Alfred Delvau Explained

Alfred Delvau (1825  - May 3, 1867) was a French journalist and writer born in Paris.

Alfred Delvau
Native Name Lang:French
Birth Date:1825
Birth Place:Paris
Death Date:1867
Language:French
Genre:History, Culture, Language, Erotica

Biography

Alfred Delvau was the son of a master tanner from the Faubourg Saint-Marceau; he recounts his Parisian childhood in Au bord de la Bièvre : impressions and memories, published in 1854.

He began writing articles for La Réforme in 1846, for Le Triboulet in January 1848, and in the Journal pour Rire. He was the private secretary of Ledru-Rollin and, in 1848, founded L'Aimable faubourien. Diary of the rabble with Poulet-Malassis, his closest friend, and Antonio Watripon. The June 23, 1848, during the insurrections, the three had together came under fire at the barricades, atrue des Mathurins .

Delvau published a History of the February Revolution (1850) and collected The Revolutionary Walls (1851). During the interlude of the Second Republic, Delvau wrote twice to the Minister of the Interior asking for help. Under the Second Empire, he earned his living by participating, in lexicographic work. He already joined the team of Maurice Lachâtre's Universal Dictionary in 1854.

He contributed to Le Figaro . He produced a Green Language Dictionary and an Erotic Dictionary, which led to legal proceedings.

He is the author of works on Paris and its history. He is one of the authors of the pastiche Le Parnassiculet contemporain  which mocks Parnassian poets .

Writings

gravé par F. Leblanc, 1848

Le volume Le Théâtre érotique français sous le Bas-Empire [archive] (Paris, Pincebourse) n'est pas de lui, c'est une supercherie (cf. Avant-propos du Théâtre érotique de la rue de la Santé, dans Jean-Jacques et Mathias Pauvert, Théâtre érotique français du xixe siècle, Paris, Sortilèges, 1994, p. 194 ; et Appendice II, notice de la vente d'un exemplaire comportant des pièces manuscrites, p. 625 : "Le nom d'Alfred Delvau, sur la réimpression de l'histoire du théâtre, en 1872, est faux et y a été mis uniquement parce que les œuvres de Delvau, à cette époque, faisaient fureur.")

References