Aron Cotruș Explained

Aron Cotruș (in Romanian; Moldavian; Moldovan pronounced as /aˈron koˈtruʃ/; 2 January 1891 – 1 November 1961) was a Romanian poet, diplomat, and member of the fascist Iron Guard.

Life

He was born in 1891 in Hașag, Sibiu County, at the time in Austria-Hungary. After attending secondary school in Blaj and the Andrei Șaguna High School in Brașov, he pursued his studies at the Faculty of Letters of the University of Vienna. He became affiliated with the nationalist newspapers ""Românul" from Arad and "Gazeta de Transilvania" from Brașov. He also collaborated with the cultural magazines "Gândirea", "Vremea", "Libertatea" (Orăștie), "Iconar" (Cernăuți), among others. The critic Al. T. Stamatiad described Cotruș as young Transylvania's "most talented poet".[1]

During World War I he was in Italy, where he worked under the Romanian Legation in Rome. After the war, in 1919, he returned to Romania, becoming a journalist in Arad. A royalist, he later became a supporter of Ion Antonescu. After the death of Queen Marie of Romania he wrote the important poem "Maria Doamna" ("Lady Marie"), in which, in the words of historian Lucian Boia, "the queen appears as a providential figure come from far-off shores to infuse the Romanian nation with a new force."[2]

Cotruș also became a member of the Romanian Writers' Society. He worked as a press attaché in Rome and Warsaw, and during World War II as a press secretary in Madrid and Lisbon. Along with Titus Vifor and Vintilă Horia he was assigned by the Iron Guard's National Legionary State to run the Romanian Propaganda Office in Rome, "The Fellowship of the Cross".[3]

After the coup d'état of August 1944 and the collapse of the Antonescu regime, he became a political refugee in Francoist Spain. He became the president of the exiled Romanian community, then editor of the Iron Guard exile magazine "Carpații", published in Madrid. In 1957 he settled in the United States in Long Beach, California, where he lived for the rest of his life. He died in La Mirada, California on November 1, 1961. His remains are in Holy Cross Cemetery, Cleveland, under a simple stone plaque.

A street in Bucharest's Sector 1 is named after him.[4]

Literature

The Princeton Encyclopedia of Poetry describes him as a writer "whose messianic thunderings were couched in rolling free verse and a racy, sonorous vocabulary."[5] Along with Emil Isac, he opposed a neo-romantic and "prophetic" attitude borrowed from Octavian Goga.[6] In Cotruș's case, this took the form of an ethno-nationalist discourse about "the ethnic and social battles of the Romanians".[6]

Under the communist regime, Cotruș was identified as a traitor, and as a representative of what Marxist critic Nestor Ignat called "hooliganism in literature".[7] However, during the late Ceaușescu era, portions of his work were republished in Romania[8] and his image was partially rehabilitated.[9]

Publications

External links

Notes and References

  1. Ion Mierluțiu, "Un 'cvartet' modernist la Arad, în perioada interbelică", in Revista Arca, Nr. 7-8-9/2010
  2. [Lucian Boia]
  3. Carmen Burcea, "L'immagine della Romania sulla stampa del Ventennio (II)", in The Romanian Review of Political Sciences and International Relations, No. 2/2010, p.31
  4. Web site: Strada Aron Cotruș. ro. bucurestiul.info. November 7, 2022.
  5. Roland Greene, et al, The Princeton Encyclopedia of Poetry, Princeton University Press, Princeton, NJ., 2012, p.1206.
  6. John Neubauer, Marcel Cornis-Pope, Sándor Kibédi Varga, Nicolae Harsanyi, "Transylvania's Literary Cultures: Rivalry and Interaction", in Marcel Cornis-Pope, John Neubauer (eds.), History of the Literary Cultures of East-Central Europe, Vol. 2, John Benjamins, Amsterdam & Philadelphia, 2004, p.264
  7. [Nestor Ignat]
  8. Book: Cotruș, Aron . Versuri . Minerva . 1978.
  9. Book: Bălan, Ion Dodu . Resurecția unui poet - Aron Cotruș . Minerva . 1981 . Bucharest.

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