| Alex Hood | |
| Birth Name: | Alexander Stewart Ferguson Hood |
| Alias: | Alec Hood |
| Birth Place: | Sydney, Australia |
| Instrument: | Vocals, guitar, banjo, bones |
| Genre: | Folk |
| Occupation: | Musician, songwriter, singer, author, playwright, actor, entertainer, folklorist |
| Years Active: | 1953– |
| Label: | Wattle Records, Music For Pleasure Australia, AXIS, EMI Australia |
| Associated Acts: | The Bushwhackers, The Rambleers, Daw, Hood And Henderson, Alex & Annette Hood's Australian Folk Theatre |
Alexander Stewart Ferguson "Alex" Hood (born 1935) is an Australian folk singer, writer, actor, children's entertainer/educator and folklorist.[1]
Hood was born in Sydney and attended Homebush Boys High School, where he gained his Intermediate Certificate. As a teenager he was a keen cricketer but left school at age 15 to take up an apprenticeship as an electrician.[2] He joined the Eureka Youth League, a communist youth association, meeting Bill Berry and Chris Kempster. Kempster, along with the older singer and folklorist John Meredith, a founding member of the (original) Bushwhackers (Australia's first revivalist bush band), were members of the Unity Singers, a Sydney left-wing choir formed in 1951.
In 1953 Reedy River, a new Australian musical play based around the 1891 Australian shearers' strike, was created, opening first at the Melbourne New Theatre and then subsequently in Sydney's New Theatre, also in 1953.[3] For the Sydney production, Meredith's Bushwhackers group were selected to provide the musical accompaniment; Hood spent some time "hanging around backstage" and, when Kempster had to take three months leave to perform his national service, the nineteen year old Hood, then known as Alec, deputised for him playing the part of "Snowy". (Hood also later took on the part of "Bob the Swagman" for a time, otherwise played by Cecil Grivas).
As a result of this involvement, Hood acquired a love of traditional Australian "bush" music and both he and Kempster became accepted members of the band, which however eventually led to friction between them (as the younger members) and Meredith, who decided that the best course of action was to disband the group in 1957, telling the various members that if they wanted to carry on performing, it would be under the auspices of the Sydney "Bush Music Club" (still in existence as at 2020) with which they had all been associated, but no longer under the "Bushwhackers" band name. Hood, together with Kempster on guitar and banjo and Harry Kay on harmonica then formed "The Rambleers", utilizing their preference to sing in harmony as opposed to the unison singing style of the Bushwhackers.[4] The group toured and released a 10-inch LP The Old Bark Hut followed with a 7-inch 33 rpm record Waltzing Matilda, both 1958, and also appeared in a 1960 stage production Fisher's Ghost, a play by Douglas Stewart based on the Fisher's Ghost legend, together with singers Barbara Lisyak and Denis Kevans.[5]
In 1962 Hood teamed up with British singer Chuck Quinton as "The Rambling Boys", spending several months touring with the "Gill Brothers" circus troupe before taking off on their own touring throughout outback New South Wale. Hood and his first wife, Gabrielle, subsequently established the Folk Arts Centre at 90 Queen Street, Woollahra, modelled after Israel Young's Folklore Centre in Greenwich Village, New York City, however the Centre lasted only a year before closing.[6]
From 1961 to 1962 Hood joined the Australian folk/jazz singer Marian Henderson and international jazz guitarist/ commercial artist Chris Daw, recently arrived in Sydney, in a trio "Daw, Hood And Henderson" which released an EP Oh Pay Me (1962); he also performed (solo) on a various artists 1964 EP Basic Wage Dream.[7] [8] He also worked with guitarist Brian Godden as "The Prodigal Sons" (active 1968-69),[9] who recorded a single entitled The Didgeridoo/The Girl On The Five Dollar Note, released by Parlophone Australia in 1969.
