| Andrei Konchalovsky | |
| Native Name Lang: | ru |
| Birthname: | Andrei Sergeyevich Mikhalkov |
| Othername: | Andrei Sergeyevich Mikhalkov-Konchalovsky |
| Birth Date: | 20 August 1937 |
| Birth Place: | Moscow, Russian SFSR, Soviet Union |
| Yearsactive: | 1960–present |
| Children: | 7 |
| Father: | Sergey Mikhalkov |
| Relatives: | Nikita Mikhalkov (brother) |
| Alma Mater: | Moscow Conservatory |
| Website: | www.konchalovsky.ru |
Andrei Sergeyevich Konchalovsky (Russian: link=no|Андрей Сергеевич Кончаловский; born 20 August 1937) is a Russian filmmaker. He has worked in Soviet, Hollywood, and contemporary Russian cinema.[1] [2] He is a laureate of the Order "For Merit to the Fatherland", a National Order of the Legion of Honour, an Officer of the Order of Arts and Letters, a Cavalier of the Order of Merit of the Italian Republic and a People's Artist of the RSFSR. He is the son of writer Sergey Mikhalkov, and the brother of filmmaker Nikita Mikhalkov.
Konchalovsky's work[3] has encompassed theatrical motion pictures, telefilms, documentaries, and stage productions. His film credits include Uncle Vanya (1970), Siberiade (1979), Maria's Lovers (1984), Runaway Train (1985), Tango & Cash (1989), House of Fools (2002), The Postman's White Nights (2014), Paradise (2016), and Dear Comrades! (2020). He also directed the 1997 miniseries adaptation of the ancient Greek narrative The Odyssey. Earlier in his career, he was a collaborator of Andrei Tarkovsky. His films have won numerous accolades, including the Cannes Grand Prix Spécial du Jury, a FIPRESCI Award, two Silver Lions, three Golden Eagle Awards, and a Primetime Emmy Award.
Konchalovsky was born Andrei Sergeyevich Mikhalkov in Moscow, Russian Soviet Federative Socialist Republic, into an old aristocratic Mikhalkov family,[4] [5] [6] with centuries-old artistic and aristocratic heritage tracing their roots to the Grand Duchy of Lithuania (in 2009 he testified that a great-grandfather resided in Lithuania).[7] His father was writer Sergey Mikhalkov, and his mother was poet Natalia Konchalovskaya. His brother is filmmaker Nikita Mikhalkov. He is frequently referred to as Andron, but as he stated several times, Andron was just a diminutive used by his grandfather and never was his official name; he prefers the name Andrei.[8] [9]
He studied for ten years at the Moscow Conservatory, preparing for a pianist's career. In 1960, however, he met Andrei Tarkovsky and co-scripted his movie Andrei Rublev (1966).
His first full-length feature, The First Teacher (1964), was favourably received in the Soviet Union and screened by numerous film festivals abroad. His second film, Asya Klyachina's Story (1967), was suppressed by Soviet authorities. When issued twenty years later, it was acclaimed as his masterpiece. Thereupon, Konchalovsky filmed adaptations of Ivan Turgenev's A Nest of Gentle Folk (1969) and Chekhov's Uncle Vanya (1970), with Innokenty Smoktunovsky in the title role.
In 1979 he was a member of the jury at the 11th Moscow International Film Festival.[10] His epic Siberiade upon its 1979 release was favourably received at Cannes, particularly for its scene featuring the binding and abuse of a Siberian Lynx, and made possible his move to the United States in 1980.
