| Agnes Etherington Art Centre | |
| Location: | 36 University Avenue, Kingston, Ontario, Canada |
| Director: | Emelie Chhangur |
| Coordinates: | 44.2254°N -76.4963°W |
| Map Type: | Canada Southern Ontario |
The Agnes Etherington Art Centre is located in Kingston, Ontario, on the campus of Queen's University. The gallery has received a number of awards for its exhibitions from the Canada Council for the Arts,[1] the Ontario Association of Art Galleries[2] and others.
The Agnes Etherington Art Centre has its roots in the Kingston Art and Music Club, founded in 1926, and owes its existence to Agnes McCausland Richardson Etherington (1880–1954),[3] a driving force behind the club.[4] Agnes Etherington's grandfather had founded the grain dealer James Richardson & Sons in 1857 and the family had become very wealthy. Agnes's brother George Richardson, who died fighting in World War I in 1916, left a legacy for her to use as she felt fit to stimulate development of the arts at Queen's University. She used this to found the George Taylor Richardson Memorial Fund,[5] which still provides an important source of arts funding to the university.
Agnes Etherington bequeathed her house, an elegant Neo-Georgian mansion, to Queen's University for use as a university and community art gallery. The Agnes Etherington Art Centre opened to the public in 1957. The building was extended in 1962, 1975, 1978 and 2000, and now has an area of 1,720 square metres.[6]
In addition to the historical Etherington House and nine galleries, the Agnes Etherington Art Centre features a studio, atrium, a publications lounge and the David McTavish Art Study Room.
Through the fall and winter, lectures, discussions, tours, custom seminars and screenings. Each summer, the gallery offers an art-intensive summer day camp for children and an art course of teens.
Agnes Etherington Art Centre holds over 17,000 works ranging from the 14th century to the present, placing it among the largest galleries in Ontario. It includes paintings, sculptures, and graphics by major Canadian artists, European old master paintings, African art, historical dress, quilts, silver and decorative art.[7]
The Canadian Historical collection primarily representing the history of Canadian fine art in the Euro-American tradition, it also reflects the evolving Canadian cultural matrix through Inuit and Indigenous art and artifacts, as well as historic dress and decorative arts. The collection is notable for fine early topographical watercolours and major 20th-century paintings, and encompasses material connected to regional history in the Queen's University Collection of Canadian Dress, the Heritage Quilt Collection, and the Silver Collection. The Canadian historical collection includes works by: Andre Charles Bieler, Tom Thomson, Emily Carr, Lawren Harris, Arthur Lismer, Frederick Varley, Edwin Holgate, LeMoine FitzGerald, Fernand Leduc, Ozias Leduc, David Milne, William Ronald, Carl Beam, William Henry Bartlett, William Brymner, Kananginak Pootoogook, Pitseolak Ashoona
The Contemporary Art Collection features visual art, with emphasis on the emerging generation of artists and works that reflect contemporary life and Canadian society. It is national in scope. The Contemporary collection includes works by: Charles Stankievech, Rebecca Belmore, Judy Radul, Brendan Fernandes, Luis Jacob, Vera Frenkel, David Rokeby, Norman White, Robert Houle, Shary Boyle, AA Bronson, General Idea, Ian Carr-Harris, Sarindar Dhaliwal, Andre Fauteux, Kim Ondaatje, Derek Sullivan
The European Art Collection holds many paintings, prints, and drawings of exceptional quality and depth. The heart of the European collection is The Bader Collection, with over 200 paintings donated by philanthropist Alfred Bader and Isabel Bader. The European collection includes works by Rembrandt van Rijn, Willem Drost, Jan Lievens, Govert Flinck, Aert de Gelder, Gerbrand van den Eeckhout, Godfrey Kneller, Philips Koninck, Ferdinand Bol, El Greco, Dosso Dossi, Michael Sweerts, Luca Giordano, Georg Pencz, Sebastien Bourdon, Peter Lely, Joseph Wright of Derby, Raphael, Parmigianino, Guido Reni, Gustav Klimt, and Pablo Picasso.
Numbering over 500 objects, the Justin and Elisabeth Lang Collection of African Art ranks among Canada's most comprehensive and significant African Art collections. Comprising primarily works by West and Central African peoples.
