Alan Ayckbourn Explained

Honorific Prefix:Sir
Alan Ayckbourn
Birth Date:1939 4, df=y
Birth Place:Hampstead, London, England
Occupation:Playwright, director
Period:1959–present

Sir Alan Ayckbourn (born 12 April 1939) is a prolific British playwright and director. He has written and produced as of 2024, 90 full-length plays in Scarborough and London and was, between 1972 and 2009, the artistic director of the Stephen Joseph Theatre in Scarborough, where all but four of his plays have received their first performance. More than 40 have subsequently been produced in the West End, at the Royal National Theatre or by the Royal Shakespeare Company since his first hit Relatively Speaking opened at the Duke of York's Theatre in 1967.

Major successes include Absurd Person Singular (1975), The Norman Conquests trilogy (1973), Bedroom Farce (1975), Just Between Ourselves (1976), A Chorus of Disapproval (1984), Woman in Mind (1985), A Small Family Business (1987), Man of the Moment (1988), House & Garden (1999) and Private Fears in Public Places (2004). His plays have won numerous awards, including seven London Evening Standard Awards. They have been translated into over 35 languages and are performed on stage and television throughout the world. Ten of his plays have been staged on Broadway, attracting two Tony nominations, and one Tony award.

Life

Childhood

Ayckbourn was born in Hampstead, London.[1] [2] His mother, Irene Worley ("Lolly") (1906–1998), was a writer of short stories who published under the name "Mary James".[3] His father, Horace Ayckbourn (1904–1965), was an orchestral violinist and was the lead violinist at the London Symphony Orchestra.[4] His parents, who separated shortly after World War II, never married, and Ayckbourn's mother divorced her first husband to marry again in 1948.[1]

Ayckbourn wrote his first play at Wisborough Lodge (a preparatory school in the village of Wisborough Green) when he was about 10.[5] While he was at prep school as a boarder, his mother wrote to tell him she was marrying Cecil Pye, a bank manager. His new family consisted of his mother, his stepfather and Christopher, his stepfather's son by an earlier marriage. This relationship too, reportedly ran into difficulties early on.[6]

Ayckbourn attended Haileybury and Imperial Service College, in the village of Hertford Heath and, while there, he toured Europe and America with the school's Shakespeare company.[2] [7]

Adult life

After leaving school at 17, Ayckbourn took several temporary jobs in various places before starting a temporary position at the Scarborough Library Theatre, where he was introduced to the artistic director, Stephen Joseph.[2] [8] It is said that Joseph became both a mentor and father figure for Ayckbourn until his untimely death in 1967,[9] and Ayckbourn has consistently spoken highly of him.[10]

Ayckbourn's career was briefly interrupted when he was called up for National Service. He was swiftly discharged, officially on medical grounds, but it is suggested that a doctor who noticed his reluctance to join the Armed Forces deliberately failed the medical as a favour.[11] Although Ayckbourn continued to move wherever his career took him, he settled in Scarborough, eventually buying Longwestgate House, which had previously been owned by his mentor, Joseph.[12]

In 1957, Ayckbourn married Christine Roland, another member of the Library Theatre company.[13] [14] [15] Ayckbourn's first two plays were, in fact, written jointly with her under the pseudonym of "Roland Allen".[16] They had two sons, Steven and Philip.[17] However, the marriage had difficulties, which eventually led to their separation in 1971. Ayckbourn said that his relationship with Roland became easy once they agreed their marriage was over. About this time, he shared a home with Heather Stoney,[18] an actress he had first met ten years earlier.[19] Like his mother, neither he nor Roland sought an immediate divorce and it was not until thirty years later, in 1997, that they were formally divorced and Ayckbourn married Stoney.[13] [20] One side effect of the timing is that, when Ayckbourn was awarded a knighthood a few months before the divorce,[21] both his first and second wives were entitled to take the title of Lady Ayckbourn.

In February 2006, he suffered a stroke in Scarborough, and stated: "I hope to be back on my feet, or should I say my left leg, as soon as possible, but I know it is going to take some time. In the meantime I am in excellent hands and so is the Stephen Joseph Theatre."[22] He left hospital after eight weeks and returned to directing after six months.[23] The following year, Ayckbourn announced he would step down as artistic director of the Stephen Joseph Theatre.[24] He continues, however, to write and direct his own work at the theatre.

Influence on plays

Since the time Ayckbourn's plays became established in the West End, interviewers have raised the question of whether his work is autobiographical.[25] There is no clear answer to this question. There has been only one biography, written by Paul Allen, which primarily covers his career in the theatre.[26] Ayckbourn has frequently said he sees aspects of himself in all of his characters. In Bedroom Farce (1975), for example, he admitted to being, in some respects, all four of the men in the play.[27] It has been suggested that, after Ayckbourn himself, the person who is used most often in his plays is his mother, particularly as Susan in Woman in Mind[28] (1985).