His most popular Hollywood releases are Maria's Lovers (1984), Runaway Train (1985), based on a script by Japanese director Akira Kurosawa (who had written it as an adaptation of Dostoevsky's "House of the Dead"[11]), and Tango & Cash (1989), starring Sylvester Stallone and Kurt Russell. In 1985, Ned Tanen wanted to hire Konchalovsky to direct The Godfather Part III, but the other executives at Paramount Pictures concluded the film could not be made without Francis Ford Coppola and Mario Puzo's involvement.[12] In the 1990s, Konchalovsky returned to Russia, although he occasionally produced historical films for U.S. television, such as his adaption of The Odyssey (1997) and the award-winning remake, The Lion in Winter (2003). In a 2023 SAG-AFTRA Foundation interview, Emily Blunt stated that she auditioned for a role in the latter film, and said of Konchalovsky that "he was vile... he was really horrible," and that he was "really cruel during the audition and loved taking me down a peg or two." Blunt claimed that he promoted a "very misogynistic sort of vibe, and I was a shell of my former self by the time I came out."
Konchalovsky's full-length feature, House of Fools (2003), with a cameo role by Bryan Adams as himself, set in a Chechen psychiatric asylum during the war, won him a Silver Lion at the Venice Film Festival.
In 2010, Konchalovsky released a longtime passion project of his, The Nutcracker in 3D, a musical adaptation of Peter Ilyich Tchaikovsky's ballet. A musical film, it mixed live action and 3D animation, and starred Elle Fanning, John Turturro, Nathan Lane, and Richard E. Grant. The film was scored with music from the ballet, with additional lyrics by Tim Rice. The film was universally panned by critics and audiences.
In the same year, Konchalovsky also featured in Hitler in Hollywood, a bio-doc about Micheline Presle which evolves into a thrilling investigation of the long hidden truth behind European cinema. This mockumentary thriller uncovers Hollywood's unsuspected plot against the European motion picture industry. The film won the FIPRESCI Prize at the Karlovy Vary International Film Festival and was nominated for a Crystal Globe award in July 2010.
In 2012, Konchalovsky wrote, directed and produced The Battle for Ukraine, which provided an in depth analysis of how Ukraine to this day struggles to escape from the close embrace of its former big brother, Russia. This extensive study lasted for almost three years and involved an array of Ukrainian, Russian and American historians, politicians and journalists, as well as the ex-President of Poland Aleksander Kwaśniewski, the ex-President of Slovakia Rudolf Schuster, the ex-President of Georgia Eduard Shevardnadze, the seventh Secretary-General of the United Nations Kofi Annan, the ex-Prime Minister of Russia Viktor Chernomyrdin, and the businessman Boris Berezovsky.
2013 saw Konchalovsky co-produce a story previously untold on film. Film-maker Margy Kinmonth invited Charles III, at the time the Prince of Wales, to make a journey through history to celebrate the artistic gene in his family and reveal an extraordinary treasure trove of work by royal hands past and present, many of whom were accomplished artists. Set against the spectacular landscapes of the Royal Estates and containing insights into works by members of the British royal family down the centuries and The Prince of Wales's own watercolours, Royal Paintbox explores a colourful palette of intimate family memory and observation.
His film The Postman's White Nights won the Silver Lion at the 71st Venice International Film Festival.[13] [14] The script is centered around the true story of Aleksey Tryaptisyn, a real life Russian Post officer based in a remote Russian Far North village surrounding Lake Kenozero.
In 2016, Paradise directed by him won the Silver Lion at the 73rd Venice International Film Festival.[15] [16] It was selected as the Russian entry for the Best International Feature Film at the 89th Academy Awards.[17] [18]
In 2020, Konchalovsky directed Dear Comrades!, a historical drama about the Novocherkassk massacre. The film won the Special Jury Prize at the 77th Venice International Film Festival. Anthony Lane, writing for The New Yorker, called the film Konchalovsky's "masterpiece."
In 2012, Konchalovsky was one of 103 public figures to sign a petition in support of the band Pussy Riot during their 2012 trial.[19] [20]
Konchalovsky endorsed Sergey Sobyanin of United Russia in the 2013 Moscow mayoral election.[21]
In the run-up to the Russian presidential election in 2024, Konchalovsky supported Vladimir Putin's candidacy, describing him as "an extraordinary leader, the most courageous and wise person".[22]
Konchalovsky has been married five times. His first wife was Irina Kandat. His second wife was Russian actress Natalya Arinbasarova, with whom he has one son: Russian film director Egor, born 15 January 1966. His third wife was Viviane Godet, with whom he has a daughter, Alexandra Mikhalkova, born 6 October 1971. His fourth wife was Irina Ivanova, with whom he has two daughters: Nathalia and Elena. His fifth wife is Russian actress Julia Vysotskaya; they have been married since 1998 and have two children: Maria (1999) and Petr (2003).
