffiti | |
| 8179 | You Devil You | |||
| 8180 | Take Time to Know Her | |||
| 8181 | Tighten Up | |||
| 8182 | Songs of Faith & Inspiration | Credited to Cissy Drinkard & The Sweet Inspirations | ||
| 8183 | The Midnight Mover | |||
| 8184 | Mandala | Soul Crusade | ||
| 8185 | I Wish I Knew | |||
| 8186 | Aretha Now | |||
| 8187 | Soul Country | |||
| 8188 | Various Artists | The Super Hits Vol. 2 | Featuring The Bar-Kays, Bee Gees, Buffalo Springfield, Don Covay, The Fireballs, Aretha Franklin, Wilson Pickett, The Rascals, Otis Redding, Sam & Dave, Sonny & Cher and Joe Tex | |
| 8189 | Apple Pie Motherhood Band | The Apple Pie Motherhood Band | ||
| 8190 | ||||
| 8191 | Various Artists | Beach Beat Vol. 2 | Featuring Bobby Moore & the Rhythm Aces, Tony Clarke, The Clovers, The Coasters, King Curtis & The Kingpins, Ben E. King, Barbara Lewis, Clyde McPhatter, Lenny O'Henry, Billy Stewart, Willie Tee and Maurice Williams and the Zodiacs | |
| 8192 | This Is Clarence Carter | |||
| 8193 | Various Artists | History of Rhythm & Blues Volume 5: The Beat Goes On 1961–62 | Featuring LaVern Baker, William Bell, Booker T. & the M.G.'s, Solomon Burke, Ray Charles, The Coasters, The Drifters, The Falcons featuring Wilson Pickett, The Ikettes, Ben E. King, The Mar-Keys, Otis Redding and Rufus Thomas | |
| 8194 | Various Artists | History of Rhythm & Blues Volume 6: On Broadway 1963–64 | Featuring Solomon Burke, The Coasters, Don Covay, The Drifters, Nat Kendrick & The Swans, Chris Kenner, Ben E. King, Barbara Lewis, Wilson Pickett, Otis Redding, Joe Tex, Carla Thomas, Rufus Thomas and Doris Troy | |
| 8195 | The Robert Stigwood Orchestra Plays Bee Gees' Hits | |||
| 8196 | What Is an Uggams? | |||
| 8197 | With Pen in Hand | |||
| 8198 | The Crazy World of Arthur Brown | US release of UK album | ||
| 8199 | The Dynamic Clarence Carter | |||
| 8200 | The Sound of Silence | |||
| 8201 | What the World Needs Now Is Love | |||
| 8202 | Booker T. & the M.G.'s | The Best of Booker T. and the MG's | ||
| 8203 | Various Artists | The Super Hits Vol. 3 | Featuring Archie Bell & the Drells, Booker T. & the MG's, Arthur Conley, Cream, Aretha Franklin, Wilson Pickett, The Rascals, Sam & Dave, Percy Sledge, The Sweet Inspirations and Vanilla Fudge | |
| 8204 | & the Drells | I Can't Stop Dancing | ||
| 8205 | Sam & Dave | I Thank You | ||
| 8206 | Sooner or Later | |||
| 8207 | Aretha in Paris | |||
| 8208 | Various Artists | History of Rhythm & Blues Volume 7: The Sound of Soul 1965–66 | Featuring Solomon Burke, The Capitols, Don Covay & The Goodtimers, Eddie Floyd, Barbara Lewis, Wilson Pickett, Otis Redding, Sam & Dave, Percy Sledge and Willie Tee | |
| 8209 | Various Artists | History of Rhythm & Blues Volume 8: The Memphis Sound 1967 | Featuring The Bar-Kays, Booker T. & the MG's, Arthur Conley, King Curtis, Aretha Franklin, Wilson Pickett, Otis Redding, Sam & Dave, Percy Sledge, Joe Tex and Carla Thomas | |
| 8210 | The Best of Percy Sledge | |||
| 8211 | Happy Soul | |||
| 8212 | Soul '69 | |||
| 8213 | King of the Blues Guitar | |||
| 8214 | Dusty in Memphis | |||
| 8215 | Hey Jude | |||
| 8216 | Led Zeppelin | Led Zeppelin | ||
| 8217 | Shame Shame | |||
| 8218 | Sam & Dave | The Best of Sam & Dave | ||
| 8219 | Cartoone | Cartoone | ||
| 8220 | Black Pearl | Black Pearl | ||
| 8221 | Ars Nova | Sunshine and Shadows | ||
| 8222 | Glass Onion | |||
| 8223 | Motor-Cycle | |||
| 8224 | Various Artists | The Super Hits Vol. 4 | Featuring Bee Gees, Archie Bell & The Drells, Arthur Brown, Clarence Carter, Cream, Tyrone Davis, Aretha Franklin, Wilson Pickett, The Rascals and Dusty Springfield | |
| 8225 | Sweets for My Sweet | |||
| 8226 | & the Drells | There's Gonna Be a Showdown | ||
| 8227 | Aretha's Gold | |||
| 8228 | The New Message | |||
| 8229 | Crosby, Stills & Nash | Crosby, Stills & Nash | ||
| 8230 | First Take | |||
| 8231 | Buying a Book | |||
| 8232 | The Best of Carla Thomas | |||
| 8233 | Apple Pie Motherhood Band | Apple Pie | ||
| 8234 | Rune at the Top | |||
| 8235 | Hair is Beautiful | |||
| 8236 | Led Zeppelin | Led Zeppelin II | ||
| 8237 | & the Jefferson Lemon Blues Band | The House of Blue Lights | ||
| 8238 | Testifin | |||
| 8239 | Boz Scaggs | Boz Scaggs | ||
| 8240 | Banchee | Banchee | ||
| 8241 | Just to Satisfy You | |||
| 8242 | The Source | |||
| 8243 | Yes | Yes | ||
| 8244 | Golden Earring | Eight Miles High | ||
| 8245 | King Crimson | In the Court of the Crimson King | ||
| 8246 | See | |||
| 8247 | MC5 | Back in the USA | ||
| 8248 | This Girl's in Love with You | |||
| 8249 | A Brand New Me | |||
| 8250 | Right On | |||
