Aleksandr Kamshalov Explained

Office:Chairman of the State Committee for Cinematography
Term Start:December 1986
Term End:24 August 1991
Predecessor:Filip Yermash
Successor:Office abolished
Birth Name:Aleksandr Ivanovich Kamshalov
Birth Date:9 January 1932
Death Place:Moscow
Restingplace:Troyekurovskoye cemetery
Party:Communist Party

Aleksandr Kamshalov (1932–2019; Russian: Александр Камшалов) was a member of the Communist Party who served as the chairman of the State Committee for Cinematography in the Soviet Union being last Soviet politician who held the post.[1] During his tenure Kamshalov was the most authoritative figure in the Soviet film industry, including the production, theatrical distribution, home video, and import and export of films.[2]

Early life and education

Kamshalov was born on 9 January 1932.[1] He graduated from Moscow State University in 1954 receiving a degree in history.[3]

Career

Following his graduation Kamshalov began to work as a teacher.[3] From 1962 to 1970 he was secretary of the central committee of the Komsomol and a member of the collegium of the ministry of culture.[1] [4] Then he was in charge of the cinematography sector of the culture department of the Communist Party and appointed the chairman of the State Committee on Cinematography in 1970 which he held until 1986.[3] Next he became chairman of the cinematography committee under the cabinet of ministers in December 1986, replacing Filip Yermash in the post.[5] [6]

Views and activities

His appointment as the head of the State Committee on Cinematography was regarded by the liberals as a positive initiative, but Kamshalov had a conservative political stance.[7] Kamshalov made it possible for the senior Soviet officials to watch the foreign films and cancelled the broadcast of films which were directed by the Soviet filmmakers.[7]

In 1988 Marina Goldovskaya, a well-known documentary director, produced a documentary about the history of the Soviet concentration camp at the Solovki Islands entitled Solovki Power.[8] Like other films produced in the Soviet Union it was first screened for Kamshalov who requested major modifications in the film after watching it.[8] For instance, he demanded the exclusion of the statement of Nikolai Beliakov, a comrade of Vladimir Lenin, "You’re in the hands of fascists now!" which he told the inmate Anatolii Gorelov.[8] In addition, Kamshalov requested the deletion of a reference to Aleksandr Solzhenitsyn's book The Gulag Archipelago from the film which was still banned in the country due to the fact that Solzhenitsyn was a persona non grata in the Soviet Union.[8] Although Kamshalov did not provide a permission for its broadcast, it was released without any modification in the late 1988 at the Dom Kino film club in Moscow possibly due to Mikhail Gorbachev's initiative.[8]

Death

Kamshalov died in Moscow on 4 September 2019.[1] He was buried in the Troyekurovskoye cemetery, Moscow, on 7 September after funeral ceremony.[1]

Awards

Kamshalov was awarded the Order of the Red Banner of Labour, the Order of Friendship of Peoples and the Order of the Badge of Honour.[1]

Notes and References

  1. Web site: Умер последний председатель Государственного комитета СССР по кинематографии Александр Камшалов. Union of Cinematographers of the Russian Federation. 5 March 2022. https://web.archive.org/web/20220305095558/https://unikino.ru/alexandr-kamshalov-rip/. 5 March 2022. ru. 6 September 2019.
  2. News: John Voland. Soviet Film Boss Goes Hollywood. 5 March 2022. Los Angeles Times. 29 February 1988.
  3. Soviet Union: Political Affairs. JPRS. 12 December 1989. 16. 20.500.12424/730432.
  4. Bartłomiej Gajos. Fading red october: Soviet youth and the Fiftieth Anniversary of the October Revolution. 2018. 31 . Revolutionary Russia. 1. 112. 10.1080/09546545.2018.1480118. 149892730.
  5. Louis Menashe. Book review. Film Quarterly. Summer 1987. 40. 4. 39. 1212248.
  6. Book: Alexander Dallin. Gail W. Lapidus. The Soviet System in Crisis: A Reader of Western And Soviet Views. Routledge. 2019. 978-1-000-30577-7. New York. 264. Josephine Woll. https://books.google.com/books?id=yQekDwAAQBAJ&pg=PT264. Glasnost' and Soviet Culture.
  7. Book: Nancy Condee. The Imperial Trace: Recent Russian Cinema. Oxford University Press. 2009. 978-0-19-536676-1. New York. 259.
  8. Erin Alpert. Reinventing Soviet visual memory: A case study of Marina Goldovskaya's documentary Solovki Power. Studies in Russian and Soviet Cinema. 2013 . 7. 2. 210–213. 10.1386/srsc.7.2.207_1. 155042757.