In October 2013, Konchalovsky and daughter Maria were involved in a vehicular collision in the south of France. Konchalovsky lost control of a rented Mercedes and swerved into oncoming traffic, where he crashed into another car. Maria suffered a traumatic brain injury and was placed into an induced coma. By 2018, Maria's condition had improved, and she returned to Russia with her parents.
| Year | Title | Functioned as | Country of Origin | Notes | ||
|---|---|---|---|---|---|---|
| Director | Writer | Producer | ||||
| 1960 | The Steamroller and the Violin | Short film | ||||
| 1961 | The Boy and the Dove | |||||
| 1962 | Ivan's Childhood | |||||
| 1965 | The First Teacher | Thesis film | ||||
| 1966 | Andrei Rublev | |||||
| 1967 | Tashkent | |||||
| The Story of Asya Klyachina | ||||||
| 1969 | A Nest of Gentry | |||||
| 1970 | End of the Ataman | |||||
| Uncle Vanya | ||||||
| 1972 | We're Waiting for You, Lad | |||||
| The Seventh Bullet | ||||||
| 1974 | The Fierce One | |||||
| A Lover's Romance | ||||||
| 1976 | A Slave of Love | |||||
| 1978 | Blood and Sweat | |||||
| 1979 | Siberiade | |||||
| 1982 | Split Cherry Tree | Short film | ||||
| 1984 | Maria's Lovers | |||||
| 1985 | Runaway Train | |||||
| 1986 | Duet for One | |||||
| 1987 | Shy People | |||||
| 1989 | Tango & Cash | |||||
| Homer and Eddie | ||||||
| 1991 | The Inner Circle | | | ||-| 1994 ||Assia and the Hen with the Golden Eggs|||| rowspan="5" |||-| 2002 ||House of Fools|||||-|2005|Culture is Destiny||||Documentary|-| rowspan="3" | 2007 ||Gloss|||||-|Moscow Chill|||||-| To Each His Own Cinema|||||Segment: "Dans le noir"|-| 2010 ||The Nutcracker|||| | | ||||
Executive producer
| Year | Title | Functioned as | Country of Origin | Notes | |
|---|---|---|---|---|---|
| Director | Writer | ||||
| 1977 | Trans-Siberian Express | ||||
| 1997 | The Odyssey | ||||
| 2003 | The Lion in Winter | Television film | |||
| 2003–04 | Geniuses | Documentary series; 6 episodes | |||
| 2004 | The Burden of Power | Documentary series; 2 episodes | |||
| Year | Category | Work | Result |
|---|---|---|---|
| 1997 | Outstanding Directing for a Limited Series, Movie, or Dramatic Special | The Odyssey | |
| 2004 | The Lion in Winter | ||
| Year | Category | Work | Result |
|---|---|---|---|
| 2003 | Best Motion Picture | House of Fools | |
| Best Director | |||
| 2015 | Best Motion Picture | The Postman's White Nights | |
| Best Director | |||
| Best Screenplay | |||
| 2017 | Best Motion Picture | Paradise | |
| Best Director | |||
| Best Screenplay | |||
| 2021 | Best Motion Picture | Dear Comrades! | |
| Best Director | |||
| Best Screenplay | |||
| Year | Category | Work | Result |
|---|---|---|---|
| 1989 | Best Director | The Story of Asya Klyachina | |
| 2015 | Best Film | The Postman's White Nights | |
| Best Director | |||
| 2017 | Best Film | Paradise | |
| Best Director | |||
| Best Screenplay | |||
| 2020 | Best Film | Sin | |