| 8251 | Southern Fried | |||
| 8252 | Feelin' Alright | |||
| 8253 | Sweet, Sweet Soul | |||
| 8254 | Joe Tex Sings with Strings & Things | |||
| 8255 | Blues from the Gutter | Reissue of 8019 | ||
| 8256 | T-Bone Blues | Reissue of 8020 | ||
| 8257 | Inside Shel Silverstein | Reissue of 8072 | ||
| 8258 | Mott the Hoople | Mott the Hoople | ||
| 8259 | Outlaw | |||
| 8260 | Loudon Wainwright III | |||
| 8261 | Side Show | Side Show | ||
| 8262 | The Assembled Multitude | |||
| 8263 | Tamalpais Exchange | Tamalpais Exchange | ||
| 8264 | Thunderclap Newman | Hollywood Dream | ||
| 8265 | Spirit in the Dark | |||
| 8266 | King Crimson | In the Wake of Poseidon | ||
| 8267 | Patches | |||
| 8268 | Someday Soon | |||
| 8269 | Jo Mama | Jo Mama | ||
| 8270 | Wilson Pickett In Philadelphia | |||
| 8271 | Sam, Hard and Heavy | |||
| 8272 | Mott the Hoople | Mad Shadows | ||
| 8273 | Yes | Time and a Word | ||
| 8274 | Various Artists | The Super Hits Volume 5 | Featuring Brook Benton, Blues Image, Crosby, Stills, Nash & Young, Tyrone Davis, Aretha Franklin, R. B. Greaves, Led Zeppelin, Lulu, Nazz, Wilson Pickett, The Rascals and Thunderclap Newman | |
| 8275 | The J. Geils Band | |||
| 8276 | Search and Nearness | |||
| 8277 | & the Gang | Peace Sing-Along | ||
| 8278 | King Crimson | Lizard | ||
| 8279 | Alamo | Alamo | ||
| 8280 | Papa Nebo | Papa Nebo | ||
| 8281 | Headless Heroes of the Apocalypse | |||
| 8282 | The Best of Clarence Carter | |||
| 8283 | Yes | The Yes Album | ||
| 8284 | Mott the Hoople | Wildlife | ||
| 8285 | MC5 | High Time | ||
| 8286 | The Best of Barbara Lewis | |||
| 8287 | Unreleased album | later surfaced as extra tracks on the CD issue of Confessin' The Blues. | ||
| 8288 | Jo Mama | J is for Jump | ||
| 8289 | Standing Here Wondering Which Way | |||
| 8290 | The Best of Wilson Pickett, Volume 2 | |||
| 8291 | Album II | |||
| 8292 | From the Roots Came the Rapper | |||
| 8293 | Judee Sill | Not released on Atlantic; this was instead issued as the first album released on Asylum Records. | ||
| 8294 | Charles John Quarto | |||
| 8295 | Aretha's Greatest Hits | |||
| 8296 | John Prine | |||
| 8297 | The Morning After | |||
| 8298 | Batdorf & Rodney | Off the Shelf | ||
| 8299 | Dixie Fried | |||
| 8300 | Don't Knock My Love | |||
| 8301 | Jimmy & Vella | Jimmy and Vella | ||
| 8302 | Shanti | Shanti | ||
| 8303 | Howard Tate | |||
| 8304 | Mott the Hoople | Brain Capers | ||
| 8305 | The Best of Aretha Franklin |
Atlantic began this series mostly by reissuing its more popular titles.
Unlike many other labels, Atlantic issued multiple-LP sets in a special series. In fact, there were many of these special series, each with its own slant from the prospective of the Atlantic catalog makers.
[SD-2-400 series used for Atco label]
This is a series of 2-LP sets.
This is an early series of 2-LP sets that lay dormant for a decade before being revived in the 1970s.
[SD-2-700 and SD-2-800 series were used for the Atco label.]
This is a series of 2-LP sets.
This is a series of 2-LP sets.
This is a series of 2-LP sets.
These are 2-LP sets.
A short series of blues and fusion music.
These are 2-LP sets.
These are 2-LP sets.
ATLANTIC ALBUM DISCOGRAPHY, PART 12
Atlantic did reissue most of the Stax 700 album series with the same cover graphics and song lineup. See the Stax Discography for details of the albums. Atlantic added a 7 in front of the original Stax number.
This lone record was issued on the Atlantic Group label. The label is red with "ATLANTIC GROUP" above the center hole. Below is the Atlantic Group logo, a black circle with "Dial" in yellow, "STAX" in green and "ATLANTIC" in red.
As would any major record label, Atlantic had, from 1967 to 1970, a numbering system solely devoted to gospel music and sermons.
Promotional or deejay records were issued regularly over the years. They were usually issued with white labels with black print in the same graphical designs as their commercial counterparts.
In addition, Atlantic issued a series of promotional albums using a 100 series. These are listed below, in an incomplete list.
This section includes some of the albums which are related to the Atlantic label, among them, the only album on National Records, and non-US reissues.
National Records was founded in 1944 by Al Green. The company was located at 1841 Broadway in New York City. The output of the label was pop, R&B, jazz, country and western, and gospel. A&R for the label was handled by Herb Abramson, Lee Magid and Bob Shad. The National Record catalog was acquired by Savoy Records in September 1957. There was only one LP released on the label.