Adventure in Music explained

Adventure in Music
Director:Reginald Le Borg
Ernst Matray
Producer:Walter Lowendahl
Rudolph Polk
Starring:José Iturbi
Emanuel Feuermann
Mildred Dilling
Cinematography:Paul Ivano
Harry Jackson
Walter Lundin
Jackson Rose
Editing:Tom Biggart
Harvey Pergament
Richard G. Wray
Distributor:Crystal Films (US)[1]
Monarch Film Corporation (UK)
Runtime:62 minutes
Country:United States
Language:English

Adventure in Music is a 1944 American concert film directed by Reginald Le Borg and Ernst Matray. It stars José Iturbi, Emanuel Feuermann, and Mildred Dilling.[2] [3]

The film was advertised as the "first concert in film" and featured compositions by several classical artists, including Alexander Borodin, Antonín Dvořák, Frédéric Chopin, Ludwig van Beethoven, Franz Liszt, and Nikolai Rimsky-Korsakov. The film also featured works by contemporary composers.[4] There are ten compositions in total.[5] [6]

Reception

Showmen's Trade Review wrote that there is no plot, but rather "a collection of musical pieces played as in a concert and caught on celluloid." The review also noted that "only those who are concert devotees will go to see this."[1] Meanwhile, The New York Times wrote that the film "has the static quality of a family album".[5]

Director Reginald LeBorg, in his own retrospective appraisal, dismissed the film as unworthy of serious analysis. Film critic Wheeler Winston Dixon reports that “the film opened in New York to dismissive reviews, and swiftly sank from sight.”[7]

See also

References

Notes and References

  1. News: Lewis . Charles E. . Adventure in Music . October 18, 2023 . Showmen's Trade Review . May 27, 1944.
  2. Web site: Adventure in Music. TCM. 7 December 2013.
  3. Dixon, 1992 p. 131: Directorial Credits
  4. News: Wickham . Ina . Catching the Beat in Music World Today . October 17, 2023 . Quad-City Times . October 15, 1944 . 30.
  5. News: At the Little Carnegie . October 19, 2023 . The New York Times . March 6, 1944.
  6. Dixon, 1992 p. 12: “The film is three 20-minute musical shorts strung together to give the illusion of a feature presentation…
  7. Dixon, 1992 p. 12: LeBorg informed Dixon in a 1988 interview that the film was “not worth extended discussion.”