Apparition of the Virgin to St Bernard (Filippino Lippi) explained

Apparition of the Virgin to St Bernard
Artist:Filippino Lippi
Year:c. 1485–1487
Medium:Oil on panel
Height Metric:210
Width Metric:195
Metric Unit:cm
Imperial Unit:in
Museum:Badia Fiorentina
City:Florence

Apparition of the Virgin to St. Bernard is an oil painting on panel by the Italian Renaissance painter Filippino Lippi, completed around 1485–1487.[1] It is housed in the Badia Fiorentina, a church in Florence.

The picture was commissioned for the chapel of Francesco del Pugliese by the latter's son Piero, who is portrayed in the lower right corner in the traditional praying posture of the donor portrait.

It is one of the most admired Lippi's works,[2] noted for its powerful, Flemish-inspired chromatism and attention to details, which contribute in turning the mystical apparition of the Virgin to St. Bernard into an everyday life scene. The composition is set in a rocky landscape in which the saint, while writing on his lectern, is suddenly visited by the Virgin. Behind Bernard's shoulders is depicted the demon biting his chains: this is a reference to a medieval hymn celebrating the Virgin as the liberator of humanity from the chains of their sins.

A scroll on a rock contains a verse by the 3rd century AD stoic writer Epictetus: Sustine et abstine ("Carry on and abstain"), a hint to Bernard's teachings.

Some scholars have identified in the faces of the Virgin and the angels on the left the portraits of the donor's wife and sons.

References

Notes and References

  1. Rowlands, Eliot W., and Marilyn Bradshaw. "Lippi family." Grove Art Online. January 01, 2003. Oxford University Press.
  2. http://www.artonline.it/opera.asp?IDOpera=1424 Page at artonline.it