| Asleep at the Wheel | |
| Type: | studio |
| Artist: | Asleep at the Wheel |
| Cover: | AATW-SelfTitled1974.jpg |
| Studio: | Columbia, Nashville |
| Genre: | Western swing |
| Label: | Epic |
| Producer: | Norro Wilson |
| Prev Title: | Comin' Right at Ya |
| Prev Year: | 1973 |
| Next Title: | Texas Gold |
| Next Year: | 1975 |
Asleep at the Wheel is the second album by American western swing band Asleep at the Wheel. Produced by Norro Wilson at Columbia Recording Studios in Nashville, Tennessee, it was released in September 1974 as the group's first album on Epic Records. As with its predecessor Comin' Right at Ya, Asleep at the Wheel's self-titled album featured a mix of traditional and original compositions, including songs written by popular country musicians Rex Griffin, Cindy Walker and Hank Penny.
The second album by Asleep at the Wheel was the first to feature bassist Tony Garnier, who replaced Gene Dobkin in early 1974 and would remain with the band for several years. It was also the only album to feature the group's first full-time fiddler Richard "Corky" Casanova, who joined in time for the album's recording but left shortly after its release. Guest contributors include Johnny Gimble on fiddle and mandolin, Andy Stein on saxophone and fiddle, and Mickey Raphael on harmonica.
Like its predecessor, Asleep at the Wheel failed to register on any national or international record charts. However, the band did register on the US Billboard Hot Country Songs chart for the first time, when second single "Choo Choo Ch'Boogie" (originally recorded by the Tympany Five) registered at number 69 in December 1974. Critical reviews of the album were generally positive, with commentators praising the breadth of musical styles on the record and its place within Western swing.
After being dropped by United Artists, Asleep at the Wheel signed a deal with Epic Records in May 1974.[1] For the recording of their first album on the label, the band wanted to work again with Tommy Allsup, who produced their 1973 debut Comin' Right at Ya; however, Don Ellis, head of Epic at the time, assigned Norris "Norro" Wilson to the project. Sessions took place in Nashville, Tennessee again, this time at Columbia Studio B. Speaking about the recording process, frontman Ray Benson recalled that Wilson "let us do what we wanted", describing it as "a good experience".[2] The album was released in September 1974.[3]
The Asleep at the Wheel album cover features a photograph of the seven-piece band in front of a vintage 1938 Cadillac, which was taken in Austin, Texas shortly after the band relocated there from Oakland, California.[4] The album was the band's first to feature bassist Tony Garnier, who replaced Gene Dobkin before recording began.[2] It was also the only album to feature the group's first full-time fiddler Richard "Corky" Casanova, who joined for the recording and was credited as an official member on the album sleeve.[5] Two tracks from Asleep at the Wheel were issued as singles in 1974: "You and Me Instead" and "Choo Choo Ch'Boogie".[6] [7]
Critical response to Asleep at the Wheel was generally positive. In an uncredited review, Cash Box magazine credited the band for the "gaining momentum" of progressive country, stating: "The group has gained considerable repute for their live act and their firstalbum for Epic marks a worthy label debut as these seven dyed-in-the-wool country buffs confidently rip their way through numbers like "Choo Choo Ch'Boogie," "I'm Gonna Be a Wheel Someday," and "Bloodshot Eyes.""[8]
In a retrospective review for website AllMusic, James Allen gave Asleep at the Wheel three and a half out of five stars, praising the "multitude of styles" present on the record including Western swing, jazz and honky-tonk. Music critic Robert Christgau gave the album a B rating, lower than the A− awarded to Comin' Right at Ya, comparing it to the style of Bob Wills. Cash Box praised "You and Me Instead" as "sweet",[6] and hailed "Choo Choo Ch'Boogie" as "an infectious shuffle".[7]
Asleep at the Wheel
Guest musicians
Additional personnel