Adam de Givenchi explained

Adam de Givenchi, also spelled Adan de Givenci, Givenci, Gevanche, or Gievenci (fl. 1230 - 1268) was a trouvère, probably from Givenchy, who was active in and around Arras.

Adam appears in charters of May and July 1230 as a clerk of the Bishop of Arras. He was still serving in the household of the bishop in 1232. In 1243 he was named as a priest and chaplain to the bishop.[1] In 1245 he was the doyen of Lens.[2]

He is assumed to have known the poet-composers Pierre de Corbie, Guillaume le Vinier and Jehan Bretel because he engages in one jeu-parti with Guillaume le Vinier in which Pierre is called as a witness, and another with a 'Jehan', who is assumed to be the prolific jeu-parti writer Jehan Bretel.[3]

His songs survive mainly in MSS M (the chansonnier du roi) and T (the chansonnier de noailles), except for RS1164 which is additionally in MS a and the two jeux partis, which are more widely copied.[4] Six other poems survive attributed to him, all with melodies. Two of these are chansons avec des refrains and two further are descorts.[5]

Songs with music

Eight songs survive attributed to Adam in the index of MS M and all have music in at least one source. The RS numbers given here are those of the standard catalogue.[6] In MS M, both in the index and in the main body, they occur in the order: RS1164, RS1443, RS1947, RS912, RS1660, RS1085, RS2018, and RS205. The first five songs occur in the same order in MS T, although the final three are found (in a similarly ordered group) earlier in the manuscript.

Songs

Chansons avec des refrains

Jeux partis

Descorts

References

Notes and References

  1. See Ian R. Parker, 'Adam de Givenchi.' Grove Music Online. Oxford Music Online.
  2. See Ian R. Parker, 'Adam de Givenchi.' Grove Music Online. Oxford Music Online.
  3. See Arthur Långfors with A. Jeanroy et L. Brandin, Recueil général des jeux-partis français (Paris: Champion, 1926), 2.108 and 1.352.
  4. See Arthur Långfors with A. Jeanroy et L. Brandin, Recueil général des jeux-partis français (Paris: Champion, 1926).
  5. On the descorts see A. Jeanroy, L. Brandin and P. Aubry, Lais et descorts français du XIIIe siècle (Paris, 1901), 18–21.
  6. Spanke, Hans. G. Raynaud’s Bibliographie des altfranzösische Liedes, neu bearbeitet und ergänzt. Leiden: Brill, 1955.
  7. See Recueil, 1: 352.
  8. See Luca Gatti and Christelle Cazaux, 'Un descort et une pièce latine à la Vierge: La douce acordance et Iam mundus ornatur dans les chansonniers M et T', Textus & Musica Publication online 22 Feb 2022.