| Ataraxia/Taraxis | |
| Type: | EP |
| Artist: | Pelican |
| Cover: | Ataraxia-Taraxis-pelican.jpg |
| Alt: | A photograph of sloping dunes in a desert overseen by a blue sky |
| Released: | April 10, 2012 |
| Genre: | Post-metal |
| Length: | 18:03 |
| Label: | Southern Lord Records (LORD155) |
| Prev Title: | What We All Come to Need |
| Prev Year: | 2009 |
| Next Title: | Forever Becoming |
| Next Year: | 2013 |
Ataraxia/Taraxis is the fifth EP by American post-metal band Pelican, released through Southern Lord Records on April 10, 2012.[1] Ataraxia/Taraxis was Pelican's final release to include founding guitarist Laurent Schroeder-Lebec.[2]
In 2010, two years prior to the release of the Ataraxia/Taraxis EP, founding member and guitarist Laurent Schroeder-Lebec retired from touring with Pelican. In an official press release, it was clarified that the parting was amicable, and that he chose to focus on his family and career instead of the band.[3] After concluding recording of Ataraxia/Taraxis, Schroeder-Lebec admitted that his "heart wasn't fully in" preparation for the next full-length album, and he removed himself from the composing process.
Pelican's goal with Ataraxia/Taraxis was to capture all major sides of the band's sound, "melodic rock, smokey doom, ambient soundscape, acoustic desert-folk, and minimalist electronics." Aaron Harris of fellow post-metal outfit Isis aided in recording percussion for the EP.
A music video for "Lathe Biosas" was released on August 20, 2013.[4] A brief clip of the EP's first track, "Ataraxia", serves as the introduction to the video, which goes on to intersperse acted scenes with live performances.[5]
Ataraxia/Taraxis was met with positive reception. The EP received an average score of 74/100 from 7 reviews on Metacritic, indicating "generally favorable reviews". Alternative Press reviewer Jason Pettigrew called the EP "ambitious" and "essential". Denise Falzon of Exclaim! wrote, "Each song on Ataraxia/Taraxis is diverse, with moments of melodious prog-rock, powerful riffs and hazy ambience; however, there's also cohesion to the EP that makes it feel expansive and utterly epic." Writing for Drowned in Sound, Michael Brown said the EP "reinstates Pelican at the top of the instrumental food chain and, if they continue like this, they show no sign of coming down." Brice Ezell of PopMatters called moments of the EP disappointing, but also wrote that as a whole, it is excellent and never boring.
Pelican
Additional personnel