| Birth Place: | Swansea, Wales, United Kingdom | ||||
| Alma Mater: | Middlesex University | ||||
| Occupation: | Composer Lyricist Musical theatre director | ||||
| Url: | AnnemarieLewisThomas | ||||
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Annemarie Lewis Thomas is a musical director, composer, lyricist.[1] She founded the Musical Theatre Academy (MTA) in 2009, which was named as The Stage's School of the Year in 2012 and 2017.[2]
Thomas trained at Middlesex Polytechnic, graduating with a BA(Hons) in Performing Arts in 1989.
From 1994 to 2004 she was musical director of fringe theatre company,[3] The Steam Industry with productions including Seven Brides for Seven Brothers, The King & I, The Sound of Music and the UK stage premiere of Calamity Jane, all at Battersea Arts Centre (BAC).[4]
Thomas has been commissioned by British Youth Music Theatre (BYMT) to write several musicals including CCTV, The Open Door, Girl In The Ashes, Great Expectations and Fool’s Gold.[5]
Thomas has written the music and lyrics for almost 50 musicals including:
| Year | Title | Type of work | Performance venues | Notes |
|---|---|---|---|---|
| 1990 | The Silent Tramp[6] | Full length musical | Polish Theatre, Hammersmith | |
| 1992 | Wizard of Oz[7] | Full length musical | Roses Theatre, Tewkesbury | |
| 1995 | Dangerous Nights[8] | Full length musical | Jermyn Street Theatre, London | |
| 2000 | The Roaring Girl[9] | Play with songs | Finborough Theatre, London | |
| 2001 | Uncle Ebenezer[10] | Full length musical | Various | |
| 2002 | Around the World in 80 days[11] | Full length musical | Various | Pub. Samuel French, Inc. Book and lyrics, Phil Willmott. |
| 2002 | Man Is Man[12] | Play with songs | Finborough Theatre, London | |
| 2003 | The Wolf Boys | Full length musical | Yvonne Arnaud Theatre commission Book and lyrics, Phil Willmott | |
| 2007 | Black Eyed Susan[13] | Underscore for melodrama | Theatre Royal, Bury St Edmunds | |
| 2010 | Dangerous Daughters[14] | Full length musical | The Drill Hall, London | With Nick Stimson |
| 2013 | Great Expectations[15] | Full length musical | Book, Gerry Flanagan | |
| 2017 | Dangerous Daughters | Full length musical | Bridewell Theatre, London | Book, Nick Stimson Published by Samuel French. |
| 2018 | Oh My, Nelly Bly | Full length musical | Bridewell Theatre, London | Book, Nick Stimson Published by Samuel French. |
| 2020 | The Time Machine | Full length musical | Bridewell Theatre, London | Book, Nick Stimson |
Thomas also wrote the music and lyrics for the following pantomimes with the book by Daniel O'Brien: Cinderella (2007), Puss in Boots (2008), Jack and the Beanstalk (2009),Aladdin (2013), Beauty and the Beast (2014), Robinson Crusoe (2016), Mother Goose (2017), Robinson Crusoe, Dick Whittington and his Cat (2019), Covidella and the Masked Ball (2020) an online production and Jack and the Beanstalk (2021).
She wrote the music and lyrics for two online films by Nick Stimson: Coming Home (2020) and J (2021).
Since 1989, Thomas has been musical director of over 150 productions,[16] including:
| Year | Title | Role | Performance venues | Notes |
|---|---|---|---|---|
| 1994 | The Night We Buried Judy Garland[17] | Musical director | Shaw Theatre, London | Director: Phil Wilmott |
| 1996 | Ud's Garden[18] | Musical director | Wimbledon Studios, London | |
| 1996 | Dick Daredevil[19] | Musical director | Drill Hall, London | Director, Phil Wilmott |
| 2000 | The Ultimate Man[20] | Musical director | Bridewell Theatre, London | Director, Paul Tomlinson |
| 2004 | Victor/Victoria[21] | Musical director | Bridewell Theatre, London | Director, Phil Wilmots |
Thomas was head of musical theatre at the Hertfordshire Theatre School[22] and a staff member at Middlesex University.
In 2009, she founded the Musical Theatre Academy (The MTA) in Islington, London.[23] It was named The Stage's School of the Year in 2012[24] and 2017. The MTA closed in September 2022 after it failed to secure financial backing.[25] [26]
As an accompanist, Thomas has worked with Maria Friedman, Liz Robertson, Patti Boulaye, Rachel Tucker, Mari Wilson, Diane Langton and Peter Polycarpou, amongst others.[27]
Thomas wrote for The Reviews Hub for several years. In 2015, she created her own blog which evolved into a vlogging channel on YouTube. She writes for Backstage.com and has staffed their Office Hours forum on occasion.[28] She has also contributed articles to The Stage,[29] Backstage.com[30] and Drama & Theatre.[31]
In March 2015, together with Angie Peake a dual-registered nurse practitioner and therapist. Thomas organised the first conference for UK drama schools to discuss mental health in the arts[32] which resulted in the #time4change Mental Health Charter. Launched by Mark Shenton in The Stage in July 2016, by December of the same year 115 major arts organizations had signed up.[33]