What is less clear is the extent to which events in Ayckbourn's life have influenced his writing. It is true that the theme of marriages in difficulty was heavily present throughout his plays in the early seventies, at about the time his own marriage was coming to an end. However, by that time, he had also witnessed the failure of his parents' relationships and those of some of his friends.[25] Which relationships, if any, he drew on for his plays, is unclear. In Paul Allen's biography, Ayckbourn is briefly compared with Dafydd and Guy in A Chorus of Disapproval (1984). Both characters feel themselves to be in trouble and there was speculation that Ayckbourn himself might have felt the same way. At the time, he had reportedly become seriously involved with another actress, which threatened his relationship with Stoney.[29] It is unclear whether this had any effect on the writing; Paul Allen's view is that Ayckbourn did not use his personal experiences to write his plays.

It is possible that Ayckbourn wrote plays with himself and his own situation in mind but, as Ayckbourn is portrayed as a guarded and private man,[26] it is hard to imagine him exposing his own life in his plays to any great degree. In the biography, Paul Allen writes, with regard to a suggestion in Cosmopolitan that Ayckbourn's plays were becoming autobiographical: "If we take that to mean that his plays tell his own life story, he still hasn't started."[25]

Career

Early career and acting

On leaving school, Ayckbourn's theatrical career began immediately, when his French master introduced him to Sir Donald Wolfit.[30] Ayckbourn joined Wolfit on tour to the Edinburgh Festival Fringe as an acting assistant stage manager (a role that involved both acting and stage management) for three weeks.[2] [31] His first experiences on the professional stage were various roles in The Strong are Lonely by Fritz Hochwälder.[32] In the following year, Ayckbourn appeared in six other plays at the Connaught Theatre, Worthing[2] [33] and the Thorndike theatre, Leatherhead.[2] [34]

In 1957, Ayckbourn was employed by the director Stephen Joseph at the Library Theatre, Scarborough, the predecessor to the modern Stephen Joseph Theatre.[2] [8] Again, his role was initially as acting stage manager.[2] [8] This employment led to Ayckbourn's first professional script commission, in 1958. When he complained about the quality of a script he was performing, Joseph challenged him to write a better one. The result was The Square Cat, written under the pseudonym Roland Allen and first performed in 1959.[35] In this play, Ayckbourn himself played the character of Jerry Watiss.[32]

In 1962, after thirty-four appearances in plays at the Library Theatre, including four of his own, Ayckbourn moved to Stoke-on-Trent to help set up the Victoria Theatre (now the New Vic),[36] where he appeared in a further eighteen plays.[32] His final appearance in one of his own plays was as the Crimson Gollywog in the disastrous children's play Christmas v Mastermind.[37] He left the Stoke company in 1964, officially to commit his time to the London production of Mr. Whatnot, but reportedly because was having trouble working with the artistic director, Peter Cheeseman.[38] By now, his career as a writer was coming to fruition and his acting career was sidelined.

His final role on stage was as Jerry in Two for the Seesaw by William Gibson, at the Civic Theatre in Rotherham.[32] He was left stranded on stage because Heather Stoney (his future wife) was unable to re-appear due to her props not being ready for use. This led to his conclusion that acting was more trouble than it was worth.[39] The assistant stage manager on the production, Bill Kenwright, would go on to become one of the UK's most successful producers.

Writing

Ayckbourn's first play, The Square Cat, was sufficiently popular locally to secure further commissions, although neither this nor the following three plays had much impact beyond Scarborough.[40] After his transfer to Victoria Theatre in Stoke-on-Trent, Christmas v Mastermind, flopped; this play is now universally regarded as Ayckbourn's greatest disaster.[41] [42]

Ayckbourn's fortunes revived in 1963 with Mr. Whatnot, which also premiered at the Victoria Theatre. This was the first play that Ayckbourn was sufficiently happy with to allow continued performances today, and the first play to receive a West End performance. However, the West End production flopped, in part due to misguided casting.[43] [44] After this, Ayckbourn experimented by collaborating with comedians, first writing a monologue for Tommy Cooper, and later with Ronnie Barker, who played Lord Slingsby-Craddock in the London production of Mr Whatnot in 1964, on the scripts for LWT's Hark at Barker. Ayckbourn used the pseudonym Peter Caulfield because he was under exclusive contract to the BBC at the time.[45]

In 1965, back at the Scarborough Library Theatre, Meet my Father was produced, and later retitled Relatively Speaking. This time, the play was a massive success, both in Scarborough and in the West End, earning Ayckbourn a congratulatory telegram from Noël Coward.[46] [47] This was not quite the end of Ayckbourn's hit-and-miss record. His next play, The Sparrow ran for only three weeks at Scarborough [48] [49] but the following play, How the Other Half Loves, secured his runaway success as a playwright.[50] [51]

