Answers to Nothing | |
Type: | studio |
Artist: | Midge Ure |
Cover: | Answers to Nothing cover.jpeg |
Released: | [1] |
Genre: | Pop |
Label: | Chrysalis |
Producer: |
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Prev Title: | The Gift |
Prev Year: | 1985 |
Next Title: | Pure |
Next Year: | 1991 |
Answers to Nothing is the second solo studio album by Scottish musician Midge Ure, released in August 1988 by Chrysalis Records. It was the first release by Ure following the demise of Ultravox.
Ure wrote, produced and recorded all the songs during the span of months in his 24-track home studio. As a solo artist, Ure only hit the singles chart once in America with the single "Dear God". It reached No. 95 on the Billboard Hot 100, No. 6 on the US Billboard Mainstream Rock chart and at No. 4 on the US Billboard Alternative Music chart in 1989.[2] [3] He filmed the music video to "Dear God" in Los Angeles.
Bob Clearmountain mixed the whole album in a week at Air Studios in Montserrat.[4]
The album had an provenance in that it grew out of the broadening of Ure's social consciousness during the past four years. It was a development out of the personal scale to the global. He was changed by his involvement with Live Aid and accompanied the first shipment made to Ethiopia. His direct confrontation with the conditions of starvation and death was the most powerful experience of his life. In addition, his recent embrace of marriage and fatherhood had only reinforced his commitment to caring about the state of the world. All of these changes had found their way into his work.[5]
Ure said in 1988 about the album:[6]
The track "Sister and Brother" was a duet with Kate Bush.[7] [8] In 1982, Ure had appeared onstage with Kate Bush while she performed live onstage during the Prince's Trust Rock Gala. After Ure's approach, Bush said she'd send a vocal contribution back if she had time. "I wasn’t expecting Kate to do anything at all, or that she’d take months if she could help," Midge Ure admitted, "Then she phoned up a week later and said: 'I've done something, do you want to come to my studio to hear it?". Having turned her vocals around so quickly, Ure was ready for Bush's contribution to be two or three lines; probably her sister character answering the brother's questions. Instead, Bush had multi-tracked the vocals with effects Ure called: "all these wonderful Kateisms", including a choral section at the end of the song. "It was glorious," said Ure. "My only regret is that I didn’t see Kate at work to see how she’d done it. Hearing someone like Kate Bush pour their heart and soul into one of my songs was an incredible affirmation. It was, 'Well done you, we're giving you a gold star for your essay.' I was shocked she’d taken so much time and effort."
Having that mutual respect from Bush helped convince Ure he was following the right path. He said: "I realised I didn't have to be aiming for three-minute pop songs, that I could make pieces of music I love, even if nobody else gets it."[9]
The track "Homeland" was written about Phil Lynott, who had died two years prior to when the album was released.
After the first Band Aid shipment to Ethiopia, the sights, sounds and smells of the starving and dying left an imprint on his subconscious that have found expression on the album in songs like "Hell to Heaven" and "Dear God".
Ure said in an interview 2015 about Dear God: