Adam Chodzko Explained

Adam Chodzko
Birth Place:London, England
Nationality:British
Field:Conceptual art, installation art, contemporary art
Training:University of Manchester
Goldsmiths College
Movement:Young British Artists, Relational Art
Website:https://www.adamchodzko.com/

Adam Chodzko (born 1965) is a contemporary British artist, exhibiting internationally. His practice uses a wide range of media, including video, installation, photography, drawing, and performance.

Early life and education

Adam Chodzko was born in London, England.He graduated from the University of Manchester in 1988 with a degree in the History of Art[1] [2] and in 1994 completed an MA in Fine Art at Goldsmiths College, London.[3] [4]

Work

Chodzko's artworks explore the interactions and possibilities of human behaviour "in the gap between how we are and how we could be."[5]

Exhibiting work since 1991, working across media, from video installation to subtle interventions, and with a practice that is situated both within the gallery and the wider public realm, Chodzko's work explores the idea of collective imagination, investigating how the visual might catalyse new forms of engagement between people. His art proposes new relationships between our value and belief systems, examining their effect on our communal and private spaces and working with the documents and fictions that control, describe and guide these systems and spaces. Working directly with the networks of people and places that surround him, often using forms of anthropology,[6] [7] he focuses on the relational politics of culture's edges, endings, displacements, transitions and disappearances through a provocative looking in the 'wrong' place.[8] Chodzko's practice operates between documentary[9] [10] and fantasy (especially in the form of "science fiction",[11] [12] using art to propose alternative realities), conceptualism and surrealism[13] and public and private space, often engaging reflexively and directly with the role of the viewer.[14] [15]

Examples of Chodzko's socially-engaged artworks include Product Recall (1994, posters, advertisements and video installation), using the process of a product recall to assemble owners of a particular jacket made ten years earlier;[16] Salò:Reunion[17] [18] (1998, posters, advertisements, photographs and video installation made through organising the reunion of the children 'murdered' in Salò (1972), Pasolini's notorious film); The god Look-Alike Contest[19] [20] (1992, a mixed media installation created through responses to an advertisement in a classified advertisements paper); and cell-a[21] [22] (2002, a slide projection and event, initiated through giving a London gallery's archive to a group of Kurdish asylum seekers to edit and mediate outside the capital).

Chodzko's development of these ideas and processes later became consolidated into a body of work collectively titled Design for a Carnival (c. 2001–2007). This includes works such as Plan for a Spell[23] (2001, a video exploring ritual within the British landscape through programming its image, subtitles and audio to randomly combine in order to release a potential 'spell' embedded within it); Settlement[24] (2004, the legal purchase of a square foot of land as a gift to a stranger), Nightshift[25] (2004, the tracking of a late night parade of nocturnal animals to the Frieze Art Fair, mapped, to provide animal paths through the fair's 'labyrinth' for human visitors to follow) and M-path[26] (2006, the collection and distribution of "appropriate" footwear for gallery visitors to wear, altering their movement through the gallery space, and therefore their perception of it).

A trilogy of video installations, Hole[27] (2007, at Bologna Museum of Modern Art), Around[28] (2007, based in Dublin and partly set in Ballymun) and Pyramid[29] (2008, commissioned for the Folkestone Triennial) developed a series of myths set in the near future and focused on the relationship between a community and its architectural ruins.[30] [31] Echo[32] (2009, a video installation commissioned by Creative Time, New York), interweaves archive footage, documentary technique and conjecture to reveal that a derelict military ballroom on Governors Island, New York, was a site used for an anti-materialistic gift-exchange ritual invented by the children of the island's military.

Throughout these earlier works, and further explored in later works such as The Pickers[10] (2009, the editing of a British film archive by a group of migrant Romanian strawberry pickers) and Ghost[33] (2010, a kayak designed by Chodzko for "visiting the dead"[34]), are investigations into processes of how memory, archiving, empathy, identification and the imaginary are shaped by the act of looking.

Because,[35] (2013, at Tate Britain, as part of the exhibition Schwitters in Britain[36]) and We are Ready for your Arrival[11] (2013 at Raven Row, London) further develop these ideas through sculpture, video, drawing and photography, presented as manifestations of the unconscious relationships between individuals and groups; their excesses, displacements and disappearances. Invited by the Benaki Museum, Athens, to work with its collection Chodzko made You'll see; this time it will be different,[37] [38] [39] (2013), an exhibition as retrospective, of 20 apparently 'old' posters advertising exhibitions (with themes ranging from: Jealous Animals to Unpopularity) of the Benaki collection, set in the future (2065–2078), and sited in often 'impossible,’ peripheral spaces, dispersed to the outskirts of Greece.

Place as a site which appears to exercise power and influence over the people who happen to occupy it is often explored through Chodzko's use of displacement, separating objects and images from their familiar and 'natural' time and situation in order to relocate them in the "wrong place" so that a change might be catalysed by that dislocation. A series of works entitled Better Scenery[40] [41] [42] (2000–2002) sited pairs of mutually dependent billboard signs at various locations in the world giving travel directions to the location of the opposite sign. The Flasher[43] works (1990-1996) were a series of one-minute videos, shot by Chodzko, documenting darkness being temporarily illuminated by marine distress-flares, with these sequences individually disseminated by adding them to the surplus tape following the credits of VHS feature films tapes rented from video rental-stores.

