| Álvares de Azevedo | |
| Pseudonym: | Job Stern |
| Birth Name: | Manuel Antônio Álvares de Azevedo |
| Birth Date: | September 12, 1831 |
| Birth Place: | São Paulo, São Paulo, Empire of Brazil |
| Death Place: | Rio de Janeiro, Rio de Janeiro, Brazil |
| Resting Place: | Saint John the Baptist Cemetery, Rio de Janeiro, Brazil |
| Occupation: | Poet, playwright, short story writer, essayist, Law student |
| Language: | Portuguese |
| Nationality: | Brazilian |
| Alma Mater: | University of São Paulo |
| Period: | 19th century |
| Genre: | Theatre, poetry, essay |
| Movement: | Romanticism, Ultra-Romanticism |
| Notableworks: | Noite na Taverna Macário Lira dos Vinte Anos |
| Relatives: | Inácio Manuel Álvares de Azevedo (father) Maria Luísa Mota Azevedo (mother) |
Manuel Antônio Álvares de Azevedo (September 12, 1831 – April 25, 1852), affectionately called "Maneco" by his close friends, relatives and admirers, was a Brazilian Romantic poet, short story writer, playwright and essayist, considered to be one of the major exponents of Ultra-Romanticism and Gothic literature in Brazil.[1] His works tend to play heavily with opposite notions, such as love and death, platonism and sarcasm, sentimentalism and pessimism, among others, and have a strong influence of Musset, Chateaubriand, Lamartine, Goethe and – above all – Byron.
All of his works were published posthumously due to his premature death at only 20 years old after a horse-riding accident.[2] They acquired a strong cult following as years went by, particularly among youths of the goth subculture.
He is the patron of the second chair of the Brazilian Academy of Letters, and of the ninth chair of the Paulista Academy of Letters.
Azevedo was born into a wealthy family in São Paulo, on September 12, 1831. Son of Law student Inácio Manuel Álvares de Azevedo and Maria Luísa Azevedo (née Mota), a popular myth says that he was given birth in the library of the University of São Paulo Law School, but it actually happened on the house of his maternal grandfather, Severo Mota.[3] He also had a sister and a younger brother, Inácio Manuel Júnior, but he died prematurely in 1835. The death proved to be an early source of shock for the young Álvares.
In 1833, Álvares moved with his family to Rio de Janeiro, and in 1840 he enrolled at the Colégio Stoll, in the bairro of Botafogo.[4] In 1844 he temporarily returned to São Paulo with his uncle, going back to Rio in the following year, where he enrolled at the Colégio Pedro II. There he learned English, French and German, and, being a very avid reader, got acquainted with the works of Lord Byron, François-René de Chateaubriand, Victor Hugo, George Sand, William Shakespeare, John Keats, Percy Bysshe Shelley, Manuel du Bocage, Dante Alighieri, Alfred de Musset, Johann Wolfgang von Goethe, Alphonse de Lamartine and Thomas Chatterton, which would heavily influence his writing style.
While at school, Azevedo drifted towards the moderate liberalism of Lamartine and François Guizot.[5] [6] In his poem "Rex Lugebit" and in his "Speech delivered at the inaugural session of the Academy Society – Philosophical Essay, May 9, 1850", Azevedo condemns the despotic practices of the Brazilian government.[7]
Having graduated in 1846 from the Colégio Pedro II, he was admitted to the University of São Paulo Law School in the following year, where he befriended poets José Bonifácio the Younger (the grandnephew of famous Brazilian statesman José Bonifácio de Andrada e Silva), Aureliano Lessa and Bernardo Guimarães. Alongside these poets and others, he founded the infamous "Sociedade Epicureia" ("Epicurean Society"), a mythical club heavily based upon Epicurean and bohemian thought, and also planned a work in conjunction with Lessa and Guimarães, the poetry book As Três Liras (The Three Lyres).[8] However, the As Três Liras project never came to be; the only surviving part of it today is the book Lira dos Vinte Anos, published one year after Azevedo's death, in 1853. He also founded in 1849 the official magazine of the Sociedade Ensaio Filosófico Paulistano, whose publication ceased in 1856.
Because of his fragile health and the murky weather of São Paulo, Azevedo contracted tuberculosis. He then abandoned college and moved to his grandfather's farm in Rio, where the weather was warmer, in order to mitigate his disease's symptoms; there he fell from a horse and fractured his iliac fossa. After an unsuccessful surgery, he died, on April 25, 1852, being only 20 years old. It is a common misconception that he died directly from the tuberculosis.[9] He was buried one day later at the Saint John the Baptist Cemetery; his last words before his death were reported to be "Que fatalidade, meu pai!" ("What a fatality, my father!"). Coincidentally, one of the last poems Azevedo wrote prior to his death was entitled "Se Eu Morresse Amanhã" ("If I Died Tomorrow") – the poem was read at his funeral by Manuel Antônio de Almeida, who also happened to be one of Azevedo's cousins.
Another one of Azevedo's cousins, Maria Catarina de Abreu Sodré, eventually married famous novelist Joaquim Manuel de Macedo, who allegedly based the character Carolina of his novel A Moreninha on her.
Azevedo also wrote many letters and essays, and translated into Portuguese numerous poems by Victor Hugo, Lord Byron's Parisina, William Shakespeare's Othellos fifth act and Heinrich Heine's poem "Sag' mir wer einst die Uhren erfund" (present in his Lira dos Vinte Anos under the title "Relógios e Beijos"). He also wrote a novel, O Livro de Fra. Gondicário; however, the only extant parts of it today are two fragments of its third chapter.