| The Shaping of Middle-earth | |
| Author: | J. R. R. Tolkien |
| Country: | United Kingdom |
| Language: | English |
| Genre: | High fantasy Literary analysis |
| Publisher: | George Allen & Unwin (UK) |
| Release Date: | 1986 |
| Media Type: | Print (hardback and paperback) |
| Pages: | 400 (paperback) |
| Isbn: | 978-0261102187 |
| Series: | The History of Middle-earth |
| Release Number: | 4 |
The Shaping of Middle-earth – The Quenta, The Ambarkanta and The Annals[1] (1986) is the fourth volume of Christopher Tolkien's 12-volume series The History of Middle-earth in which he analysed the unpublished manuscripts of his father J. R. R. Tolkien.[2]
There is an inscription in the Fëanorian characters (Tengwar, an alphabet Tolkien has devised for High-Elves) in the first pages of every History of Middle-earth volume, written by Christopher Tolkien and describing the contents of the book. The inscription in Book IV reads: "Herein are the Quenta Noldorinwa, the History of the Gnomes, the Ambarkanta or Shape of the World by Rúmil, the Annals of Valinor and the Annals of Beleriand by Pengolod, the Wise of Gondolin with maps of the world in the Elder Days and translations made by Ælfwine the Mariner of England into the tongue of his own land".
In The Shaping of Middle-earth the gradual transition from the "primitive" legendarium of The Book of Lost Tales to what would become The Silmarillion is described, and it contains a text which could be seen as the first "Silmarillion": the "Sketch of the Mythology".
Three other parts are the Ambarkanta or "Shape of the World", a collection of maps and diagrams of the world described by Tolkien; and the Annals of Valinor and Beleriand, chronological works which started out as timelines but gradually turned into full narratives.
The Annals of Valinor and Annals of Beleriand show the earliest outline of the chronology of the First Age as envisaged in the early 1930s. The next volume in the series, The Lost Road and Other Writings (1987), outlined revisions to both texts made c. 1937 as "The Later Annals of Valinor" and "The Later Annals of Beleriand".
Reviewing The Shaping of Middle-earth in Mythlore, Nancy-Lou Patterson admired Tolkien's prose and was especially impressed by Tolkien's artwork, as seen in the illustrations of the cosmology of Arda in the Ambarkanta.[3]
Tom Shippey comments in The Road to Middle-earth that the manuscripts of Shaping and the other early volumes reveal Tolkien's tendency to "[fiddle]" about, or in Tolkien's own phrase in The Notion Club Papers "to be for ever niggling [Shippey's italics], altering, refining, wavering, according to your linguistic mood and to your changes in taste". Shippey describes the effect as "at best confusing, at worst irritating".