The height of Ayckbourn's commercial success came with plays such as Absurd Person Singular (1975), The Norman Conquests trilogy (1973), Bedroom Farce (1975) and Just Between Ourselves (1976). These plays focused heavily on marriage in the British middle classes. The only failure during this period was a 1975 musical with Andrew Lloyd Webber, Jeeves; even this did little to dent Ayckbourn's career.[52] [53]

From the 1980s, Ayckbourn moved away from the recurring theme of marriage to explore other contemporary issues. One example was Woman in Mind, a play performed entirely from the perspective of a woman going through a nervous breakdown.[54] [55] He also experimented with unconventional ways of writing plays: Intimate Exchanges, for example, has one beginning and sixteen possible endings, and in House & Garden, two plays take place simultaneously on two separate stages. He also diversified into children's theatre, such as Mr A's Amazing Maze Plays and musical plays, such as By Jeeves (a more successful rewrite of the original Jeeves).

With a résumé of over seventy plays, of which more than forty have played at the National Theatre or in the West End, Alan Ayckbourn is one of England's most successful living playwrights. Despite his success, honours and awards (which include a prestigious Laurence Olivier Award), Alan Ayckbourn remains a relatively anonymous figure, dedicated to regional theatre.[56] Throughout his writing career, all but four of his plays premiered at the Stephen Joseph Theatre in Scarborough in its three different locations.[2]

Ayckbourn received the CBE in 1987[2] [57] and was knighted in the 1997 New Year Honours.[2] [21] It is frequently claimed[58] (but not proved)[59] that Alan Ayckbourn is the most performed living English playwright, and the second most performed of all time, after Shakespeare.

Although Ayckbourn's plays no longer dominate the theatrical scene on the scale of his earlier works, he continues to write. Among major success has been Private Fears in Public Places, which had a hugely successful Off-Broadway run at 59E59 Theaters and, in 2006, was made into a film, Cœurs, directed by Alain Resnais.[60] After Ayckbourn suffered a stroke, there was uncertainty as to whether he could continue to write.[61] The play that premiered immediately after his stroke, If I Were You, had been written before his illness; the first play written afterwards, Life and Beth, premiered in the summer of 2008. Ayckbourn continues to write for the Stephen Joseph Theatre on the invitation of his successor as artistic director, Chris Monks. The first new play under this arrangement, My Wonderful Day, was performed in October 2009.[62]

Ayckbourn continues to experiment with theatrical form. The play Roundelay opened in September 2014; before each performance, members of the audience are invited to extract five coloured ping pong balls from a bag, leaving the order in which each of the five acts is played left to chance, and allowing 120 possible permutations.[63] In Arrivals and Departures (2013), the first half of the play is told from the point of view of one character, only for the second half to dramatise the same events from the point of view of another.

Many of Ayckbourn's plays, including Private Fears in Public Places, Intimate Exchanges, My Wonderful Day and Neighbourhood Watch, have had their New York premiere at 59E59 Theaters as part of the annual Brits Off Broadway Festival.

In 2019, Ayckbourn had published his first novel, The Divide, which had previously been showcased during a reading at the Stephen Joseph Theatre.

As a consequence of the Covid lockdown, Ayckbourn's 2020 play, Anno Domino, was recorded as a radio production, with Ayckbourn and his wife Heather playing all the roles. Similarly, Ayckbourn's Covid-period 2021 play, The Girl Next Door, was streamed online and made available behind a paywall on the Stephen Joseph Theatre's website.

In 2022, the first Ayckbourn play in around 60 years premiered in a venue other than Scarborough: All Lies at the Old Laundry in Bowness-on-Windermere.

Directing

Although Ayckbourn is best known as a writer, it is said that he only spends 10% of his time writing plays. Most of the remaining time is spent directing.[64]

Ayckbourn began directing at the Scarborough Library Theatre in 1961, with a production of Gaslight by Patrick Hamilton.[64] [65] During that year and the next, he directed five other plays in Scarborough and, after transferring to the Victoria Theatre, in 1963 directed a further six plays. Between 1964 and 1967, much of his time was taken up by various productions of his early successes, Mr. Whatnot and Relatively Speaking and he directed only one play, The Sparrow, which he wrote and which was later withdrawn. In 1968, he resumed directing plays regularly, mostly at Scarborough.[65] At this time he also worked as a radio drama producer for the BBC, based in Leeds.