Hood released his first solo LP Alex Hood Sings of Australia's First Hundred Years in 1964 in conjunction with a pocket songbook. This was followed by a number of other albums including The Second Hundred Years (1970), Songs From the Wallaby Track (c. 1971), Seasons of Change (1975), Songs While the Billy Boils (also released as Songs Of Australia) (1977), Me and My Friends (1979), Sydney or The Bush (c. 1982) and Me and More Friends (1991). He also contributed to a book + LP release The Restless Years in 1968, along with the actor/reciter Peter O'Shaughnessy and singer Marian Henderson (the package was a spin-off of a 1967 TV film of the same name written and acted in by O'Shaughnessy), and was instrumental in getting the Scottish-Australian singer Harry Robertson recorded for the label MFP Australia in 1971, during which he took the lead vocal on two of Harry's songs on the resulting Robertson album Whale Chasing Men: Songs of Whaling in Ice and Sun.
In conjunction with his albums of songs, Hood wrote a number of books, plays and folk operas for children, including "Pumpkin Paddy meets the Bunyip" and "Brumby Jack Saves the Wild Bush Horses" (both 1972), "The Flying Pieman" (1974), "Herman's German band meets Thunderbolt" (1974) with Robert Smith, and "Speewah" (1978). Songs from "The Flying Pieman" were also released on LP in c. 1974.
Hood began to record traditional music, folklore and oral histories when he was touring in rural New South Wales in 1968. In 1972 he recorded Aboriginal children of Arnhem Land singing and chanting while on an Arts Council tour of the Northern Territory.[10] These recordings became part of the Alex and Annette Hood Collection now held at the National Library of Australia, which consists of about 200 recordings made between 1968 and 2006. The early recordings contain folk music and folklore, but most of the later recordings are oral histories including interviews with miners, drovers, bullock drivers, farmers, folk singers and dancers, as well as a cattle dealer, a photographer, a town planner, a jockey, a conservationist, a coach builder and a doctor, mostly recorded in New South Wales with some forays into Queensland. Included in the interviewees are politicians (Doug Anthony), photographers (Robert Walker), writers (Merv Lilley and Roger Milliss), singers (Marian Henderson) and the dancer Garry Lester.
In 1982 Alex met Annette James (b. 1948 in Sydney), who had trained as a dancer, and together they created their "Alex and Annette Hood's Australian Folk Theatre". Subsequently married to Hood, she accompanied him on his country tours and in particular was responsible for the puppets, costumes and backdrops for the Folk Theatre show, which toured Australia for 24 years performing songs, dances, stories and yarns to audiences of children, having completed over 7,500 shows by 2012.[11] The show often featured humanitarian and environmental themes and toured constantly, filling out its busy schools schedule with additional shows for adults and performances at Australian folk festivals.
Hood kept up a busy schedule as entertainer, recording musician, playwright and actor for many years and was featured in 2014 (aged 78–79) at Sydney's still-operational Bush Music Club, as well as the 2017 Illawarra Folk Festival.[12] Together with his wife Annette, he eventually retired to the Kiama district of New South Wales, where he continues to perform in public on an occasional basis.[13] [14] Meanwhile, Alex and Annette continue to make oral history recordings for the National Library of Australia; by late 2019 there were 63 such sessions added to the relevant collection dated 2010 and later.
Alex and Annette Hood received the 2020 National Folk Festival Lifetime Achievement Award for "significant commitment and contribution to enriching folk music and culture in Australia".[15]
Wattle Records "A Series" 78s
"B Series" 7-inch 33rpm EPs
...The above recordings reissued on CD with additional tracks as The Rambleers National Library Of Australia/Wattle Recordings (no number), 2002; also includes unreleased recordings for a performance of the Douglas Stewart play "Fisher's Ghost" with singers Barbara Lisyak & Denis Kevans, 1960.
The following short films were released under the name "Wattle Films". Silvia Salisbury stated in 2012: "These short films used Australian songs sung by Alex Hood as a background to a film version of the song. ... These films were sold to the ABC to be used as fillers when programmes finished early due to the ABC not having advertisements."[16] [17] It is not known whether the vocals used were new recordings, or were recordings already available on previous Wattle releases.
