| Type: | Japanese |
| Ame-no-Minakanushi-no-Kami | |
| God Of: | Kotoamatsukami |
| Script Name: | Japanese |
| Script: | 天之御中主神, 天御中主神 |
| Other Names: | Ame-no-Minakanushi-no-Mikoto (天御中主尊) |
| Cult Center: | Chiba Shrine, Kurume Suitengū, and others |
| Consort: | None |
| Parents: | None; self-generated |
| Siblings: | None |
| Children: | None |
| Texts: | Kojiki, Nihon Shoki, Kogo Shūi, Sendai Kuji Hongi |
Ame-no-Minakanushi (天之御中主, lit. "Lord of the August Center of Heaven"[1] [2]) is a deity (kami) in Japanese mythology, portrayed in the Kojiki and the Nihon Shoki as the first or one of the first deities who manifested when heaven and earth came into existence.
The kami is given the name 'Ame-no-Minakanushi-no-Kami' (天之御中主神; Old Japanese: Ame2-no2-Mi1nakanusi[3]) in the Kojiki (ca. 712 CE). The same deity is referred to as 'Ame-no-Minakanushi-no-Mikoto' (天御中主尊) in a variant account cited in the Nihon Shoki (720 CE).
The Kojiki portrays Ame-no-Minakanushi as the first god to appear in the heavenly realm of Takamagahara after the emergence of heaven and earth from the primeval chaos:
Unlike later generations of kami, the first seven gods were "single" or "solitary" in that they came into being one by one, without any counterparts, and are described as hiding their presence upon coming into existence. Ame-no-Minakanushi is reckoned as the first of the "three deities of creation" (造化三神, zōka sanshin) and one of the five "distinguished heavenly gods" (別天津神, kotoamatsukami).[4]
In the Nihon Shoki
In the Sendai Kuji Hongi, the first deity to appear is named 'Ame-Yuzuruhi-Ame-no-Sagiri-Kuni-Yuzurutsuki-Kuni-no-Sagiri-no-Mikoto' (天譲日天狭霧国禅月国狭霧尊). Here, Ame-no-Minakanushi - given the alias 'Ame-no-Tokotachi-no-Mikoto' (天常立尊; the name of a distinct kami in the Kojiki) - along with the deity (宇摩志阿斯訶備比古遅神) is instead counted as the first generation that emerged after this god.[5] [6] [7]
No further mention is made of Ame-no-Minakanushi in these texts.
An imperially commissioned genealogical record known as the Shinsen Shōjiroku (815 CE) identifies two clans as the progeny of deities descended from Ame-no-Minakanushi:[8]
See also: Tian, Shangdi, Sky deity and Myōken.
There is no extant undisputed record of Ame-no-Minakanushi being worshiped at any known ancient shrines (the Engishiki, compiled in the early 10th century, never mentions any shrines to this deity); this, combined with the lack of information concerning the god outside of documents associated with the imperial court such as Kojiki and the Shoki (as seen above, even in these texts, barely any mention is made of this god), has led some scholars to consider Ame-no-Minakanushi to be an abstract deity (i.e. a god that only exists on paper, with no actual worshipers or cult dedicated to him) created under the influence of Chinese thought.[9] Other scholars, however, argue that the paucity of evidence for the worship of Ame-no-Minakanushi in antiquity does not necessarily mean that the god is purely a literary invention.[10] [11] [12]
Konishi Jin'ichi (1984) saw the creation narratives of the Kojiki and the Shoki as a combination of three different traditions: one which traces the origin of the gods to Ame-no-Minakanushi, another that began with Umashi-Ashikabi-Hikoji, and a third one starting with Kuni-no-Tokotachi. He saw similarities between Ame-no-Minakanushi and the sky deities Tangaloa (Polynesian mythology) and Tengri (Turkic and Mongol mythology), suggesting that these myths may ultimately share a common origin.[13]
Kawai Hayao compared Ame-no-Minakanushi with the moon deity Tsukuyomi and Hosuseri (one of Konohanasakuyahime's three children), in that all three are portrayed as belonging to a triad of important deities and yet are not recorded as doing anything of significance. He considered these three 'inactive' deities to serve a mythic function as the 'hollow center' acting as a buffer zone between two opposite or conflicting forces (Kamimusubi and Takamimusubi, Amaterasu and Susanoo, Hoderi and Hoori).[14] [15]
Until the medieval era, the Nihon Shoki, owing to its status as one of the six national histories, was more widely read and commented upon than the Kojiki, which was regarded as an ancillary work. In a similar vein, the Sendai Kuji Hongi, due to its preface claiming it to be compiled by Prince Shōtoku and Soga no Umako, was seen as being earlier and more reliable. (Modern consensus holds the Kuji Hongi to actually have been compiled during the Heian period, although certain portions of it may indeed preserve genuine early traditions.)[16] [17] References to Ame-no-Minakanushi were thus solely in terms of his role as one of the primeval kami.