At first, his directing career was kept separate from his writing career. It was not until 1963 that Ayckbourn directed a play of his own (a revival of Standing Room Only) and 1967 before he directed a premiere of his own (The Sparrow).[65] The London premieres remained in the hands of other directors for longer; the first of his own plays to be directed by him in London was Bedroom Farce, in 1977.[66] [67]

After the death of Stephen Joseph in 1967, the Director of Productions was appointed on an annual basis. Ayckbourn was offered the position in 1969 and 1970, succeeding Rodney Wood, but he handed the position over to Caroline Smith in 1971, having spent most that year in the US with How the Other Half Loves. He became Director of Productions again in 1972 and, on 12 November of that year, he was made the permanent artistic director of the theatre.[68]

In mid-1986, Ayckbourn accepted an invitation to work as a visiting director for two years at the National Theatre in London, to form his own company, and perform a play in each of the three auditoria, provided at least one was a new play of his own.[69] He used a stock company that included performers such as Michael Gambon, Polly Adams and Simon Cadell. The three plays became four: Tons of Money by Will Evans and Valentine, with adaptations by Ayckbourn (Lyttelton); Arthur Miller's A View From the Bridge (Cottesloe); his own play A Small Family Business (Olivier) and John Ford's 'Tis Pity She's a Whore (Olivier again).[70]

