| Adana | |
| Thaat: | Asavari |
| Time: | Late night, 12–3 |
| Vadi: | Sa |
| Samavadi: | Pa |
| Synonym: | Adana Kanada |
| Similar: | Darbari Kanada |
Adana is an Indian raag. It is also called Adana Kanada. It is often sung or played in drut laya after a vilambit composition in raga Darbari Kanada, as Adana is straighter than Darbari in its chalan, thus allowing faster passages. The flow of this raga is similar to a mix of Madhumad Sarang / Megh and Darbari. Another common vivadi some artists use sparingly is shuddha nishad which enhances the Saranga mood of the raga.
Flat Ga is usually omitted in ascent and in descent always appears in the distinctive Kanada phrase g m R S. Flat Dha is present in descent, but one should never linger on it. In fact it is omitted by some musicians completely. Most movements are in the upper tetrachord, around high Sa. It is very common to begin the elaboration of this raga with high Sa.[1]
Adana is part of the Kanada Raga group.
Late Night (12am-3am)
Ādāna was previously called Āḍḍānā.[2]
Adana was a major raga in the 17th century and a combination of the then current ragas Malhar and Kanada. In a ragamala painting from Mewar it is depicted as an ascetic man sitting on a tiger skin, however, Somnath describes him as Kama the god of love. His Adana was quite different from the raga as it is performed today.[1]
| Song | Movie | Composer | Artists | |
|---|---|---|---|---|
| Manmohan Man Mein Ho Tumhi[3] | Kaise Kahoon | S. D. Burman | Mohammad Rafi & Suman Kalyanpur & S. D. Batish | |
| Jhanak Jhanak Paayal Baaje | Jhanak Jhanak Payal Baaje | Vasant Desai | Amir Khan (singer) & Chorus | |
| Ai Dil Mujhe Aisi Jagah Le Chal | Arzoo (1950 film) | Anil Biswas (composer) | Talat Mahmood | |
| Radhike Tune Bansari Churai | Beti Bete | Shankar–Jaikishan | Mohammad Rafi | |
| Aap Ki Nazaron Ne Samjha | Anpadh | Madan Mohan (composer) | Lata Mangeshkar |
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