| Always: Sunset on Third Street | |
| Director: | Takashi Yamazaki |
| Producer: | Shūji Abe Chikahiro Ando Keiichiro Moriya Nozomu Takahashi |
| Screenplay: | Takashi Yamazaki |
| Starring: | Hidetaka Yoshioka Shinichi Tsutsumi Koyuki Maki Horikita Kenta Suga Kazuki Koshimizu Tomokazu Miura Hiroko Yakushimaru |
| Music: | Naoki Sato |
| Cinematography: | Kōzō Shibasaki |
| Editing: | Ryuji Miyajima |
| Distributor: | Toho |
| Runtime: | 133 minutes |
| Country: | Japan |
| Language: | Japanese |
is a 2005 Japanese drama film written and directed by Takashi Yamazaki, based on the manga Sunset on Third Street by Ryōhei Saigan. It was chosen as Picture of the Year at the Japan Academy Film Prize in 2006.
The film spawned two sequels, (2007) and (2012).
In 1958, with the impending completion of Tokyo's TV broadcasting tower as a symbol of Japan's escalating post-war economic recovery, rural schoolgirl Mutsuko (Maki Horikita) arrives from the provinces to begin her first job with Suzuki Auto. Initially impressed by meeting company "president" Norifumi Suzuki (Shinichi Tsutsumi), Mutsuko is shocked to discover her workplace is actually a shabby auto repair shop in Tokyo's down-at-heel Yuhi district.
Suzuki is a bad-tempered employer but Mutsuko is welcomed by his wife, Tomoe (Hiroko Yakushimaru), and their impish 5-year-old son, Ippei (Kazuki Koshimizu). One of Ippei's favorite haunts is a five-and-dime store managed by struggling serial writer Ryunosuke Chagawa (Hidetaka Yoshioka). Regarding now-successful writers like Nobel-prize winner Kenzaburo Oe, as overrated, Chagawa wants to be more than a hack churning out sci-fi yarns and selling cheap toys on the side.
When alluring newcomer Hiromi (Koyuki) opens a sake bar in the area, she gathers clientele quickly—in dramatically compressed manga style—but also finds herself lumbered with Junnosuke (Kenta Suga) the orphaned offspring of the bar's previous tenant. Drunk, and smitten by Hiromi, Chagawa accepts custodianship of the boy.
The film ranked 15th at the Japanese box office in 2005,[1] and won 12 prizes at the 2006 Japanese Academy Awards, including the awards for Best Film, Director, Actor and Screenplay. It also won the audience award at the 2006 New York Asian Film Festival.[2]