André J. Thomas Explained

André Jerome Thomas (born 15 August 1952) is an American composer and conductor. He served as a professor of music at the College of Music at Florida State University and the artistic director for the Tallahassee Community Chorus. In addition to his conducting and composition credits, Thomas is a published author, having written , and numerous journal articles.

Early life

Thomas grew up in Wichita, Kansas with his two sisters and mother.[1] Thomas's mother cleaned buses for Continental Trailways and sang in church. According to Thomas, this singing initiated his fascination with music.[2]

Thomas explored choral music and instrumental music. During his elementary school years, he sporadically took piano lessons from various members of his church. This musical training notwithstanding, Thomas was predominantly self-taught during his early childhood.[3]

Upon entering junior high school, Thomas decided to pursue piano formally. He began taking lessons at Wichita State University, and by eighth grade, he won the Federated Music Clubs Piano Competition.[4] During this time, Thomas participated in his junior high school’s choir and began disliking spiritual and gospel music which he has since become known for composing. He has since said that

I must admit, I was not fond of these settings, even through high school. As a young black man, I really didn’t identify. This was not the black music that I knew, and it certainly wasn’t the music that I experienced at my church! The text utilized dialect and it made me feel as if performing this music gave white people a chance to make fun of black people. I never really heard the message in the text; I only heard the way it sounded. We certainly weren’t allowed to speak like that in my home and it denoted ignorance in my mind...[5]

While the discomfort may have continued throughout high school, it did not stop him from being actively involved in music and composition. At 16, Thomas accepted the role of Minister of Music at Tabernacle Baptist Church. He began arranging music to meet the needs of his choir. However, his time as a music minister was not easy. Many of the choir members balked at taking instructions from such a young person. This created enough tension for him to eventually leave the choir.[6]

College and early profession

Thomas earned degrees from Friends University (B.M. 1973), Northwestern University (M.M. in Piano Performance 1976), and University of Illinois (D.M.A. 1983).[7] During his time at Friends University, Thomas sang under the direction of Jester Hairston. Hairston noticed Thomas's lack of enthusiasm for spiritual and gospel music and pulled Thomas aside to discuss this with him. Hairston explained how "[the] dialect was not a sign of inferiority but an accommodation for sounds that were not part of African speech".[8]

After finishing his bachelor's degree at Friends University in Wichita, KS, Thomas began teaching at Brooks Junior High School in the Wichita Public School System. Additionally, he served as the Youth Music Minister at Canaan Baptist Church. Two years later, Thomas left to pursue his master's degree in Chicago. While studying at Northwestern University, Thomas decided against a career as a concert pianist. Instead, he aspired to spend his time conducting and teaching because he did not enjoy the solitary nature of becoming a concert pianist. Following his degree at Northwestern, Thomas returned to Wichita Public School System to teach at Coleman Junior High School before deciding to pursue his doctoral degree at the University of Illinois. While there, Thomas received an opportunity to assist Harold Decker, the then Director of Choral Activities, and to direct the University Chorus, as well as the University of Illinois Black Chorus.[9]

Professional career

Thomas began his professional career at the University of Texas in Austin (1981-1984) while finishing his doctoral degree. He then began his long career at Florida State University. He currently serves as Director of Choral Activities, Professor of Choral Education, as well as Owen F. Sellers Professor of Music at Florida State University.[10]

In addition to his collegiate teaching career, Thomas conducts various choral organizations throughout the United States and internationally. He currently serves as the artistic director for the Tallahassee Community Chorus. Internationally, he has conducted in Australia, England, China, Estonia, Israel, New Zealand and many other countries.[11] Thomas has conducted 49 All-State high school choirs, and has twice conducted the World Youth Choir.[12]

Thomas' influence ranges beyond conducting, as he is the author of various choral education editions. An active composer, he has been published by seven publishing companies. His writing frequently addresses the struggle of becoming a black “classical” composer, as well as the challenge of performing ethnic music (spirituals and gospels) with integrity.[13]

André Jerome Thomas is published by a number of publishers including Hinshaw Music[14] and Gentry Publications; and Choristers Guild https://www.choristersguild.org/store/cga718-i-will-sing-praises/3872/

Selected works

Non-compositional works

Choral compositions

Organizations and awards

Conducting credits (highlights)

Further reading

Notes and References

  1. Grove Music Online, "Thomas, André," by Steven R. Kelly, accessed 9-24-12.
  2. Gerald R. Knight. "The Music Philosophies Choral Concepts and Rehearsal Practices of Two African-American Choral Conductors" (PhD diss., Florida State University, 2006),p. 10.
  3. Gerald R. Knight. "The Music Philosophies Choral Concepts and Rehearsal Practices of Two African-American Choral Conductors" (PhD diss., Florida State University, 2006),pp.10-12.
  4. Gerald R. Knight. "The Music Philosophies Choral Concepts and Rehearsal Practices of Two African-American Choral Conductors" (PhD diss., Florida State University, 2006),p.10-12
  5. André J. Thomas, Way Over in Beulah Lan': Understanding and Performing the Negro Spiritual. (Dayton, OH: Heritage Press, 2007).
  6. Gerald R. Knight. "The Music Philosophies Choral Concepts and Rehearsal Practices of Two African-American Choral Conductors" (PhD diss., Florida State University, 2006),p.10-12.
  7. Grove Music Online, "Thomas, André," by Steven R. Kelly, accessed 9-24-12.
  8. André J. Thomas, Way Over in Beulah Lan': Understanding and Performing the Negro Spiritual. (Dayton, OH: Heritage Press, 2007).
  9. Gerald R. Knight. "The Music Philosophies Choral Concepts and Rehearsal Practices of Two African-American Choral Conductors" (PhD diss., Florida State University, 2006), addendum.
  10. Grove Music Online, "Thomas, André," by Steven R. Kelly, accessed 9-24-12.
  11. Grove Music Online, "Thomas, André," by Steven R. Kelly, accessed 9-24-12.
  12. Gerald R. Knight. "The Music Philosophies Choral Concepts and Rehearsal Practices of Two African-American Choral Conductors" (PhD diss., Florida State University, 2006), addendum.
  13. André Jerome Thomas et al. "A Brief Analysis of Masses by Black Composers: Baker, Bonds, Ray and Walker," The Choral Journal 27 (1986): 7-11.
  14. Web site: Andre Thomas Category. 2022-01-07. Hinshaw Music. en-US.
  15. Web site: Andre J. Thomas, Conductor . www.drandrejthomas.net . April 30, 2016.
  16. Web site: Andre J. Thomas, Composer . www.drandrejthomas.net . April 30, 2016.
  17. Gerald R. Knight. "The Music Philosophies Choral Concepts and Rehearsal Practices of Two African-American Choral Conductors" (PhD diss., Florida State University, 2006).
  18. Andre J. Thomas, "Andre Thomas," accessed Sept. 16, 2014. www.andrejthomas.net
  19. Andre J. Thomas, "Andre Thomas," accessed Sept. 16, 2014. www.andrejthomas.net

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