Notes and References

  1. P. Allen, 2001, p. 9
  2. http://biography.alanayckbourn.net/index.htm Biography on the official Alan Ayckbourn website
  3. P. Allen, 2001, p. 10
  4. P. Allen, 2001, p. 6
  5. P. Allen, 2001, p. 20
  6. P. Allen, 2001, pp. 17–19
  7. P. Allen, 2001, pp. 30–33
  8. P. Allen, 2001, pp. 43–46
  9. P. Allen, 2001, pp. 118–119
  10. Ayckbourn, Alan (2003). The Crafty Art of Playmaking, Faber,
  11. P. Allen, 2001, pp. 72–75
  12. P. Allen, 2001, pp. 145–146
  13. http://biography.alanayckbourn.net/BiographyFacts.htm 20 Facts about Alan Ayckbourn
  14. P. Allen, 2001, pp. 297–299
  15. P. Allen, 2001, pp. 65–67
  16. P. Allen, 2001, pp. 67–72
  17. P. Allen, 2001, pp. 69, 85
  18. P. Allen, 2001, p. 132
  19. P. Allen, 2001, p. 88
  20. P. Allen, 2001, pp. 297–298
  21. P. Allen, 2001, p. 295
  22. Web site: Scarborough Evening News, 28 February 2006 . https://archive.today/20130505123429/http://www.scarborougheveningnews.co.uk/news/Ayckbourn-has-stroke.1368917.jp . dead . 5 May 2013 . Scarborougheveningnews.co.uk . 28 February 2006 . 29 August 2011 .
  23. News: Mark Lawson . The Guardian, 4 October 2006 . The Guardian . 4 October 2006. 29 August 2011 . London.
  24. News: BBC News, 4 June 2007 . BBC News . 4 June 2007 . 29 August 2011.
  25. P. Allen, 2001, p. 123
  26. P. Allen, 2001,
  27. P. Allen, 2001, p. 155
  28. P. Allen, 2001, p. 3
  29. P. Allen, 2001, pp. 209–210
  30. P. Allen, 2001, p. 32
  31. P. Allen, 2001, pp. 36–38
  32. Web site: Acting career on official Ayckbourn site . Biography.alanayckbourn.net . 29 August 2011 . https://web.archive.org/web/20110723010505/http://biography.alanayckbourn.net/BiographyActing.htm . 23 July 2011 . dead .
  33. P. Allen, 2001, pp. 38–40
  34. P. Allen, 2001, pp. 41–43
  35. P. Allen, 2001, p. 65
  36. P. Allen, 2001, pp. 87–88
  37. P. Allen, 2001, p. 90
  38. P. Allen, 2001, pp. 98–99
  39. P. Allen, 2001, pp. 99–100
  40. History of early plays on official Ayckbourn site http://thesquarecat.alanayckbourn.net/SquareCatHistory.htm http://loveafterall.alanayckbourn.net/LoveAfterAllHistory.htm Web site: Alan Ayckbourn Plays: Dad's Tale . dead . https://web.archive.org/web/20090107085522/http://dadstale.alanayckbourn.net/DadsTaleHistory.htm . 7 January 2009 . 4 May 2009. Web site: Alan Ayckbourn Plays: Standing Room Only . dead . https://web.archive.org/web/20080517165122/http://standingroomonly.alanayckbourn.net/StandingRoomOnlyHistory.htm . 17 May 2008 . 4 May 2009.
  41. http://christmasvmastermind.alanayckbourn.net/ChristmasVMastermindHistory.htm Christmas v Mastermind history
  42. P. Allen, 2001, pp. 89–90
  43. P. Allen, 2001, pp. 96, 101–102
  44. http://mrwhatnot.alanayckbourn.net/MrWhatnotHistory.htm Mr. Whatnot history
  45. P. Allen, 2001, p. 108
  46. P. Allen, 2001, pp. 109–113
  47. http://relativelyspeaking.alanayckbourn.net/RelativelySpeakingHistory.htm Relatively Speaking history
  48. P. Allen, 2001, p. 119
  49. http://thesparrow.alanayckbourn.net/TheSparrowHistory.htm The Sparrow history
  50. P. Allen, 2001, pp. 122–123
  51. http://howtheotherhalfloves.alanayckbourn.net/ How the Other Half Loves history
  52. P. Allen, 2001, pp. 146–148
  53. http://jeeves.alanayckbourn.net/JeevesHistory.htm Jeeves history
  54. P. Allen, 2001, pp. 213–217
  55. http://womaninmind.alanayckbourn.net/WomanInMindHistory.htm Woman in Mind history
  56. Gibson . Melissa . Alan Ayckbourn: Grinning at the Edge . Theatre Journal . 2002 .
  57. P. Allen, 2001, p. 220
  58. See, for example, https://web.archive.org/web/20091122081631/http://www.independent.co.uk/news/people/profiles/alan-ayckbourn-you-ask-the-questions-586304.html https://www.theguardian.com/film/2007/jul/06/1 https://www.telegraph.co.uk/culture/theatre/4550763/Alan-Ayckbourn-Why-my-shows-must-go-on.html
  59. Web site: FAQ popularity on Ayckbourn site . Biography.alanayckbourn.net . 2 November 1983 . 29 August 2011 . https://web.archive.org/web/20110723010523/http://biography.alanayckbourn.net/BiographyFAQPopularity.htm . 23 July 2011 . dead .
  60. http://privatefears.alanayckbourn.net/PrivateFearsInPublicPlacesHistory.htm Private Fears in Public Places history
  61. Web site: Hudson . Lincoln . It's easier to return to directing than writing. 22 March 2007 . The Stage . 29 August 2011 . https://web.archive.org/web/20110720192153/http://blogs.thestage.co.uk/inthepaper/2007/03/its-easier-to-return-to-directing-than-writing-say/ . 20 July 2011 . dead .
  62. http://www.alanayckbourn.net/NewsCalender.htm News calendar
  63. News: Youngs. Ian. Sir Alan Ayckbourn: Using ping pong balls to keep theatre alive. 12 June 2014. BBC News. 12 June 2014.
  64. P. Allen, 2001, pp. 84–85
  65. Web site: List of plays directed by Ayckbourn 1961–1976 . Directing.alanayckbourn.net . 29 August 2011 . https://web.archive.org/web/20110723011515/http://directing.alanayckbourn.net/Plays%20-%20Library.htm . 23 July 2011 . dead .
  66. Web site: List of plays directed by Ayckbourn 1976–1995 . Directing.alanayckbourn.net . 29 August 2011 . https://web.archive.org/web/20110723010448/http://directing.alanayckbourn.net/Plays%20-%20SJTITR.htm . 23 July 2011 . dead .
  67. Book: Allen, Paul. A Pocket Guide to Alan Ayckbourn's Plays. Faber & Faber. 2004. 0-571-21492-4.
  68. Web site: Notes on Ayckbourn site on artistic director position . Biography.alanayckbourn.net . 29 August 2011 . https://web.archive.org/web/20110723010611/http://biography.alanayckbourn.net/BiographyAD.htm . 23 July 2011 . dead .
  69. P. Allen, 2001, p. 219
  70. Web site: FAQ on Ayckbourn site on NAtional Theater . Biography.alanayckbourn.net . 29 August 2011 . https://web.archive.org/web/20110723010908/http://biography.alanayckbourn.net/BiographyFAQNational.htm . 23 July 2011 . dead .
  71. Web site: Chronological biography on Ayckbourn site . Biography.alanayckbourn.net . 29 August 2011 . https://web.archive.org/web/20110723011136/http://biography.alanayckbourn.net/BiographyChronology.htm . 23 July 2011 . dead .
  72. Web site: List of plays directed by Ayckbourn 1996–present . Directing.alanayckbourn.net . 29 August 2011 . https://web.archive.org/web/20110723010525/http://directing.alanayckbourn.net/Plays%20-%20SJT.htm . 23 July 2011 . dead .
