Aline Zylberajch Explained
Aline Zylberajch is a French harpsichordist, teacher and musicologist, also playing the organ and the piano-forte.
Biography
Zylberajch studied music at the Conservatoire de Paris with Robert Veyron-Lacroix, Claude Ballif (analysis) and Norbert Dufourcq (history of music)[1] and at the New England Conservatory of Music in Boston.[2]
She then participated in the productions of several baroque ensembles such as Philippe Herreweghe's La Chapelle Royale, Marc Minkowski's Les Musiciens du Louvre, Martin Gester[3] 's, an ensemble based in Strasbourg.[2]
She teaches harpsichord in Strasbourg, at the Académie Supérieure de musique and harpsichord didactics at the Department of Pedagogy of the Conservatoire de Paris.[2]
Among her pupils were Francis Jacob and Johann Vexo.
Discography
- C. P. E. Bach: Sonates Prussiennes, Wq.48 (Ligia Digital Lidi 0101005-93)
- Scarlatti: Una nuova inventione per Maria Barbara - copie de piano-forte after Cristofori (2005, Ambronay Editions AMY002)
- Autour d'un manuscrit redécouvert, Suites de Froberger - performed on the Ruckers harpsichord of the Musée Unterlinden de Colmar (Assai 222102)
- Le Portrait de l'Amour,[4] pieces by François Couperin - Ruckers-Taskin playing the harpsichord of the Musée de la Musique de Paris (Assai 222422)
- Four-hands
- A due cembali, Caprices, pieces for two keyboards: Soler, Haydn, Schobert, Mozart, Planyavsky and others - Aline Zylberajch and Martin Gester, harpsichords and organ of the (7-9 September 2011, K 617 K617233)
- Wolfgang Amadeus Mozart, Large works with four hands - Martin Gester (K617 Editions K617244)
- Chamber music
- Purcell's Trio Sonatas with three & four parts - Les Nièces de Rameau: Florence Malgoire, Alice Piérot, Claire Giardelli, Marianne Muller, Aline Zylberajch (1995, Verany)
- C. P. E. Bach's Testament et Promesses / Sonates and fantaisies on Tangentenflügel - Alice Pierot (2012, L'Encelade ECL1201)
- C. P. E. Bach's Chamber Music. Quartets for pianoforte, flute, viola and cello (NoMAdMusic NMM012)
- Psalterion and Fortepiano, C. P. E. Bach, Mozart, Schobert - with Margit Übellacker (Ambronay Editions AMY012)
- Rameau, harpsichord pieces in concerts, with Les Nièces de Rameau (Accord 206592)
- C. P. E. Bach: Sanguineus et Melancholicus: Trio Sonatas Wq 146, 147, 148, 161 - Les Nièces de Rameau: Florence Malgoire, violin; Alice Piérot, violin; Marianne Muller, viol; Aline Zylberajch, harpsichord (21-25 October 2002, Zig Zag Territoires ZZT 030701).[5]
- Accompanist
- Haydn's Ariana a Naxos, Lieder et Canzonettas - Stéphanie d'Oustrac (Ambronay Editions AMY023)
- Le Salon sensible: Haydn, Mozart - Jill Feldman, soprano; Aline Zylberajch, piano-forte (29 April 1987, Still Editions 2904CCS87)
- Schubert: Die schöne Müllerin (February 1997, Accord 206072)
External links
Notes and References
- http://www.anaclase.com/content/aline-zylberajch Aline Zylberajch portrait d'une claviériste
- http://lafollia.com/PressKit_FR/PragueAVienne/BIO_FR_Aline.pdf Biographie
- https://www.francemusique.fr/personne/martin-gester Martin Gester
- https://www.gramophone.co.uk/review/couperin-le-portrait-de-lamour Le Portrait de l'Amour
- http://www.resmusica.com/2003/10/12/carl-philip-emmanuel-bach-1714-1788-sanguineus-und-melancholicus/ Revue du disque
