Ana Maria Bahiana Explained

Ana Maria Bahiana
Birth Place:Rio de Janeiro, Brazil
Occupation:Journalist, lecturer

Ana Maria Bahiana (born 1950) is a Brazilian-born Los Angeles-based American author, journalist and lecturer known for her work in cultural journalism.[1] She has worked in a variety of media: newspapers, magazines, television, radio and the Internet.

Biography

Ana Maria Bahiana was born in Rio de Janeiro, Brazil.

While still in college Bahiana worked as editorial assistant at the first Brazilian edition of Rolling Stone magazine in 1972, for which she also contributed reviews and interviews. She wrote for the major Brazilian newspapers – O Estado de S. Paulo, Folha de S. Paulo, O Globo and Jornal do Brasil. In the international press, she contributed to publications in France, United States and Australia, and worked for five years as West Coast Bureau Chief for the British trade magazine Screen International. On television, Bahiana was foreign correspondent in Los Angeles for Telecine, Globosat and Rede Globo, having also collaborated, as producer and interviewer, for the US cable channel Bravo and Canada's CBN.

Bahiana and Paoula Abou-Jaoudé are the only Brazilian members of the Hollywood Foreign Press Association, responsible for the Golden Globes annual awards; since 2015 Bahiana has been serving as deputy editor of the HFPA's official website, goldenglobes.com.[2] In 2006, she wrote and co-produced, the feature film 1972, directed by José Emilio Rondeau.[3] [4]

Bahiana is currently working as writer and researcher on the documentary LA+Rio.

Music

In 1970, while still in college, Bahiana got involved in Rio de Janeiro's independent/underground music scene. There she met composer José Mauro, and started a collaboration that would yield two recorded albums, Obnoxius (1970) and Viagem das Horas (1971).[5]

Through the years, parallel to her work as author and journalist, Bahiana wrote lyrics for composers Marlui Miranda,[6] Sueli Costa and the bands O Faia [7] and Contas de Vidro.

Works

Collaborations

Translation

Notes and References

  1. Book: Stroud, Sean. The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Música Popular Brasileira. 2008. Ashgate Publishing, Ltd. 978-0-7546-8356-8. 254.
  2. Web site: HPFA Active Members . Hollywood Foreign Press Association . dead. https://web.archive.org/web/20060210212100/http://www.goldenglobes.org/hfpa_members/ . 10 February 2006 . 24 August 2016 . dmy .
  3. Web site: 1972. 4 April 2013. Internet Movie Database.
  4. News: '1972' Wrap on Sked. https://web.archive.org/web/20160504231137/https://www.highbeam.com/doc/1G1-89924654.html. dead. 4 May 2016. Cajueiro. Marcelo. 12 July 2002. Daily Variety.
  5. Web site: Jose Mauro | Obnoxius reissue. September 2016 .
  6. Web site: Marlui Miranda – Olho D' Água (1979, Vinyl). Discogs.
  7. https://www.facebook.com/pg/O-Faia-111300732287521/about/