Andy Hardy Comes Home | |
Director: | Howard W. Koch |
Producer: | Red Doff |
Based On: | characters created by Aurania Rouverol |
Starring: | Mickey Rooney Patricia Breslin Fay Holden |
Music: | Van Alexander |
Cinematography: | William W. Spencer Harold E. Wellman |
Editing: | John Baxter Rogers |
Studio: | Fryman Enterprises |
Distributor: | Metro-Goldwyn-Mayer |
Runtime: | 80 minutes |
Country: | United States |
Language: | English |
Budget: | $313,000[1] |
Gross: | $610,000 |
Andy Hardy Comes Home is a 1958 American comedy film directed by Howard W. Koch. It is the 16th and final film in the Andy Hardy series, with Mickey Rooney reprising his signature role. It was produced 12 years after the previous Hardy film, and was an attempt to revive what had once been an enormously popular film series. Because the film fell short of box office projections, Metro-Goldwyn-Mayer did not continue the Andy Hardy series.
Returning to his hometown of Carvel after several years' absence, Andrew "Andy" Hardy, now a high-flying West Coast lawyer, reminiscences (in flashbacks to earlier films) about his past. He also reconnects with his mother, aunt, sister, and nephew Jimmy as he attempts to convince the skeptical townsfolk to let his company build a factory there.
When his plan to buy land from his old friend Beezy runs into difficulty, Andy brings his wife, Jane, and two children, Andy Jr. and Cricket, to bolster his resolve, and to help him live up to the lessons instilled in him by his late father.
While all seems lost, the closing moments reposition the resurrected series for a new set of Andy Hardy films, but these never materialized.[2]
Songwriter Robert Donley and journalist Edward Hushting wrote an original Andy Hardy synopsis on speculation and brought it to Rooney's agent, Red Doff. He showed it to Rooney, who was enthusiastic, and they pitched the project to Metro-Goldwyn-Mayer as a co-production with Rooney's own company, Fryman Enterprises.[3] The studio, then under the control of Joseph Vogel, agreed to make the film.[4] [5]
"We feel it's time for another Hardy picture", said Doff. "Time for a good, warm, wholesome family comedy – no violence, no monsters, no sex! There are millions who have seen and loved the Hardys – and who would like to see them again. And there are millions who never saw them on the big screen, but who are being presold by seeing them on TV. People like things nostalgic. We believe they'll be curious to see a re-creation of what they loved 15 and 20 years ago." Lewis Stone, who had played the beloved Judge James Hardy in the previous films, had died in 1953 and his character's passing was portrayed in the film. Fay Holden, Sara Haden, and Cecilia Parker all reprised their roles of Emily Hardy, Aunt Milly and Marian, respectively. (Parker had mostly retired from acting since the previous film in 1947, devoting herself to raising her children).[6]
Mickey Rooney tried to persuade Ann Rutherford to return as Polly Benedict, Andy's on-and-off sweetheart in most of the original movies, so the two characters could be a married couple, but Rutherford's salary demands were too high, and the character was written out.[7] [8] Andy's wife in the film, Jane (played by Patricia Breslin), had no prior connection to the town of Carvel.
In line with MGM's practice of introducing studio contract players in the series, contractee Pat Cawley was given a role.[9]
The role of Andy Hardy Jr. was played by Rooney's real-life son, Teddy.
Filming began on 7 May 1958.[9] The film premiered on 22 December 1958 in New York City.[10]
According to MGM records, the movie earned $400,000 in the US and Canada and $210,000 elsewhere, making a loss to the studio of $5,000.[1]
Before the film was released, Hutshing and Donley worked on a sequel about Andy Hardy as a judge called Andy Hardy Carries On.[11] There was also some talk of an Andy Hardy TV series.[12] In the early 1960s, a pilot was shot for a prospective Andy Hardy sitcom for NBC, with a totally different cast and with the character of Judge Hardy returning, but NBC did not pick it up as a series.