| Alice Marion Ellen Bale | |
| Birth Date: | 1875 11, df=yes |
| Birth Place: | Richmond, Victoria, Australia |
| Death Place: | Melbourne, Australia |
| Nationality: | Australian |
| Education: | National Gallery of Victoria Art School |
| Field: | Painting |
Alice Marian Ellen Bale, known as A.M.E. Bale, (11 November 1875 14 February 1955) was an Australian artist.
Bale was born in Richmond, Victoria,[1] on 11 November 1875,[2] the daughter of Marian[3] and naturalist William Mountier Bale.[4] She was an only child, and her family had houses in both Kew and Castlemaine.
She studied art under Frederick McCubbin and Lindsay Bernard Hall at the National Gallery School 18951904.
Bale came to prominence as an artist in Melbourne in the 1920s and 1930s, developing a reputation as one of Australia's pre-eminent flower and still life painters. Distancing herself from her fellow female artists who were more aligned with the suffragette movement, Bale preferred to work hard within the constraints of the traditional structures of the art world, and never left Victoria. An active member of the Pickwick Club of Kew, she would gather with young members, some of whom were fellow Gallery School students, for weekly discussions where they adopted the personas of Charles Dickens' characters. There she developed an intimacy with fellow club member Norman Brown, which came to an end by 1906 with Brown's departure and Bale's reluctance to leave her ordered family life.
As a painter Bale did landscapes and portraits but was best known for her flower studies. She was able to sell her paintings and exhibit in not just Australia but also London and Paris.
She exhibited with the Melbourne Society of Women Painters 19171955.
Bale edited the Victorian Artists' Society's journal VAS before her efforts to reform the society in 1917 and 1918 and an election loss got her ousted as a troublemaker. Her friend Jo Sweatman, the last remaining female office bearer, was ousted also a few months later on an electoral technicality. They became foundation members of the Twenty Melbourne Painters Society, Bale holding the position of secretary until her death.[5]
She was a finalist in the Archibald Prize in 1922,[9] and 1924,[10] while 1932 Ernest Buckmaster's portrait of her was a finalist in the Archibald.[11]
Bale died on 14 February 1955[2] in Melbourne.[1]
In 1977 Peter Wegner was awarded the A.M.E. Bale residential painting scholarship under Sir William Dargie,[12] awarded by Glen Eira City Council, which he undertook from 1978 to 1980.[13]
Bale established the biennial A.M.E. Bale Travelling Scholarship and Art Prize through her will to support Australian artists in perpetuity. The prize "is intended to encourage, support and advance classical training of emerging artists (in their early to mid-career) at any stage of life, who are pursuing the study and practice of traditional art and who desire to study the works of old masters".[14] [5]
Three prizes are awarded:[14]