An Elephant Sitting Still Explained

An Elephant Sitting Still
Native Name:
Child:yes
T:大象席地而坐
S:大象席地而坐
P:Dàxiàng Xídì Erzuò
L:an elephant sitting on the ground
Director:Hu Bo
Producer:Fu Dongyan
Screenplay:Hu Bo
Starring:Peng Yuchang
Zhang Yu
Wang Yuwen
Liu Congxi
Cinematography:Fan Chao
Music:Hua Lun
Editing:Hu Bo
Distributor:KimStim (United States)
Production Companies:Dongchun Films
Country:China
Language:Mandarin
Runtime:234 minutes
Gross:$32,556[1]

An Elephant Sitting Still is a 2018 Chinese drama film written, directed and edited by Hu Bo. The first and only feature film by the novelist-turned-director Hu, who died by suicide soon after finishing his film on 12 October 2017 at the age of 29, it is based on a story with the same title from his 2017 novel Huge Crack, about four people who travel to a northern Chinese city to see the eponymous elephant.[2] [3] It made its world premiere in the Forum section of the 68th Berlin International Film Festival.[4] [5] [6] The film has won acclaim from established directors such as Béla Tarr, Wang Bing, Ang Lee, and Gus Van Sant.[7]

The film opened the 12th FIRST International Film Festival in Xining in late July 2018.[8] [9] It was released in the United Kingdom on December 14, 2018, and in the United States on March 8, 2019. Critics' reviews were highly positive.

Plot

In Shijiazhuang, gang member Yu Cheng tells a woman in bed with him of a sitting elephant in a circus in Manzhouli. Whether it is fed or provoked, it remains still. The woman's husband, one of his friends, comes home to discover Yu Cheng, and commits suicide by jumping out the window.

An old man named Wang Jin, who lives with his granddaughter, son-in-law, and daughter, is asked to move out of the apartment (which he owns) into a nursing home as raising the granddaughter has become too expensive.

A student named Wei Bu wakes up to his abusive father yelling about his filthy room. Wei meets his friend Li Kai and they worry about the school bully, Yu Shuai, who is the younger brother of Yu Cheng. Yu Shuai has accused Li Kai of stealing his cell phone. Li has stolen his father's pistol for protection. Huang Ling, Wei's classmate, complains about a leaking toilet to her mother who she has a difficult relationship with. Wei sees the school's vice-dean, who tells him that the school will be closed down. The vice-dean plans to move to a better school while Wei and his classmates will be relocated to an even worse one. Later, Wei and Li meet with Yu Shuai, who mocks Wei's father for having lost his job for accepting a bribe. Wei shoves Yu Shuai down a flight of stairs and Yu Shuai is critically injured. When Wang encounters a lost dog, it fatally mauls his own dog. Wang tracks down the couple who own the dog, only for the man to aggressively deny the attack and refuse to pay for any bills. Wei visits his grandmother and discovers she has died. He picks up his pool cue from a pool hall to sell. As Wang disposes of his dog's body, Wei sees him and asks him for money with the cue as collateral. The two are confronted by the owner of the lost dog who believes Wang has killed it. When Wei threatens him, he is kicked repeatedly. Wang returns to his apartment building, encountering Yu Cheng and his gang who recognize the cue and corner him. Wang escapes and beats up the goons.

Wei meets Huang and he tells her of his plans to leave for Manzhouli. He invites her to join, but she mocks him and says he is only good at kicking a jianzi shuttlecock. Wei follows Huang to a bakery where she meets with the dean secretly. Yu Cheng, not recognizing Wei, also happens to be there and tells him that he is looking for who hurt his brother. Inside the bakery, the dean tells Huang of a boy he knew who beat a cat to death with stones. Wei meets his friend Li at a mall. Li admits he did steal Yu Shuai’s phone, as it contained a video of him urinating and one of the dean with Huang. Later, Huang discovers a video of herself and the dean together has been leaked online. Wei tries to visit Yu Shuai at the hospital. He witnesses Yu Shuai's mother shouting at and slapping Yu Cheng. Wei steals a shuttlecock from a group of elderly men, walks to a riverbank, and screams in self-disgust. Yu Cheng speaks to his girlfriend and blames her for his friend’s suicide. He says his life is like a dumpster in which garbage keeps piling up. Huang argues with her mom about her affair with the dean. During this, the dean and his wife show up. Huang’s mother lies to them about Huang’s location while Huang leaves through a window. Huang picks up a baseball bat and beats both the dean and his wife. Wei, attempting to go to Manzhouli, purchases train tickets from a scalper. Realizing he has been scammed, he demands a refund. Wei is beaten by the scalper and his associates who later recognize him as the kid who hurt Yu Shuai and call Yu Cheng. Though Yu Cheng’s brother has since died, when he learns that Wei also wants to see the elephant, he orders his gang members to get Wei a ticket.

