Andrea Brady Explained
Andrea Brady (born 1974[1] in Philadelphia) is an American poet and lecturer at Queen Mary. She studied at Columbia University and the University of Cambridge[2] Her academic work focuses on contemporary poetry and the early modern period.[3] She is the curator of the Archive of the Now[4] and the co-editor (with Keston Sutherland) of Barque Press.[3]
Publications
Poetry
- Vacation of a Lifetime (Cambridge: Salt, 2001).
- Embrace (Glasgow: Object Permanence, 2005).
- Wildfire: A Verse Essay (San Francisco: Krupskaya, 2010).
- Mutability: Scripts for Infancy (Seagull Books, 2013)
- Cut from the Rushes (Hastings: Reality Street, 2013).
- Dompteuse (Toronto: Bookthug, 2014).
- The Strong Room (London: Crater Press, 2016).
- Desiring Machines (Boiler House Press, 2021).
- The Blue Split Compartments (Wesleyan University Press, 2021).
Criticism
- English Funerary Elegy in the Seventeenth Century: Laws in Mourning (2006)
- The Uses of the Future in Early Modern Europe, co-ed. with Emily Butterworth (2009)
- Poetry and Bondage: A History of Lyric and Constraint (2021)
Further reading
External links
Notes and References
- [Ian Hamilton (critic)|Ian Hamilton]
- http://www.sed.qmul.ac.uk/staff/bradya.html Dr Andrea Brady
- https://qmul.academia.edu/AndreaBrady Andrea Brady
- http://www.archiveofthenow.org Archive of the Now