| Adolfo Hohenstein | |
| Birth Date: | 18 March 1854 |
| Birth Place: | St. Petersburg, Russian Empire |
| Death Place: | Bonn, Germany |
| Nationality: | German |
| Field: | Painting, Illustration, Decorative art |
| Movement: | Art Nouveau, called Stile Liberty in Italy |
| Works: | Tosca and La Bohème posters, Campari ads |
Adolfo Hohenstein (18 March 1854 – 12 April 1928) was a German painter, advertiser, illustrator, set designer and costume designer. Hohenstein is considered the father of Italian poster art and an exponent of the Stile Liberty, the Italian Art Nouveau. Together with Leonetto Cappiello, Giovanni Mario Mataloni, Leopoldo Metlicovitz and Marcello Dudovich, he is considered one of the most important Italian poster designers .
Adolfo Hohenstein was born in Saint Petersburg, the capital of Russian Empire, to German parents, Julius and Laura Irack. His father was a forest engineer, whose career prompted him to travel extensively. Adolfo moved to Vienna where he grew up and completed his studies. His travels took him to India, where he decorated the houses of the local nobility.
In 1879, he settled down in Milan, Italy. He became a set and costume designer for La Scala and other theatres. There he met the musical publisher Giulio Ricordi, and in 1889 began to work for the Ricordi Graphical Workshops, where he shortly became the artistic director in charge of the graphical part. He created the posters for La Bohème and Tosca, as well as publicity for Campari, Buitoni and, numerous postcards, covers for scores and booklets. His work continued to cover the theatrical dimension: scenarios and wardrobes for several works, among them Giuseppe Verdi's Falstaff (1893) and a major part of the works of Giacomo Puccini, from the sketches of Le Villi (1884) to posters of Madama Butterfly (1904). At Ricordi's he had as colleague Giovanni Mario Mataloni and as students Leopoldo Metlicovitz and Marcello Dudovich.
In the first years of the 1900s, after marrying Katharina Plaskuda, a widow, he traveled more and more frequently between Italy and Germany till 1906, when, after winning the competition for the graphical symbol and the poster for the "Esposizione per il Traforo del Sempione", he left Milan for Bonn and Düsseldorf definitively. He settled in Bonn in 1918. The German years saw him engaged mostly as a painter and involved in the decoration of numerous buildings, among them one of the first in constructed reinforced concrete in Renania (1911). He is associated with the Düsseldorf school of painting.
Adolfo Hohenstein died in Bonn 12 April 1928.
2 original sketches
2 scenario props
54 original costumes
5 scenario props
62 original costumes
4 set props
42 original costumes
4 original sketches
41 original costumes
1 set prop
90 figurini originali
37 original costumes
3 set props
57 original costumes
4 set props
5 original sketches
41 original costumes
4 set props
13 watercolor designs
3 original sketches
62 original costumes
4 set props
3 original sketches
40 original costumes
9 set props
1 portrait of Mascagni
3 original sketches
49 original costumes
4 set props
4 original sketches
95 original costumes
7 set props
2 set props