Li appears with his gun and shoots Yu Cheng. Li claims he is proud of himself and tells Wei that he did not post the video of Huang. Wei, disgusted, leaves. Li then shoots himself. Wei meets Wang at the train station, who decides to take his granddaughter to see the elephant, and Huang, who also wants to leave. Huang discovers that their tickets have been canceled and they take a bus instead.

In the dark, they exit a bus near Manzhouli and kick a shuttlecock by the side of the road. The roar of an elephant is heard.

Cast

Production

Filming

The film is set in the northern Chinese industrial city of Shijiazhuang in the Hebei province.[10] Filming occurred in Shijiazhuang over the course of twenty-five days in March and April 2017. Fan Chao, the film's cinematographer, shot with a handheld camera and frequently used tracking shots. This was a result of low budget: Hu originally intended to film statically and with wide angles, but it was too expensive.[11]

Hu Bo wrote, directed, and edited the film himself. Production began in 2016 when he took his screenplay to FIRST Film Festival in Xining for financing. The screenplay was noticed by producer Liu Xuan, who then took it to her husband Wang Xiaoshuai. He ended up producing the film. Reportedly, Hu struggled at this time with maintaining creative control over the project, as well as making enough money from it to be able to live. He described the experience as "humiliation, despair and powerlessness" online, and was berated by Wang who also posted that the film was a "mess." His relationship began deteriorating with Wang because of this.[12]

The final straw came when Wang attempted to convince Hu to cut his film down from 230 minutes to 120 minutes. Those close to Hu reported that this pressure was a major reason Hu committed suicide after production of the film was over. Wang Xiaoshuai's name was scrubbed from the press kit credits, but his production company remained attached.

Distribution

The film was first screened on 16 February 2018 at the 68th Berlin International Film Festival in the Forum section. He was one of three young Chinese directors that were able to make it in thanks to their higher-profile Chinese producers, part of a growing trend in representation for independent films at Berlinale. In light of Hu's suicide, the Q&A section of the premiere was replaced by speeches from Hu's mother and his film school teacher Wang Hongwei. The 230 minute cut was chosen for this release and the subsequent ones worldwide. The film was then shown at the 42nd Hong Kong International Film Festival, where it won the Audience Choice Award.[13] It ran through festivals until widely released in the United Kingdom on 14 December 2018 and in the United States on 8 March 2019.

On 18 November 2019, the film received its streaming premiere on the Criterion Channel.[14] On 10 December 2019, the film released on Blu-ray.

Reception

Critical reception

An emotional Béla Tarr, when presenting the film to an international audience, said that he felt he had done too little to prevent the suicide of his protégé, that the great film will be remembered forever, and that people should look after individuals like Hu. An Elephant Sitting Still was acclaimed by critics. On Rotten Tomatoes, the film has an approval rating of 94%, with an average rating of 8.40/10, based on 52 critics, the critic consensus says "A remarkable debut that sadly serves as its creator's epitaph, An Elephant Sitting Still offers an uncompromisingly grim yet poignant portrait of life in modern China."[15] On Metacritic, the film has a score (using a weighted average) of 86 out of 100, indicating "universal acclaim".[16] Justin Chang of the Los Angeles Times wrote that although the film has "a soap opera season's worth of romantic indiscretions, sudden deaths, unfortunate accidents, provoked and unprovoked attacks", the story "somehow never loses its sense of balance and modulation." Chang argued that the work had a consoling insight that the characters are all worth knowing despite their flaws, and lauded it as "a triumph of bold sociopolitical critique and intimate human portraiture, and a reminder that you rarely encounter the one without the other."[17]

David Ehrlich, who assigned the film an "A−" rating in IndieWire, argued that An Elephant Sitting Still "has little interest in the conventional drama of cause and effect, and its fractured structure is used to emphasize the distance between these people rather than the ties that bind them together." He characterized it as a searching film that avoids "[contriving] an empty solution for the demoralized".[18] Justine Smith, who awarded the film 3.5/4 stars, praised the film's portrayal of love in a system of inequality and oppression. She argued that Hu simultaneously suggests that love in a devastated system "means tethering yourself to people who have long been broken by mistreatment and inequality and who no longer have the capacity to return it", but also that love and beauty are "a constant source of minute, if not fleeting, pleasure." Smith referred to this as a "realistic" portrayal of love in such a system and billed the film's ending as "one of the greatest in contemporary film history", though also referred to the film as "overwhelmingly grey".[19]

In The New Yorker, Richard Brody lauded An Elephant Sitting Still as one of the greatest recent films, writing that Hu "builds an intricate grid of conflict-riddled connections among the movie's main characters" and that the "volatile, roving long takes pursue the characters to the deepest corners of their explosive despair". Brody argued that Hu's "vision conveys a mighty, universal human despair."[20] Matthew Thrift of Little White Lies praised the film as "without question one of the strongest debuts in recent memory", arguing that "the remarkable surety of Hu's direction provides a restless momentum. It's a film constantly in motion, tracking cat and mouse alike through the city streets. [...] Conflict is born out of character and circumstance, rather than narrative contrivance or traditional dramatic structure."[21]

Best lists

An Elephant Sitting Still has been ranked by numerous critics and publications as one of the best films of 2018/2019.

