Alexander Tuschinski | |
Birth Name: | Alexander Tuschinski |
Birth Date: | 28 October 1988 |
Birth Place: | Stuttgart, West Germany |
Alma Mater: | Hochschule der Medien (B.Eng.) Universität Stuttgart (B.A., M.A.) |
Occupation: | Film director, film producer, writer, actor, musician |
Years Active: | 2008 – present |
Relatives: | Demeter Ritter von Tuschinski (great-grandfather) |
Awards: | See list of awards in the article. |
Alexander Tuschinski (born October 28, 1988, Stuttgart, West Germany) is a German film director, film producer, writer, actor and musician. Internationally, he is best known for his feature films which have won awards at various film festivals.[1] His documentary "Caligari in the Desert" was a submission to the 91st Academy Awards.[2] Additionally, he is known for his academic writing on the early works of Tinto Brass.[3] Notably, his research into, and interest in, Brass's work on Caligula was examined in his feature documentary Mission: Caligula. At the documentary's premiere, Penthouse announced plans to work with Tuschinski on a new cut of Caligula aimed at restoring Brass's original version of the film.[4]
Alexander Tuschinski attended school in Stuttgart, Germany, and originally wanted to study physics after finishing school in 2008. However, he changed his mind shortly before enrolling at university realizing that film was his main passion, and instead started studying Audiovisual Media at Hochschule der Medien. Graduating 2011 as a Bachelor of Engineering in Audiovisual Media, he enrolled at University of Stuttgart afterwards to study history and literature, graduating in 2014 with his second degree as a Bachelor of Arts. While being a student, he produced his works parallel to his studies. In 2019, he graduated from University of Stuttgart as a Master of Arts in history.
Tuschinski produced several short videos which were published on YouTube prior to 2008.[5] He names Tinto Brass and Hugo Niebeling as his friends and "mentors", listing their 1960s films as influences on his own cinematic style.
For Tuschinski, his films Menschenliebe, Timeless and a planned upcoming project called Revolution! form an informal Trilogy of Rebellion: The films are independent of each other, but feature similar themes, styles and the same two main characters (Arnold and Konstantin). The scope of the topics they address increases with each instalment: While Menschenliebe deals mostly with relationships between individuals, Timeless addresses topics from all aspects of society. Break-Up is a smaller film, independent of the trilogy, but featuring the character of Arnold and some references to the other films.[6] Shortly after filming ended in 2015, Tuschinski considered Timeless "by far" his best film.
Year | Film | Credited as | |||
---|---|---|---|---|---|
width=75 | Director | width=75 | Producer | width=75 | Writer |
2008 | Killer-Squirrels | ||||
2010 | Menschenliebe | ||||
2014 | Break-Up | ||||
2016 | Timeless | ||||
2021 | Fetzenleben | ||||
2022 | Statue of Liberty |
Year | Film | Credited as | ||||||
---|---|---|---|---|---|---|---|---|
width=75 | Director | width=75 | Producer | width=75 | Writer | |||
2012 | Quasicrystal Research | |||||||
2012 | Hollow Date | |||||||
2014 | Break-Up: The Making-Of | |||||||
2014 | The Critic | |||||||
2015 | Gold. | |||||||
2018 | Caligari in the Desert | |||||||
2018 | Cycle - Kreislauf | |||||||
2019 | The Songwriter of Botnang[7] | |||||||
2019 | Gas-Shaped Light | |||||||
2021 | The Songwriter of Botnang - Chapter 2 |
Year | Film | Credited as | ||||||
---|---|---|---|---|---|---|---|---|
width=75 | Director | width=75 | Composer | width=75 | Performer | |||
2008 | Internet-Liebe | |||||||
2009 | Eine heisse Nacht | |||||||
2009 | Looking for my Messages | |||||||
2011 | Mutant Calculator | |||||||
2021 | Lockdown Load |
Tuschinski has been called an "encyclopledic Brass expert" on Caligula.[8] Tuschinski wrote an essay on Tinto Brass' film The Key.[9] In 2012, Tuschinski restored some of Brass' 1960s films using material from the director's private archive. They were later screened at a retrospective in Hollywood.[10]
In 2018, at the premiere for his documentary Mission: Caligula, Tuschinski made a joint announcement with Penthouse regarding a new cut of Caligula. The project aims to restore and finish Tinto Brass's version of the film. Brass was dismissed by Penthouse in post-production before he could complete his cut of the film.[11] In July 2018, Tuschinski released Mission: Caligula on Vimeo.
Tuschinski's first novel "Das Fahrzeug" was published in Germany in 2011.[12] His novel "Fetzenleben" was published in 2018.
Tuschinski frequently composes and performs songs and instrumental music for his own films.[5] He occasionally performs his songs live on stage, often combined with comedy routines.
In 2014, Tuschinski published an album featuring classical music recorded on synthesizer and vocoder.
Alexander Tuschinski's films have been compared to "the early works of Woody Allen".[13] He uses an impressionistic camera- and editing-style that is considered experimental by some. His films frequently employ classical music with scenes edited to the rhythm and the structure of the music, as well as satirical songs that are often used to progress the story.
Tuschinski himself uses an analogy to language when describing his approach to cinematography and editing, calling different shots nouns (e.g. shots showing an object / a person without any additional intention than showing it, like establishing shots), verbs (shots used to depict an action or movement) or adjectives (shots "describing" things, like quick cut-aways and details), comparing regular visual rules of filmmaking to classical literature, while his way of filming is rather like slam poetry.[14]
In almost all of Tuschinski's films, him and Matthias Kirste share the cinematographer-credit. When Tuschinski is acting, Kirste operates the camera, and when Tuschinski is not seen in the frame, he often operates the camera himself. Sebastian B. is often cast as the lead actor in Tuschinski's films.
Additionally, Tuschinski's documentary Quasicrystal Research was selected to play during the Australian National Science Week in 2012, being shown in 400 venues around Australia during that week.[32]