| Ambassador From: | Russian |
| Country: | Iran |
| Monarch1: | Nicholas I of Russia |
| Term Start1: | 1828[1] |
| Term End1: | 1829 |
| Birth Name: | Alexander Sergeyevich Griboyedov |
| Birth Date: | 4 January 1795 |
| Birth Place: | Moscow, Russian Empire |
| Death Place: | Tehran, Qajar Iran |
| Nationality: | Russian |
| Restingplace: | Tbilisi, Georgia |
| Alma Mater: | Imperial Moscow University (1808) |
| Spouse: | Nino Chavchavadze |
| Occupation: | Diplomat, Playwright, Poet, and Composer |
| Signature: | Griboyedov Signature.svg |
Alexander Sergeyevich Griboyedov (Russian: Александр Сергеевич Грибоедов, Aleksandr Sergeevich Griboedov or Griboyedov; 15 January 179511 February 1829), formerly romanized as Alexander Sergueevich Griboyedoff,[2] was a Russian diplomat, playwright, poet, and composer. His one notable work was the 1823 verse comedy Woe from Wit. He was Russia's ambassador to Qajar Persia, where he and all the embassy staff were massacred by an angry mob as a result of the rampant anti-Russian sentiment that existed through Russia's imposition of the Treaty of Gulistan (1813) and Treaty of Turkmenchay (1828), which had forcefully ratified the Qajar Empire's cession of its northern territories comprising Transcaucasia and parts of the North Caucasus. Griboyedov played a pivotal role in the ratification of the latter treaty.
Griboyedov was born in Moscow, the exact year unknown, with biographers debating whether it was in 1790 or 1795. He received a master's degree in philology from Moscow University, and subsequently enrolled in the doctorate program. In 1812, he quit the program and enrolled in the military.[3] He obtained a commission in a hussar regiment, which he resigned in 1816. The next year, he entered the civil service. In 1818 he was appointed secretary of the Russian legation in Persia, and transferred to Georgia.
He possessed musical talent, played the piano and composed several waltzes. Only two of his waltzes survive to the present day, although it is recorded that he composed several, including vaudevilles in association with stage plays. He is best known for his literary compositions and poetic verses.
His verse comedy The Young Spouses (Russian: Молодые супруги|link=no, Molodye Suprugi), loosely based on a French play by Auguste Creuzé de Lesser, which Griboyedov staged in St. Petersburg in 1816, was followed by other similar works, mostly either translated or co-authored with more experienced writers of the day. Neither these nor his essays and poetry would have been long remembered but for the success of his verse comedy Woe from Wit (Russian: Горе от ума, Gore ot Uma), a satire on Russian aristocratic society.
As a high official in the play puts it, this work is "a pasquinade on Moscow". The play depicts certain social and official stereotypes in the characters of Famusov, who hates reform; his secretary, Molchalin, who fawns over officials; and the aristocratic young liberal and Anglomaniac, Repetilov. By contrast the hero of the piece, Chatsky, an ironic satirist just returned from western Europe, exposes and ridicules the weaknesses of the rest. His words echo the outcry of the young generation in the lead-up to the armed insurrection of 1825.
In Russia for the summer of 1823, Griboyedov completed the play and took it to St. Petersburg. It was rejected by the censors. Many copies were made and privately circulated, but Griboyedov never saw it published. After his death the manuscript was jointly owned by his wife Nina Alexandrovna Griboyedova and his sister Maria Sergeyevna Durnovo (Griboyedova).[4] The first edition was not published until 1833, four years after his death. Only once did he see it on the stage, when it was performed by the officers of the garrison at Yerevan. Soured by disappointment, he returned to Georgia. During the Russo-Persian War of 1826–1828, he put his linguistic expertise at the service of general Ivan Paskevich, a relative; after which he was sent to St. Petersburg where he worked on the Treaty of Turkmenchay negotiations. There, thinking to devote himself to literature, he started work on a romantic drama, A Georgian Night (Russian: Грузинская ночь, Gruzinskaya noch), based on Georgian legends.
Alexander Griboyedov's education was not only extensive, continuing into Doctoral work before shifting to military training, but had included musical study as well. Although producing only a small output of work during his lifetime, he was well experienced in an array of instruments including piano, organ, and flute. During his musical study, it is recorded that he studied with the Irish pianist, composer, and ostensible "creator" of the nocturne form John Field, along with Johann Heinrich Müller (also known as Johann Heinrich Miller) in the field of Music Theory.[5] [6]
Although his compositional life was minor in regards to others during his time, he was regarded as a "very good musician" by the likes of Mikhail Glinka, and had routine salons at his residence which were attended by many musical luminaries of his time, although relatively minor in the contemporary decade, including Vladimir Odoevsky, Alexander Alyabyev, Mikhail Vielgorsky, and Alexey Verstovsky.