They Shoot Pictures, Don't They? determines An Elephant Sitting Still as the 167th most critically acclaimed film of the 21st century.

Awards and nominations

YearAwardCategoryRecipientResult
2018 FIPRESCI Award An Elephant Sitting Still
GWFF Best First Feature Award - Special Mention
42nd Hong Kong International Film Festival[22] Audience Choice Award
18th New Horizons Film Festival[23] Audience Award
55th Golden Horse Awards[24] Best Feature Film
Best Leading Actor
Best New Director
Best Adapted Screenplay
Best Cinematography Fan Chao
Best Original Film Score Hua Lun
Audience Choice Award An Elephant Sitting Still
2019 37th International Film Festival of Uruguay[25] New Filmmakers Competition - Special Mention An Elephant Sitting Still
12th CinemAsia Film Festival[26] Audience Award
2020 Best Asian Chinese Language Film An Elephant Sitting Still
2020 MO*award An Elephant Sitting Still

External links

Notes and References

  1. Web site: An Elephant Sitting Still (2019). Box Office Mojo. IMDb. September 2, 2019.
  2. News: An Elephant Sitting Still. Venice Biennale. 4 October 2018. 2018.
  3. News: Clarence. Tsui. 'An Elephant Sitting Still' ('Da Xiang Xi Di Er Zuo'): Film Review - Berlin 2018. The Hollywood Reporter. 4 October 2018. 23 February 2018.
  4. News: Sarah. Ward. 'An Elephant Sitting Still': Hong Kong Review. Screen International. 4 October 2018. 29 March 2018.
  5. News: Life as Wastelands - An Elephant Sitting Still. Goethe-Institut. 5 October 2018. 23 February 2018.
  6. News: AN ELEPHANT SITTING STILL. GAIFF. 7 October 2018. 14 July 2018. 6 February 2019. https://web.archive.org/web/20190206153130/http://www.gaiff.am/films/2018/an-elephant-sitting-still. dead.
  7. Web site: Amazing opening weekend! AN ELEPHANT SITTING STILL takes in over 10K in just 6 screenings. us4.campaign-archive.com.
  8. Web site: Director's posthumous movie to open FIRST film fest - China.org.cn. www.china.org.cn.
  9. http://www.firstfilm.org.cn/render/movieDetail?id=140{{Dead link|date=June 2020 |bot=InternetArchiveBot |fix-attempted=yes }}
  10. Web site: 2018-03-08. "An Elephant Sitting Still" is an Elegy for China's Industrial North. 2020-07-08. RADII Culture, Innovation, and Life in today's China. en-US.
  11. Web site: 2019-12-26 . An Elephant Sitting Still: a bitter indictment of contemporary China . 2022-04-13 . South China Morning Post . en.
  12. Web site: 2018-02-15 . Young Chinese filmmakers' movies premiere at Berlin Film Festival . 2022-04-13 . South China Morning Post . en.
  13. Web site: 2018-03-11 . 42nd Hong Kong International Film Festival . 2022-04-13 . Asian Film Festivals . en.
  14. Web site: A Touchstone of Contemporary Chinese Cinema Makes Its Streaming Premiere . 2022-04-13 . The Criterion Collection . en.
  15. m. January 7, 2023.
  16. Web site: An Elephant Sitting Still. . 2019-11-11.
  17. Web site: Review: 'An Elephant Sitting Still,' Hu Bo's first and last feature, is a haunting dispatch from northern China. 2019-03-21. Los Angeles Times. en-US. 2019-11-11.
  18. Web site: 'An Elephant Sitting Still' Review: The First and Last Masterpiece of a Great Filmmaker Gone Too Soon. Ehrlich. David. 2019-03-08. IndieWire. en. 2019-11-11.
  19. Web site: An Elephant Sitting Still movie review (2019) Roger Ebert. Smith. Justine. www.rogerebert.com. en. 2019-11-11.
  20. An Elephant Sitting Still. The New Yorker. en. 2019-11-11.
  21. Web site: An Elephant Sitting Still review – One of the year's best films. Little White Lies. 2019-11-11.
  22. News: HKIFF42 Award Ceremony honors filmmakers with five awards Professional jurors and nominees attend the ceremony. HKIFF. 5 October 2018. 2 April 2018.
  23. News: NEW HORIZONS 2018 Awards - Holiday wins the 18th New Horizons. cineuropa.org. 5 October 2018. 6 August 2018.
  24. Web site: 55th Golden Horse Awards. Golden Horse Awards. 29 January 2019. 2018.
  25. Web site: Press release: Winners of the 37thIFFU . Cinemateca Uruguaya . 9 September 2019.
  26. Web site: Festival Awards 2019: And the winners are …. cinemasia.nl. 31 March 2020. 15 March 2019.