| Birth Date: | 11 July 1925 |
| Birth Place: | Kazan, TASSR, USSR |
| Death Place: | Moscow, Russia |
| Occupation: | composer, conductor, cellist |
| Genre: | classical, jazz, ethnic, pop music |
| Native Name Lang: | tt |
| Native Name: | Almaz Zakir ulı Monasıypov |
| Years Active: | 1953–2008 |
Almaz Monasypov (Tatar: Almaz Zakir ulı Monasıypov,, 1925–2008) was a composer of Tatar origin. He was an art worker of the Russian Soviet Federative Socialist Republic (1987), People's Artist of the Tatarstan Republic (2000), and laureate of the State Prize of the Republic of Tatarstan named after Gabdulla Tuqay (1991). He was one of the first composers to use traditional Tatar musical techniques such as baits (Tatar: бәет), munajats (Tatar: мөнәҗәт), and booksinging (Tatar: китап көе) in modern music. The symphony-poem "Musa Jalil" (Symphony II) and the vocal-symphonic poem "In the rhythms of Tuqay" (Tatar: Тукай аһәңнәре,) are recognized as Tatar national musical classics.
Almaz Monasypov was born on July 11, 1925, in Kazan. His family often played music, and his father had a love for playing the violin. At the age of eleven, Monasypov entered the children's music school in Kazan to learn to play the cello. His teacher at the music school and then at the Kazan Music College was Ruvim Polyakov, who helped the young Monasypov believe in his musical talent.
In 1943, Monasypov turned 18 and was subsequently drafted into the Red Army. He became a soldier on the Eastern Front. After the end of the war, Monasypov returned to his studies. He entered the Kazan state Conservatory, where he graduated in 1950 as a cellist in the class of Professor Alexander Brown.[1] He returned to the Conservatory in 1952 to study composition. In 1956, he graduated from the Kazan Conservatory for the second time in the class of Professor Albert Leman and received a diploma as a composer. In 1964, Monasypov completed a full course of post-graduate studies at the Conservatory in the specialty of opera and symphony conducting in the class of Professor Isay Sherman.
From 1959 to 1970, Monasypov worked as a conductor at the Tatar State Opera and Ballet House named after Mussa Jalil. From 1970 to 1973, Monasypov was the conductor of the Symphony Orchestra of the Tatar State Philharmonic named after G. Tuqay. From 1968 to 1973 and from 2000 to 2003, he taught at the Kazan Conservatory at the Department of Composition.
Starting in 1972, Monasypov lived in Moscow but actively participated in the musical life of the Republic of Tatarstan, in the work of the Union of Composers of Tatarstan and in the education of young composers.[2] In 1991, he was awarded The State prize of the Republic of Tatarstan, named after G. Tuqay. His music is often heard from the concert stage, on radio and television, recorded on records and CDs.
Monasypov died on 22 July 2008 in Moscow and was buried at the Mitinsky cemetery, Moscow, Russia.
More well-known selections from the composer's output include several symphonies; he also authored hundreds of songs, romances, music for solo instruments, and a violin sonata (all detailed below).
Dedicated to the famous Tatar poet-hero, The symphony-poem "Musa Jalil" (also Second Symphony, 1971), brought great success to Monasypov. The symphony-poem vividly embodies images of courage and heroism, war, and the enemy. The message intended by Musa Jalil is a request for the listener to think about important issues of human life, and to remember the war.
In the Third Symphony (1974), the composer continues the philosophical theme of man's search for his place in the world, shows the complexity and necessity of resisting cruelty and violence. In the music of the Symphony, the SOS signal is interestingly encrypted. The rhythm of the SOS signal breaks through at the climax zones of the development of the theme, when the theme seems to start "screaming" for help.
The Fourth Symphony "Dastan" (1978) is an example of Tatar symphonic music, in which layers of centuries-old Tatar culture "come to life". Monasypov always turned to the intonations and rhythms of ancient baits (Tatar: бәет) and munajats (Tatar: мөнәҗәт), including them in his instrumental and vocal compositions. The search for new means of displaying the spiritual world of Tatar culture has always been carried out by the composer in the context of modern trends in world professional music, taking into account new trends in the development of composing techniques.
While also primarily creating more serious pieces of music, Monasypov was at the same time widely known as the author of many popular songs and romances that are loved by listeners not only in Republic Tatarstan, but also far beyond its borders. His compositions are also performed by pop orchestras. For example, the Foxtrot "Hallar" ("Dreams") was included in the repertoire of famous jazz orchestra under Oleg Lundstrem. One of the most famous works was the vocal-symphonic poem "In the rhythms of Tuqay" written in 1975. It is interesting to combine the traditions of ancient munajats, modern pop songs and European vocal and symphonic music. In 1990, "Musical offering to Salih Saidashev" was written for the Symphony orchestra, in which the author pays homage to the founder of Soviet Tatar professional music.