  73. Web site: whatsonstage.com, 25 October 2002 . Whatsonstage.com . 7 September 2002 . 29 August 2011 . dead . https://web.archive.org/web/20110616081926/http://www.whatsonstage.com/index.php?pg=207&story=E8821035534506 . 16 June 2011 .
  74. Web site: Lalayn Baluch . The Stage, 8 December 2008 . The Stage . 8 December 2008 . 29 August 2011.
  75. News: Farndale. Nigel. Alan Ayckbourn: the joker. The Telegraph . 25 November 2007 . 29 August 2011 . London.
  76. News: Online, 25 September 2008 . BBC News . 25 September 2008 . 29 August 2011.
  77. Web site: Nuala Calvi . Ayckbourn back to work after stroke . The Stage . 1 August 2006 . 29 August 2011.
  78. News: Russell Hector . The Guardian, 4 June 2008 . The Guardian . 4 June 2008. 29 August 2011 . London.
  79. Web site: Scarborough Evening News, 26 May 2009 . Scarborougheveningnews.co.uk . 22 May 2009 . 29 August 2011 . https://web.archive.org/web/20090528204403/http://www.scarborougheveningnews.co.uk/news/Classic-farce-set-to-return.5299724.jp . 28 May 2009 . dead .
  80. John Thaxter http://www.thestage.co.uk/reviews/review.php/27689/taking-steps Taking Steps, The Stage, 29 March 2010
  81. https://www.thescarboroughnews.co.uk/news/people/boxer-ingle-and-four-others-honoured-by-the-town-1-4262978{{Dead link|date=November 2019 |bot=InternetArchiveBot |fix-attempted=yes }}
  82. Web site: Hamlisch, Lane, Birch, Tunick and Azenberg Among Theater Hall of Fame Inductees . Playbill . dead . https://web.archive.org/web/20140310005016/http://www.playbill.com/news/article/122247-Hamlisch-Lane-Birch-Tunick-and-Azenberg-Among-Theater-Hall-of-Fame-Inductees . 10 March 2014 .
  83. Web site: Council | Society of Authors - Protecting the rights and furthering the interests of authors . 10 October 2015 . https://web.archive.org/web/20151019071008/http://societyofauthors.org/about-us/council . 19 October 2015 . dead .
  84. This numbering is the system used by the official Ayckbourn site as to how many plays have been written. This includes the full-length plays performed but later withdrawn and full-length plays for family audiences, but excludes revues and musical entertainments, adaptations of other plays, plays for children, individual one-act plays, "grey plays" (those written for performance but not publication) and plays for television. It also treats each of the plays in The Norman Conquests, House and Garden and Damsels in Distress as one play each, the one-acts from Confusions as a single full-length play, all variations of Intimate Exchanges as one play (likewise for Sisterly Feelings and It Could Be Any One Of Us), both parts of The Revengers' Comedies as a single play, and the rewrites of Jeeves and Callisto 5 as the same play as the original. Other sources may number plays differently.
  85. Stephen Joseph Theatre premiere dates on Ayckbourn site http://ataglance.alanayckbourn.net/Glance01.htm http://ataglance.alanayckbourn.net/Glance02.htm http://ataglance.alanayckbourn.net/Glance03.htm
  86. Scarborough premieres of Ayckbourn plays between 1959 and 1976 were at the original venue of the Library Theatre, and premieres between 1977 and 1995 were at the intermediate venue of the Stephen Joseph Theatre in the Round at Westwood. Premieres from 1996 were at the current Stephen Joseph Theatre, in the Round unless otherwise stated. In some productions, the official premiere date was later than the actual opening night. The premiere date is shown here.
  87. http://ataglance.alanayckbourn.net/Glance04.htm West End premiere dates on Ayckbourn site
  88. http://ataglance.alanayckbourn.net/Glance05.htm Broadway premiere dates on Ayckbourn site
  89. This play is withdrawn. It is not available for production and it is intended that the script will never be published. However, a copy is available at the Bob Watson archive in Scarborough. http://publications.alanayckbourn.net/PublicationsUnpublished.htm
  90. This play was not performed in the West End but was performed in the British Council, London Overseas Student Centre for one night only. Web site: Alan Ayckbourn Plays: Standing Room Only . 23 September 2008 . dead . https://web.archive.org/web/20080517165145/http://standingroomonly.alanayckbourn.net/StandingRoomOnlyProductions.htm . 17 May 2008 .
  91. Relatively Speaking was originally titled Meet My Father
  92. Family Circles was originally titled The Story So Far..., then Me Times Me Times Me, then Me Times Me
  93. Table Manners was originally titled Fancy Meeting You
  94. Living Together was originally titled Make Yourself at Home
  95. Confusions is a set of five loosely connected one-act plays.
  96. Jeeves is a musical collaboration with Andrew Lloyd Webber, re-written 1996 as By Jeeves.
  97. Two variations of Sisterly Feelings were premiered on separate nights.
  98. Intimate Exchanges is a play with four two-way forks in the plot, thereby offering sixteen possible variations depending on choices made by the characters. The eight variations offered after the third fork are often treated as individual plays.
  99. The New York Premiere of Intimate Exchanges, was off-Broadway at 59E59 as part of the 2006–07 revival.
  100. It Could Be Any One Of Us is a single play with three alternative endings.
  101. The Revengers' Comedies is a two-part play normally performed over two separate evenings.
  102. Callisto 5 was re-written in 1999 as Callisto #7.
  103. Haunting Julia and Snake in the Grass were originally written as stand-alone plays. In 2008, they were included in the trilogy Things That Go Bump with the newly written Life and Beth.
  104. Performed end-stage in the McCarthy Auditorium
  105. House and Garden are a pair of plays intended to be performed simultaneously as a diptych
  106. Private Fears in Public Places did not have West End or Broadway performances, but did have a London Premiere at the Orange Tree Theatre in the London Borough of Richmond, and off-Broadway at 59E59 Theaters.
  107. Web site: 29 October 2016. Alan Ayckbourn's Official Website. Ernie's Incredible Illucinations: Background.
  108. Production details for Tons of Money, A View From the Bridge, A Small Family Business and 'Tis a Pity She's a Whore During this time, Ayckbourn shared his role of artistic director of the Stephen Joseph Theatre with Robin Herford[70] and returned in 1987 to direct the premiere of Henceforward....