The Art Centre has issued many publications over the years.[8] A selection follows:
| Title | Author(s) | ||
|---|---|---|---|
| Brendan Fernandes Lost Bodies | Jan Allen, Delinda Collier, Kevin D. Dumouchelle, Amanda Gilvin, Amanda Jane Graham, Erica P. Jones, & Nat Trotman | ||
| I'm Not Myself at All: Deirdre Logue & Allyson Mitchell | Sarah E. K. Smith & Heather Love | ||
| The Artist Herself: Self-Portraits by Canadian Historical Women Artists | Alicia Boutilier & Tobi Bruce | ||
| Bernard Clark: Tattoo Portraits | Jan Allen | ||
| Vera Frenkel's String Games | Jan Allen & Earl Miller | ||
| Annie Pootoogook: Kinngait Compositions | Jan Allen | ||
| Lost and Found: Wright of Derby's View of Gibraltar | John Bonehill, Janet M. Brooke, Barbara Klempan, David de Witt | ||
| Don Maynard: Franken Forest | Jan Allen & Linda Jansma | ||
| William Brymner Artist, Teacher, Colleague | Alicia Boutilier & Paul Maréchal | ||
| Sorting Daemons: Art, Surveillance Regimes and Social Control | Jan Allen, Kirsty Robertson & Sarah E.K. Smith | ||
| Karin Davie Underworlds | Jan Allen | ||
| The Bader Collection: Dutch and Flemish Paintings | David de Witt | ||
| Beyond the Silhouette: Fashion and the Women of Historic Kingston | M. Elaine MacKay | ||
| Etherington House: Building a Legacy | Patricia Sullivan | ||
| Lyla Rye: Hopscotch | Kenneth Hayes | ||
| Telling Stories, Secret Lives | Jan Allen, Steven Matijcio et al. | ||
| Neutrinos They Are Very Small | Jan Allen, Corinna Ghaznavi & Allison Morehead | ||
| "An Artist After All": Daniel Fowler in Canada | Dorothy M. Farr | ||
| Sarindar Dhaliwal: Record Keeping | Sunil Gupta, Richard Fung, Janice Cheddie et al. | ||
| Erik Edson: Fable | Jan Allen & Catherine Osborne | ||
| Ah, Wilderness! Resort Architecture in the Thousand Islands | Pierre de la Ruffinière du Prey & Dorothy Farr | ||
| Machine Life | Jan Allen, Ihor Holubizky & Caroline Seck Langill | ||
| Gary Kibbins: Grammar Horses | Jan Allen & Gary Kibbins | ||
| Connected: Contemporary Art in Kingston | Jan Allen (ed) | ||
| Museopathy | Jan Allen, Jim Drobnick & Jennifer Fisher | ||
| Better Worlds: Activist and Utopian Projects by Artists | Jan Allen & Laura Marks | ||
| Who Means What: Brent Roe, Paintings 1992-2001 | John Armstrong | ||
| Laurel Woodcock: Take Me, I'm Yours | Jan Allen & Paul Kelley | ||
| Gretchen Sankey: Some of the Parts | Jan Allen | ||
| Jayce Salloum | Jim Drobnick & Jennifer Fisher | ||
| Crime and Punishment | Jennifer Rudder | ||
| Flaming Creatures: New Tendencies in Canadian Video. | Gary Kibbins | ||
| Tapes that Think: Video Works by Steve Reinke, Tran T. Kim-Trang, Rodney Werden | Gary Kibbins | ||
| Edifice | Jan Allen | ||
| Germaine Koh Persona | Jan Allen | ||
| Of Mudlarkers and Measurers | S. Dhaliwal | ||
| Rise and Fall: John Dickson, Laurie Walker. | Jan Allen et al. | ||
| Sophie Bellissent: In the Flesh | Jan Allen | ||
| RX: Taking Our Medicine | Jan Allen & Kim Sawchuck | ||
| Pictorial Incidents The Photography of William Gordon Shields | Michael Bell | ||
| A. A. Chesterfield Ungava Portraits 1902-04 | William C. James | ||
| Heritage Quilt Collection | Ruth McKendry & Dorothy Farr |