| Alan Vega | |
| Birth Name: | Alan Bermowitz |
| Birth Date: | 23 June 1938 |
| Birth Place: | New York City, New York, U.S. |
| Death Place: | New York City, New York, U.S. |
| Genre: | Proto-punk, electronic, experimental, synth-punk, minimal, industrial, rockabilly, synth-pop |
| Occupation: | Singer, sculptor, painter |
| Years Active: | 1966–2016 |
| Label: | Sacred Bones Records, Mute Records, Elektra |
| Associated Acts: | Suicide, Ric Ocasek, Pan Sonic, Al Jourgensen, Gillian McCain, Mercury Rev, The Vacant Lots |
Alan Bermowitz (June 23, 1938–July 16, 2016),[1] known professionally as Alan Vega, was an American vocalist and visual artist, primarily known for his work with the electronic proto-punk duo Suicide.
Alan Bermowitz was raised in Bensonhurst, Brooklyn.[1] Until the announcement of the 70th birthday release of his recordings in 2008, Vega was widely thought to have been ten years younger; the 2005 book Suicide: No Compromise lists 1948 as his birth year and quotes a 1998 interview in which Vega talks about watching Elvis Presley on The Ed Sullivan Show (1956) as a "little kid". A 1983 Los Angeles Times article refers to him as a 35-year-old,[2] and several other sources also list 1948 as his birthdate.[3] [4] Two 2009 articles confirmed his 1948 birth date, one in Le Monde about the Lyon exhibit[5] and one in the magazine Rolling Stone.[6]
In the mid-1950s, Bermowitz attended Brooklyn College where he studied both physics and fine art under Ad Reinhardt and Kurt Seligmann[7] and graduated in 1960.[8]
In the 1960s, he became involved with the Art Workers' Coalition, a radical artists group that harassed museums and once barricaded the Museum of Modern Art.[9] In 1970, he reportedly first met and befriended Martin "Rev" Reverby.
In 1969, funding from the New York State Council on the Arts made possible the founding of MUSEUM: A Project of Living Artists—an artist-run 24-hour multimedia gallery at 729 Broadway[10] in Manhattan. Producing visual art under the name Alan Suicide, Bermowitz graduated from painting to light sculptures,[11] many of which were constructed of electronic debris. He gained a residency at the OK Harris Gallery in SoHo where he continued to exhibit until 1975. Barbara Gladstone continued to show his work well into the 1980s.
Seeing The Stooges perform at the New York State Pavilion, in August 1969, was an epiphany for Bermowitz.[12] With Rev, Bermowitz began experimenting with electronic music, and formed a band that would become Suicide, along with guitarist Paul Liebgott. The group played twice at MUSEUM before moving on to the OK Harris Gallery. Writing publicity flyers under the pseudonym Nasty Cut, Bermowitz used the terms "Punk Music" and "Punk Music Mass" to describe their music,[13] which he adopted from an article by Lester Bangs.[14] In 1971, the group dropped Paul Liebgott; for a time it included Rev's wife, Mari Reverby, on drums (although she didn't play at their live performances).[15]
With Bermowitz finally settling on Alan Vega as a stage name, they began to play music venues. Suicide went on to perform at the Mercer Arts Center, Max's Kansas City and CBGB, and ultimately to achieve international recognition.
In 1980, Vega released an eponymous first solo record. It defined the frantic rockabilly style that he would use in his solo work for the next several years, with the song "Jukebox Babe" becoming a hit single in France. In 1985, he released the more commercially viable Just a Million Dreams but was dropped from his record label after its release. The album originally was set to be produced by Ric Ocasek as a follow-up to the critically acclaimed Saturn Strip (1983), but production switched over to Chris Lord-Alge and Vega ran into several difficulties during the recording sessions.[16] The album eschewed many of Vega's experimental traits in favor of power pop songs and he later lamented, "They took all my songs and turned them into God knows what."[17]
Vega teamed up with Martin Rev and Ric Ocasek again in the late eighties to produce and release the third Suicide album, A Way of Life (1988). Visual artist Stefan Roloff produced a music video for the song Dominic Christ, which was released by Wax Trax! Records. Suicide went overseas to promote the album by performing the song "Surrender" in Paris, which was aired on French television. Shortly thereafter, Vega met future wife and music partner Elizabeth Lamere while piecing together sound experiments that would evolve into his fifth solo album, Deuce Avenue (1990). Deuce Avenue marked his return to minimalist electronic music, similar to his work with Suicide, in which he combined drum machines and effects with free-form prose. Over the next several decades he would release six more solo records and perform and release albums with Suicide.
In 2002, art dealer Jeffrey Deitch tracked down Vega after a couple of his young gallery employees "gushed" over a Suicide gig at the NYC Knitting Factory.[18] As a result, Vega made a return to visual art, constructing Collision Drive, an exhibition of sculptures combining light with found objects and crucifixes.
Vega's tenth solo album, Station, was released on Blast First Records in 2007 and was described by his colleagues as "his hardest, heaviest album for quite a while."[19] In 2008, British label Blast First Petite released a limited edition Suicide 6-CD box set and monthly tribute series of 10" Vinyl EP's, to mark the occasion of Alan Vega's 70th birthday[20] Musicians who contributed to the tribute series included The Horrors, Lydia Lunch, Primal Scream, and Miss Kittin.[21]
In 2009, the Museum of Contemporary Art in Lyon, France, mounted Infinite Mercy – a major retrospective exhibit of Vega's art, curated by Mathieu Copeland.[22] This included the screening of two short documentary films: Alan Vega (2000) by Christian Eudeline, and Autour d’Alan Vega (extraits) (1998) by Hugues Peyret.[23]
In 2012, Vega suffered a stroke. That, and problems with his knees, led him to focus on less physically demanding art, such as painting; however, he continued to perform at selected concerts and work on the music that led to his final studio album, It. He continued to live in downtown New York City.[18]
In 2016, Vega contributed vocals to the song "Tangerine" on French pop veteran singer Christophe's album Les Vestiges du Chaos.[24]
In 2017, Alan Vega's final album It was released posthumously on July 14 on Fader. The album was produced by Alan Vega, Liz Lamere, Perkin Barnes, and Jared Artaud of New York City band The Vacant Lots. The album cover and inner sleeves featured Vega's original artwork.[25] Two posthumous art shows "Dream Baby Dream" at Deitch Gallery and "Keep IT Alive" at Invisible-Exports exhibited Alan Vega's work in New York City.[26]
In 2021, Sacred Bones Records released 'Mutator', the lost Alan Vega album produced and mixed by Jared Artaud and Liz Lamere, the first in a series of unreleased and rare material from the Vega Vault.
In 2024, a posthumous album entitled Insurrection, consisting of 11 previously unreleased recordings by Vega, was released on In The Red Records. The album was produced and mixed by Jared Artaud and Liz Lamere in New York City.[27] In May 2024 a new art exhibition of Alan Vega's fine art works entitled "Cesspool Saints" that is co-curated by Jared Artaud opens in Paris at Laurent Godin Gallery.
Vega died in his sleep on July 16, 2016, at the age of 78. His death was announced by musician and radio host Henry Rollins, who shared an official statement from Vega's family on his website.[28]