    He announced in 1999 that he would step back from directing the work of other playwrights, to concentrate on his own plays,[71] the last one being Rob Shearman's Knights in Plastic Armour in 1999; he made one exception in 2002, when he directed the world premiere of Tim Firth's The Safari Party.[72]

    In 2002, following a dispute over the Duchess Theatre's handling of Damsels in Distress, Ayckbourn sharply criticised both this and the West End's treatment of theatre in general and, in particular, their casting of celebrities.[73] Although he did not explicitly say he would boycott the West End, he did not return to direct in there again until 2009, with a revival of Woman in Mind.[74] He did, however, allow other West End producers to revive Absurd Person Singular[75] in 2007 and The Norman Conquests[76] in 2008.

    Ayckbourn suffered a stroke in February 2006 and returned to work in September; the premiere of his 70th play If I Were You at the Stephen Joseph Theatre came the following month.[77]

    He announced in June 2007 that he would retire as artistic director of the Stephen Joseph Theatre after the 2008 season. His successor, Chris Monks, took over at the start of the 2009–2010 season[78] but Ayckbourn remained to direct premieres and revivals of his work at the theatre, beginning with How the Other Half Loves in June 2009.[79]

    In March 2010, he directed an in-the-round revival of his play Taking Steps at the Orange Tree Theatre, winning universal press acclaim.[80]

    In July 2014, Ayckbourn directed a musical adaptation of The Boy Who Fell into A Book, with musical adaptation and lyrics by Paul James and music by Eric Angus and Cathy Shostak. The show ran in The Stephen Joseph Theatre and received critical acclaim.

    Honours and awards

    Ayckbourn also sits on the Council of the Society of Authors.[83] He is also a longtime patron of Next Stage Theatre Company, an amateur theatre company based in Bath.