Out of work as a composer, only two compositions survive to the present, those being his two waltzes in Ab major and E minor. He is known to have composed the musical score to the opera-vaudeville [or operetta] called "Who is a Brother, Who is a Sister, or Deception for Deception" (1824), written by the composer himself in collaboration with Pyotr Vyazemsky.[7]
Several months after his wedding to Nino, 16-year-old daughter of his friend Prince Chavchavadze, Griboyedov was suddenly sent to Persia as Minister Plenipotentiary. In the aftermath of the Russo–Persian War of 1826–1828 and the humiliating Treaty of Turkmenchay, there was strong anti-Russian sentiment in Persia. Upon arrival in Tehran, the Order of the Lion and the Sun was conferred on him. Soon after Griboyedov's arrival, a mob stormed the Russian embassy.
The incident began when an Armenian eunuch escaped from the harem of the Persian shah, and at the same time two enslaved Armenian women escaped from the harem of the Shah's son-in-law. All three sought refuge at the Russian legation. As agreed in the Treaty of Turkmenchay, Georgians and Armenians living in Persia at that time were permitted to return to Georgia and Eastern Armenia.[8] However, the Shah demanded that Griboyedov return the three escapees. Griboyedov refused. His decision caused an uproar throughout the city and several thousand Persians encircled the Russian compound demanding their release.
Soon after, urged on by the mullahs, the mob stormed the building. A high-ranking Muslim scholar with the title of Mojtahed, Mirza Masih Astarabadi known as Mirza Masih Mojtahed, issued a fatwa saying that freeing Muslim women from the claws of unbelievers is allowed.[9]
Griboyedov and other members of his mission had prepared for a siege and sealed all the windows and doors. Armed and in full uniform, they were resolved to defend to the last drop of blood. Although small in number, the Cossack detachment assigned to protect the legation held off the mob for over an hour until finally being driven back to Griboyedov's office. There, Griboyedov and the Cossacks resisted until the mob broke through the roof of the building, and then through the ceiling, to slaughter them. The escaped eunuch and Griboyedov, who fought with his sword, were among the first to be shot to death; the fate of the two Armenian women remains unknown.[8] [10] Second secretary of the mission Karl Adelung and, in particular, a young doctor whose name is not known, fought hard, but soon the scene was one of butchered, decapitated corpses.
Griboyedov's body, thrown from a window, was decapitated by a kebab vendor who displayed the head on his stall.[9] The mob dragged the uniformed corpse through the city's streets and bazaars, to cries of celebration. It was eventually abandoned on a garbage heap after three days of ill-treatment by the mob, such that in the end it could be identified only by a duelling injury to a finger. The following June, Griboyedov's friend Alexander Pushkin, travelling through the southern Caucasus, encountered some men from Tehran leading an oxcart. The men told Pushkin they were conveying the ambassador's remains to Tiflis (now Tbilisi).Griboyedov was buried there, in the monastery of St. David (Mtatsminda Pantheon).[9]
When Nino, Griboyedov's widow, received news of his death she gave premature birth to a child who died a few hours later. Nino lived another thirty years, rejecting all suitors and winning universal admiration for her fidelity to her husband's memory.
In a move to compensate Russia for the attack and the death of its ambassador, the Shah sent his grandson Khosrow Mirza to St. Petersburg to avoid another war with Tsar Nicholas I.[9] [11] and also gifted to him the Shah Diamond.[12]
Russian sources claim that British agents, who feared Russian influence in Tehran, and Persian reactionaries, who were not satisfied with the Turkmenchay treaty, were responsible for inciting the mob. The death of Griboyedov, who was a liberal and who advocated regional autonomy for the Christians in Transcaucasia, was probably not a great loss for Tsar Nicholas or General Paskevich, both of whom wished to Russianize the minorities in the Caucasus. The Russo–Turkish War of 1828–29 might have been another reason for the Russian inaction.[13] His wife had written on his tombstone in Tiflis: “Your mind and works are immortal in Russian memory, but why has my love outlived you?”.[12]
Author Angela Brintlinger has said that "not only did Griboyedov's contemporaries conceive of his life as the life of a literary hero—ultimately writing a number of narratives featuring him as an essential character—but indeed Griboyedov saw himself as a hero and his life as a narrative. Although there is not a literary artifact to prove this, by examining Griboyedov's letters and dispatches, one is able to build a historical narrative that fits the literary and behavioural paradigms of his time and that reads like a real adventure novel set in the wild, wild East."
One of the main settings for Mikhail Bulgakov's satirical novel The Master and Margarita is named after Griboyedov, as is the Griboyedov Canal in Central Saint Petersburg. One of the central streets of Tbilisi, the capital of Georgia, is named after Griboyedov. This street is crossed by Alexander Chavchavadze street, named after Griboyedov's father-in-law, famous Georgian poet, Alexander Chavchavadze.
On 17 April 1944 Pravda ran a lengthy feature on the commemoration of Griboyedov's 150th birthday when high-ranking officials, military leaders, diplomats, writers, and artists had attended a celebration in the Bolshoi Theatre. Novelist and Stalin deputy Leonid Leonov eulogized Griboyedov, mentioning especially his love of his fatherland.
The reception to the Shah's grandson Khosrow Mirza in the Winter Palace, and Tsar Nicholas receiving from him the Shah Diamond, are featured in the 2002 Russian film Russian Ark.
There are streets n.a. Griboyedov in many cities of Russia and neighboring countries.