| American Stars 'n Bars | |
| Type: | studio |
| Artist: | Neil Young and |
| Cover: | American Stars'n'Bars.jpg |
| Released: | [1] |
| Recorded: | December 13, 1974 – April 4, 1977 |
| Studio: | Quadrafonic, Nashville Broken Arrow Ranch, Redwood City, California Indigo Recording Studio, Malibu |
| Genre: | |
| Length: | 37:54 |
| Label: | |
| Producer: |
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| Prev Title: | Long May You Run |
| Prev Year: | 1976 |
| Next Title: | Decade |
| Next Year: | 1977 |
American Stars 'n Bars is the eighth studio album by Canadian-American folk rock songwriter Neil Young, released on Reprise Records in 1977. Compiled from recording sessions scattered over a 29-month period, it includes "Like a Hurricane", one of Young's best-known songs. It peaked at #21 on the Billboard 200 and received a RIAA gold certification.[2]
Following the release of his album, Zuma, in November 1975, and a subsequent international spring tour with Crazy Horse, Young rekindled his partnership with Stephen Stills. Following the album Long May You Run, and a promotional tour that Young abandoned, he continued touring with Crazy Horse in the United States, then spent the first half of 1977 off the road.[3] After recording several country rock compositions at sessions in April 1977, he assembled additional tracks from a variety of earlier recording dates to make up the second side of the new album.
"Homegrown" and "Star of Bethlehem" had initially been slated for his album Homegrown, which was shelved at the time.[4] Both of those songs, along with "Like a Hurricane", "Hold Back the Tears", and "Will to Love", had also been slated for the unreleased Young album project, Chrome Dreams. Seven of the nine tracks feature his regular backing band Crazy Horse, and another, "Star of Bethlehem", features country music star Emmylou Harris. Songs from the April 1977 sessions are all in a country-styled vein, while the tracks from the second side are all in their original forms from their respective recording sessions (spanning 1974-1976).
"The Old Country Waltz" tells the tale of listening to a live band in a bar while drinking to get over the loss of a loved one. It was previously recorded on piano and harmonica in August 1976 during the Hitchhiker session.
"Saddle Up the Palomino" features sexually suggestive lyrics and was likely written in 1974 or 1975 during the Homegrown sessions. A handwritten song list on the Neil Young Archives website from that era includes a song titled "Carmelina".[5] It is credited to Young, bassist Tim Drummond and Louisiana songwriter and friend Bobby Charles who was part of Young's social scene in Malibu in 1975.[6]
"Hold Back the Tears" had previously been recorded in February 1977 as a solo performance with Young playing guitar, keyboards and percussion. This version would see release on Chrome Dreams in 2023. Its lyrics find Young consoling a friend over the loss of a relationship and counseling that the next love may be just around the corner.
"Bite the Bullet", which also features suggestive lyrics, combines the emerging genres of outlaw country and punk rock.[7] It was written in July 1976 in Charlotte, North Carolina during the Stills-Young tour,[8] and made its live debut that month.
"Star of Bethlehem"'s lyrics are about coming to terms with the end of a relationship. The song was originally intended to conclude the shelved album Homegrown in 1975. Its lyrics are inspired by Young's breakup with Carrie Snodgress. Young would debut the song on tour with CSNY with an additional verse. In a 1975 Cameron Crowe interview for Rolling Stone, Young indicated a fondness for the track and an eagerness to release it, singling out the "beautiful harmonies" of Emmylou Harris.[9]
In "Will to Love," Young tells "the story of a salmon swimming upstream. Laden with my own feelings of love and survival."[10] Young has performed the song only once, the night he recorded at his home in front of a roaring fire.
"Like a Hurricane" is one of Young's signature songs, written and recorded in November 1975 during rehearsals for his first tour with a reformed Crazy Horse with Poncho Sampedro. Its lyrics describe being in a tempestuous romance, as Young describes in a 2020 post to his website: "She had so much love he couldn't handle it. She was always a step away but he loved her forever. He just couldn't reach her. But he did, and she never forgot that." Young remembers writing it in a September 1982 interview: "I wrote it on an organ, on the string synthesizer. I remember the night I wrote it, I stayed up all night playing it after I wrote it. It always had a feeling to me that it was going to take off. It was never going to be a peaceful little song."[11] He elaborates in Special Deluxe:
"Homegrown", a lighthearted tribute to marijuana, was first recorded as the title track of the unreleased Homegrown album.
Side two of the album consists of recordings made in various studios over the previous two years.
"The Star of Bethlehem" was recorded in December, 1974 at Quadrafonic Sound Studios during sessions for Homegrown. According to a post on the Neil Young Archives website, Ben Keith and Emmylou Harris would overdub the background vocals for the track at Harris' L.A. home.