    Works

    Full-length plays

    Play number[84] TitleSeriesScarborough premiere[85] [86] West End premiere[87] New York premiere[88]
    1The Square Cat [89] 30 July 1959
    2Love After All21 December 1959
    3Dad's Tale19 December 1960
    4Standing Room Only13 July 1961(12 June 1966) [90]
    5Christmas V Mastermind26 December 1962
    6Mr Whatnot12 November 19636 August 1964
    7Relatively Speaking [91] 9 July 196529 March 1967
    8The Sparrow13 July 1967
    9How the Other Half Loves31 July 19695 August 197029 March 1971
    10Family Circles [92] 20 August 19708 October 1974
    11Time And Time Again8 July 197116 August 1972
    12Absurd Person Singular26 June 19724 July 19738 October 1974
    13The Norman ConquestsTable Manners [93] 18 June 19739 May 19747 December 1975
    14Living Together [94] 26 June 197321 May 19747 December 1975
    15Round and Round the Garden2 July 19736 June 19747 December 1975
    16Absent Friends17 June 197423 July 1975
    17Confusions [95] 30 September 197419 May 1976
    18Jeeves[96] 22 April 1975
    19Bedroom Farce16 June 197516 March 197729 March 1979
    20Just Between Ourselves28 January 197620 April 1977
    21Ten Times Table18 January 19775 April 1978
    22Joking Apart11 January 19787 March 1979
    23Sisterly Feelings10/11 January 1979[97] 3/4 June 1980
    24Taking Steps28 September 19792 September 198020 February 1991
    25Suburban Strains18 January 19805 February 1981
    26Season's Greetings25 September 198029 March 1982
    27Way Upstream2 October 19814 October 1982
    28Making Tracks16 December 198114 March 1983
    29Intimate Exchanges[98] Affairs in a Tent3 June 198214 August 1984(31 May 2007) [99]
    Events on a Hotel Terrace
    A Garden Fete
    A Pageant
    A Cricket Match
    A Game of Golf
    A One Man Protest
    Love in the Mist
    30It Could Be Any One Of Us [100] 5 October 198314 March 1983
    31A Chorus of Disapproval2 May 19841 August 1985
    32Woman in Mind30 May 19853 September 1986
    33A Small Family Business20 May 198727 April 1992
    34Henceforward...30 July 198721 November 1988
    35Man of the Moment10 August 198814 February 1990
    36Mr A's Amazing Maze Plays30 November 19884 March 1993
    37The Revengers' Comedies [101] 13 June 198913 March 1991
    38Invisible Friends23 November 198913 March 1991
    39Body Language21 May 1990
    40This Is Where We Came In4/11 January 1990
    41Callisto 5 [102] 12 December 1990
    42Wildest Dreams6 May 199114 December 1993
    43My Very Own Story10 August 1991
    44Time of My Life21 April 19923 August 19936 June 2014
    45Dreams From A Summer House26 August 1992
    46Communicating Doors2 February 19947 August 1995
    47Haunting Julia[103] 20 April 1994
    48The Musical Jigsaw Play1 December 1994
    49A Word From Our Sponsor20 April 1995
    (18)By Jeeves 2 July 19962 July 199628 October 2001
    50The Champion Of Paribanou4 December 1996
    51Things We Do For Love29 April 1997[104] 2 March 1998
    52Comic Potential4 June 199813 October 1999
    53The Boy Who Fell into a Book4 December 1998
    54House and Garden [105] House17 June 19998 August 2000
    55Garden17 June 19998 August 2000
    (41)Callisto#7 4 December 1999
    56Virtual Reality8 February 2000
    57Whenever5 December 2000
    58Damsels in DistressGamePlan29 May 20017 September 2002
    59FlatSpin3 July 20017 September 2002
    60RolePlay4 September 20017 September 2002
    61Snake in the Grass5 June 2002
    62The Jollies3 December 2002
    63Sugar Daddies23 July 2003
    64Orvin – Champion of Champions8 August 2003
    65My Sister Sadie2 December 2003
    66Drowning on Dry Land4 May 2004
    67Private Fears in Public Places17 August 2004(5 May 2005)[106] (9 June 2005)
    68Miss Yesterday2 December 2004
    69Improbable Fiction31 May 2005
    70If I Were You17 October 2006
    71Things That Go BumpLife and Beth22 July 2008
    72Awaking Beauty16 December 2008
    73My Wonderful Day13 October 200911 November 2009
    74Life of Riley16 September 2010
    75Neighbourhood Watch13 September 201130 November 2011
    76Surprises17 July 2012
    77Arrivals & Departures6 August 201329 May 2014
    78Roundelay9 September 2014
    79Hero's Welcome8 September 201526 May 2016
    80Consuming Passions12 August 2016
    81A Brief History of Women5 September 20171 May 2018
    82Better Off Dead11 September 2018
    83Birthdays Past, Birthdays Present10 September 2019
    84Anno Domino25 May 2020
    85The Girl Next Door8 June 2021
    86All Lies6 May 2022
    87Family Album6 September 2022
    88Welcome to the Family16 May 2023
    89Constant Companions12 September 2023

    One-act plays

    Alan Ayckbourn has written eight one-act plays. Five of them (Mother Figure, Drinking Companion, Between Mouthfuls, Gosforth's Fete and Widows Might) were written for Confusions, first performed in 1974.

    The other three one-act plays are:

    • Countdown, first performed in 1962, most well known as part of Mixed Doubles, a set of short one-act plays and monologues contributed by nine different authors.
    • Ernie's Incredible Illucinations, written in 1969 for a collection of short plays and intended for performance by schools.[107]
    • A Cut in the Rates, performed at the Stephen Joseph Theatre in 1984, and filmed for a BBC documentary.

    Books

    • Book: Ayckbourn, Alan. The Crafty Art of Playmaking. Faber and Faber. UK. 2002. 0-571-21509-2.
    • Book: Ayckbourn, Alan. The Crafty Art of Playmaking. registration. Palgrave Macmillan. USA. 2003. 1-4039-6229-4.
    • Ayckbourn, Alan (2019) The Divide. UK: PS Publishing. ISBN 978-1-786364-47-0.

    Film adaptations of Ayckbourn plays

    Plays adapted as films include:

    References

    • Book: Allen, Paul. Alan Ayckbourn: Grinning at the Edge. Methuen. 2001. 9. 0-413-73120-0.

    External links

                  • Archival material at