"Adjustment Team" is a science fiction short story by American writer Philip K. Dick. It was first published in Orbit Science Fiction (September–October 1954, No. 4) with illustration by Faragasso.[1] [2] It was later reprinted in The Sands of Mars and Other Stories (Australian) in 1958, The Book of Philip K. Dick in 1973,[1] The Turning Wheel and Other Stories (United Kingdom) in 1977, The Collected Stories of Philip K. Dick in 1987 (Underwood–Miller), 1988 (Gollancz, United Kingdom), 1990 (Citadel Twilight, United States), Selected Stories of Philip K. Dick in 2002 and in The Early Work of Philip K. Dick, Volume One: The Variable Man & Other Stories in 2009.
"Adjustment Team" served as the basis for the 2011 film The Adjustment Bureau.
A man called the Clerk approaches a talking dog, and explains in businesslike manner that "Sector T137" is scheduled for "adjustment" at 9 o'clock. He instructs the dog to bark at exactly 8:15, which the Clerk explains will summon "A Friend with a Car", which will take real estate salesman Ed Fletcher to work before 9, but while the Clerk is preoccupied, the dog falls asleep and as a result barks a minute too late. Inside Ed's house, while he is getting ready for work, Ed is accosted by a door-to-door insurance salesman and doesn't leave for work until 9:30. Ed arrives at his office building, but upon stepping onto the kerb, finds himself in a sunless version of the world where everything and everyone is immobile, ash-grey, and crumbles at his touch. Ed is accosted by white-robed men, who talk about "de-energizing" him with a hose-like piece of equipment, but he flees outside and across the street, back to the everyday world, fearing he's had a psychotic episode.
The Clerk is brought to the top-level Administrative Chambers to explain what went wrong to someone referred to only as "the Old Man", who decides to personally deal with this unusual situation and orders Ed "brought up here". Meanwhile, Ed has found his wife Ruth and told her about the experience. With Ruth accompanying him for moral support, Ed returns to his workplace to prove he has not experienced a full psychotic breakdown or seen behind the fabric of reality, as he still fears. Things seem normal at first, and Ruth leaves, but he soon realizes people and objects have changed in their appearance, location, age, and countless other subtle differences. Panic stricken, he runs to a public phone to warn the police, only to have the phone booth ascend heavenward with Ed inside.
Meeting the Old Man, Ed first thinks he is dead, but is informed he is only visiting. The Old Man tells him that a correction was being made, it was a very serious error, he was not changed, and his revealing to others what he saw is a grave threat, explaining, "the natural process must be supplemented—adjusted here and there. Corrections must be made. We are fully licensed to make such corrections. Our adjustment teams perform vital work." In this instance, the adjustment is to bring about a chain of events that will lessen Soviet–Western Bloc war tension. Ed is allowed to return without being de-energized and adjusted, on the condition that he tell no one the truth he has learned, and convinces his wife that everything he has already told her was due to a temporary psychological fit. The Old Man threatens him that should he fail doing so, he will have a terrible fate when they meet again, and adds that every person eventually meets the Old Man.
On Ed's return, Ruth catches him lying about where he spent the afternoon and demands he tell her the truth, while he tries to stall her long enough to come up with a story she will believe. A bark is heard and a vacuum cleaner salesman rings the doorbell. While Ruth is distracted by the salesman's demonstration, Ed escapes to the bedroom, where he shakily lights a cigarette and gratefully looks up, saying, "Thanks ... I think we'll make it—after all. Thanks a lot."
Richard Mullen, the founder of the journal Science Fiction Studies, described the story as Dick's "first tentative try" at Frederik Pohl's "tunnel under the world" theme, in which it is imagined that mundane existence is totally a product of unseen manipulators.[3] However, Mullen may have inadvertently reversed the relationship, considering that Dick published his story first, in September 1954, followed by Pohl's in January 1955.In Philip K. Dick and Philosophy, one critic saw the story as underscoring Dick's lifelong artistic concerns with "ethics, existentialism, and philosophy", saying that the story (and the film loosely based on it) were ultimately "about how to live".[4]