"Homegrown" and "Like a Hurricane" were recorded in November 1975 with Crazy Horse at Young's ranch during rehearsals for a short tour of Northern California, his first with the reconstituted band with guitarist Poncho Sampedro. The group recorded "Hurricane" at Young's ranch shortly after Young wrote the song. The take on the album is the initial run through of the song with Crazy Horse. Young remembers in Waging Heavy Peace: Young had recently undergone vocal surgery and was unable to record a live vocal. Vocals were overdubbed in January 1976 at Village Recorders in Los Angeles. He explains in Special Deluxe:
"Will to Love" was recorded in April 1976, at Young's home in front of a roaring fire, the only time he has performed the song. He would later mix the recording and add overdubs during a full moon session at Indigo Ranch in Malibu. He details the song's production in his memoir Waging Heavy Peace:
He further recalls mixing the track and adding overdubs at Indigo Ranch Recording studio eight months later with his producer David Briggs:
Finally, Young and Briggs mixed the song that same night, and played back the results to Young's great satisfaction:
The songs on side one were recorded in a single day at Young's ranch on April 4, 1977. The April 1977 sessions featured Crazy Horse augmented by an ad hoc grouping dubbed "The Bullets": pedal steel guitarist and longtime Young collaborator Ben Keith, violinist Carole Mayedo, and backing vocalists Linda Ronstadt and Nicolette Larson. Young had previously recorded with Ronstadt on Harvest. Young recruited Larson after reaching out to other singers and several had recommended her.[6] The three met at Young's Malibu home where he introduced the two singers to twenty of his songs he had available to record. Larson tells Cameron Crowe in December 1978: "I didn't know much about Neil Young, but we went over and sat by the fireplace and Neil ran down all the songs he had just written, about twenty of them. We sang harmonies with him and he was jazzed."[12] Sessions were held at the white house on Young's ranch. The musicians were under the impression that they were rehearsing while the takes used on the album were being recorded. Recalls Larson: "We worked out the songs in a room of his house. And just when we had the songs down, Neil said, 'Thanks a lot...we've got the album.' He was recording all the rehearsals secretly in another room."[12]
The album cover was designed by actor and Young's close friend Dean Stockwell, who had also written the screenplay that inspired After the Gold Rush. It features Connie Moskos, then the girlfriend of producer David Briggs, drooping with a bottle of Canadian whisky in her hand and an intoxicated Young with his face pressed against the glass floor.[6]
American Stars 'n' Bars was released May 1977. It was released after the compilation Decade had already been compiled. Young and producer David Briggs decided that the compilation should be delayed so that "Like a Hurricane" could appear on its own album, not just on a three-record set. Briggs and Young called manager Elliot Roberts to adjust the release dates with the record company accordingly. Briggs would relate the decision in a contemporary radio interview:
Initially receiving favorable reviews, the album was described as a "sampler...of Young's various styles", even a "hodgepodge."[13] Paul Nelson, reviewing the album for Rolling Stone commented about the mixed selection of songs and styles, and praised the "gale-force guitar playing" of "Like a Hurricane":
The album can almost be taken as a sampler, but not a summation, of Young's various styles from After the Gold Rush and Harvest (much of the country rock) through On the Beach (the incredible "Will to Love") to Zuma ("Like a Hurricane" is a worthy successor to "Cortez the Killer" as a guitar showcase) with a lot of overlap within the songs.[14]
According to William Ruhlmann, in a review for AllMusic,
Neil Young made a point of listing the recording dates of the songs on American Stars 'n Bars; the dates even appeared on the LP labels. They revealed that the songs had been cut at four different sessions dating back to 1974. But even without such documentation, it would have been easy to tell that the album was a stylistic hodgepodge, its first side consisting of country-tinged material featuring steel guitar and fiddle, plus backup vocals from Linda Ronstadt and then-unknown Nicolette Larson, while the four songs on the second side varied from acoustic solo numbers like "Will to Love" to raging rockers such as "Like a Hurricane." "Will to Love" is a particularly spooky and ambitious piece, extending the romantic metaphor of a salmon swimming upstream across seven minutes. The album's centerpiece however, is "Like a Hurricane," one of Young's classic hard rock songs and guitar workouts, and a perpetual concert favorite.
It was finally released on compact disc, as an HDCD, on August 19, 2003, as part of the Neil Young Digital Masterpiece Series along with On the Beach, Hawks & Doves, and Re-ac-tor.
"Star of Bethlehem"
"Will to Love"
"Like a Hurricane" (credited to Neil Young and Crazy Horse)
"Homegrown" (credited to Neil Young and Crazy Horse)
| Peak position | ||
| Australia (Kent Music Report)[15] | 21 | |
|---|---|---|
| US Billboard Top LPs & Tape[16] | 21 | |
| UK Album Charts[17] | 17 | |
| Canadian RPM 100 Albums[18] | 16 | |
| Finnish Album Charts[19] | 30 | |
| French Album Charts[20] | 4 | |
| Japanese Album Charts[21] | 63 | |
| Swedish Album Charts[22] | 16 | |
| Norwegian VG-lista Albums[23] | 5 | |
| New Zealand Album Charts[24] | 35 | |
| Dutch MegaCharts Albums | 5 | |
| US Cash Box Top 100 Albums[25] | 16 | |
| US Record World Album Chart[26] | 33 |