Ania Bien Explained

Ania Bien (born 1946) is an American photographer. Born in Kraków, Poland, to Polish-Jewish parents, she moved to the United States in 1958, where she studied painting and cultural anthropology.[1] Since 1973 she has lived in Amsterdam.

Works

One of Bien's early projects, Hotel Polen, referred to the Hotel Polen fire (which became "part of Bien's wider theme of destruction"[2]) in Amsterdam, 1977, and established her reputation in Dutch art circles. The collection of photographs illustrated a hotel before World War II, showcasing the relative luxury of middle-class travel in Europe, but objects in the photographs associated with the Holocaust indicate that this was a "doomed" way of life.[3] She fabricated 18 replicas of the hotel's menu stands, and used them to display the photographs; the purposely large panels could not be examined en masse, requiring observers to move from image to image.[1] David Levi Strauss, writing in a chapter focusing on Bien in his 2003 book Between the Eyes: Essays on Photography and Politics, called the art piece a "polysemous work of absence, in which what happens between images is the most important."[1] The work was displayed at the San Francisco Museum of Modern Art in 1987 and at the Amsterdams Historisch Museum in 1988.[4]

Some of Bien's work is concerned with Franz Kafka; one of her photographs has her place her hand on a portrait of Kafka's, in response to a note he wrote in 1924 to Dora Diamant, "Place your hand on my forehead for a moment, so I can gain courage." Her 1989 installation Past Perfect asked "what would have happened had [Kafka] not died in 1924, but instead had come as a refugee to America in the late '30s." It gained her international recognition, and was also shown in Jerusalem.[5]

Bien is interested in war, discrimination, and the plight of refugees. She contributed photographs from a centre for asylum seekers in Haarlem to a 1994 book on refugee children in such centers in the Netherlands, Ontheemde kinderen.[6]

Bien has also exhibited at Portfolio Gallery in Edinburgh, Scotland,[7] and the Joods Historisch Museum in Amsterdam.[8] [9]

Notes and References

  1. Book: Levi Strauss, David . Between the Eyes: Essays on Photography and Politics . 2003 . . 1-931788-10-3 . A Second Gaze . https://archive.org/details/betweeneyesessay00stra/page/115/mode/2up?q=bien . 115, 118 . 2024-05-09 . . limited.
  2. Rev. of Warworks: Women, Photography and the Iconography of War . Emmanuel . Cooper . April–May 1995 . . 41.
  3. Book: Osborne, Peter . Travelling Light: Photography, Travel and Visual Culture . 2000 . . Manchester . 0-7190-4400-6 . 178 . 2024-05-09 . . limited.
  4. Web site: Hotel Polen//Ania Bien . siris-libraries.si.edu . . 2024-05-09 . From an exhibition organized by the San Francisco Museum of Modern Art, 15 May-2 August 1987 and the Amsterdams Historisch Museum, February-March, 1988..
  5. News: Photo-based art . Angela . Levine . 11 October 1991 . . https://archive.today/20130131215250/http://pqasb.pqarchiver.com/jpost/access/99707098.html?dids=99707098:99707098&FMT=ABS&FMTS=ABS:FT&date=Oct+11,+1991&author=Angela+Levine&pub=Jerusalem+Post&desc=PHOTO+BASED+ART&pqatl=google . dead . January 31, 2013 . 12 December 2011.
  6. News: Fotografen portretteren jonge vluchtelingen in asielzoekerscentra: Kinderen in een niemandsland . nl . Photographers Portray Young Refugees in Asylum Seeker Centers: Children in a No Man's Land . Arno . Haijtema . 2 January 1995 . . https://archive.today/20130222214256/http://www.volkskrant.nl/vk/nl/2844/Archief/archief/article/detail/383291/1995/01/02/Fotografen-portretteren-jonge-vluchtelingen-in-asielzoekerscentra-Kinderen-in-een-niemandsland.dhtml . dead . February 22, 2013 . 12 December 2011.
  7. Book: Bien, Ania. I-D nationale . Portrait Gallery. Edinburgh, Scotland. 1992. 978-0-9520608-0-2. 30555690.
  8. Web site: Home: Ania Bien. https://web.archive.org/web/20131217083803/http://www.jhm.nl/actueel/tentoonstellingen/archief/home. dead. December 17, 2013. Joods Historisch Museum. 12 December 2011. nl.
  9. Book: Bien, Ania. Leo Divendal. Home. Joods Historisch Museum. Amsterdam, Netherlands. 1993. 978-90-801562-1-0. 55990120.