During the Kamakura period, the school of thought developed by the Watarai priestly house of the Outer Shrine of Ise (Gekū) known as Ise Shinto (also known as Watarai Shinto), identified the shrine's deity, Toyouke (Toyoukehime), with Ame-no-Minakanushi and Kuni-no-Tokotachi. By doing so, the Outer Shrine asserted superiority over the Inner Shrine (Naikū) and its goddess, Amaterasu.[18]
It was upon the flourishing of nativist studies (kokugaku) and the rediscovery and reappraisal of the Kojiki in the Edo period that Ame-no-Minakanushi's significance was reevaluated, with different authors expressing their own opinions on the god's role and importance.
Motoori Norinaga, in his commentary on the Kojiki, criticized the Watarai priesthood for laying emphasis on the importance of Ame-no-Minakanushi, arguing that the deities' order of appearance in time has no bearing on their rank or status. In his view, while Ame-no-Minakanushi is indeed the first among the gods to manifest, he is neither the ruler of heaven nor the "first ancestor" of the imperial line (that being Amaterasu), as some in his time believed. Motoori instead characterized Takamimusubi and Kamimusubi as the "first ancestors of heaven and earth, of the kami, and of all existence."[19]
Tsurumine Shigenobu (1788-1859), who attempted to make a rational interpretation of the creation myths of the Kojiki and Shoki based on a synthesis with his understanding of European science and astronomy, associated Ame-no-Minakanushi with gravity:
By linking gravity to Ame-no-Minakanushi, Tsurumine identifies the deity as the "lord" who oversees the process whereby the activity of the two gods of "coalescing" (musubi) results in the creation of all things out of the basic elements represented by "particles." Using language apparently borrowed from Christian conceptions of God, Tsurumine then went on to describe the three deities of creation as "the ancient ancestral kami of heaven and great kami sovereign over first origins ... who have made all things, from sun and moon, the planets, and earth to every other thing."[19]
Motoori's admirer and self-proclaimed disciple Hirata Atsutane, in contrast to Motoori, described Ame-no-Minakanushi as a supreme deity with no beginning and no end who holds sovereignty over all existence, residing in the pole star at the very center of heaven.
A number of Hirata's disciples, meanwhile, came to formulate different understandings of Ame-no-Minakanushi from their mentor. One such disciple, Mutobe Yoshika (1798-1864), for instance argued that all the stars in the sky have their own planetary system similar to the Sun; the Kojiki
The Buddhist deity Myōken, who was worshiped in Japan since at least the 7th century, became conflated with Ame-no-Minakanushi during the early modern period due to Myōken's association with the Big Dipper and the northern pole star. When the Meiji government mandated the separation of Buddhism and Shinto, many shrines dedicated to Myōken became shrines to Ame-no-Minakanushi.[4] Ame-no-Minakanushi was also one of the patron deities of the, a short-lived government organization that promoted a state-sponsored fusion of Buddhism and Shinto after the earlier separation policy was deemed as being too divisive.
Counterparts of Ame-no-Minakanushi in other cultures