The theme of physically remote but intimate cross-cultural social networks, operating on both a conscious and unconscious (or even supernatural) level, has been a consistent theme in Chodzko's work, from the anticipation of digital social-networking communities in the Transmitter[44] series (1990-) and The god Look-Alike Contest[45] [46] (1991) and more recently in the installation A Room for Laarni, Image Moderator[47] (2013). This latter series of mixed-media works are based around the relationship and flow of images between a western European social-networking site (for teenagers) and an image moderator, based in the Philippines, whose job it is to monitor this flood of digital photographs, in order to flag up those whose contents might be deemed 'bad'.[48]

Deep Above[49] (2015) and Rising[50] (2013) expose a process of 'making sense of imagery in relation to our collective and individual responses to the threat of climate change. These works speculate that, inadvertently, a repurposing of ‘art thinking’ might be the only way of short-circuiting the psychological paralysis (caused by our brains’ hardwiring[51]) so that we might take action in order to avert climate change, while Sleepers (2016) explores our empathic projection when encountering the imagery of the unconsciousness of others. Channel, Rupture[52] , 2015 and Design for a Fold[53] , 2015, both continue Chodzko's speculations about the effects of flows of empathy across time and space and between the local and the remote. Many of Chodzko’s works evolve through this sense of projecting outwards from the self into the perception of, not only other people, but also the inanimate through migratory embodiments with objects, rooms, places, institutions, images. Recent works have continued explorations into the relationships between place (particularly the idea of ‘the garden’), perception, identity, mythology, ritual, language, the body and the unconscious (e.g.; A Hostile Environment[54] (2019), Fluid Dynamics; The Quail is Rising[55] (2020), O, you happy roots, branch and mediatrix[56] [57] [live] (2020), Thru hole I blind/O/Thru hole oui see[58] (2020)).

Although curated into many of the major Young British Artist exhibitions (e.g.; Sensation (art exhibition), and Brilliant!) of the 1990s (and in 2014, London Calling[59]), Chodzko's practice - from his 1990 works with pre-internet social networks via classified advertisements - is more closely identifiable (through its notions of participation, process, intersubjectivity and community) with the Relational art that was to follow (partly in opposition to the dependency on spectacle that defined YBA art). Kevin Jackson, (1996)[60] singled out Chodzko from the other YBA's for his art's "pensiveness", involving "quiet acts of infiltration...nothing to do with one-line shock effects." In 2013, Dan Fox, reappraising the diversity of British Art of the early 1990s,[7] writes of Chodzko's work from this period as developing a "British occult modern... behavioural experiments to probe the public sphere.", whilst Jonathan Jones (journalist) described Chodzko as a "subversive...master of provocation"[61] in The Guardian.

Exhibitions

Since 1991, Chodzko has exhibited at numerous venues around the world including Tate Britain; Tate St Ives; Venice Biennale; Royal Academy, London; Deste Foundation, Athens; PS1, NY; Ikon Gallery, Birmingham; Kunstmuseum Luzern; Henry Moore Institute, Leeds; Yorkshire Sculpture Park; Athens Biennale; Istanbul Biennial; Benaki Museum, Athens; and Folkestone Triennial.

His commissioners include Creative Time, NY; The Contemporary Art Society; Frieze Art Fair; Hayward Gallery and Film And Video Umbrella.

Chodzko has been included in many British Council curated international exhibitions of British Art including General Release[62] (1995) in Venice, Micro/Macro: British Art 1996-2002,(2003), Mucsarnok Kunsthalle, Budapest, Breaking Step[63] (2007), Museum of Contemporary Art in Belgrade, and Private Utopia[64] (2014), Japan.

Awards

In 2002, Chodzko received awards from the Paul Hamlyn Foundation and the Foundation for Contemporary Arts Grants to Artists award, and in 2007 was awarded an AHRC Creative Research Fellowship in the Film Department at the University of Kent, Canterbury. In 2015 Chodzko was shortlisted for the Jarman Award.[65] [66] In 2016 Chodzko received an award from DACS ART360[67] [68] in order to facilitate the comprehensive archiving of his artwork from 1990 to the present.

Collections

Chodzko's work is in the collections of the Tate; The British Council; The Arts Council; The British Film Institute; Artist Pension Trust; Auckland City Art Gallery; Contemporary Art Society; The Creative Foundation: Folkestone; Frac Languedoc-Rousillon; GAM - Galleria d’Arte Moderna, Turin; Grizedale Arts; LUX; Museo d’Arte Moderna di Bologna; Plains Art Museum, North Dakota; Saatchi Collection, South London Gallery; Towner Gallery, Eastbourne, Wellcome Collection[69] and many international museums and private collections.[70]

Teaching

Chodzko's involvement in teaching Fine Art at Higher Education and Further Education institutions, on B.A. and M.A. degree courses includes, in the UK; Central Saint Martins,[71] Chelsea College of Arts,[72] Slade School of Fine Art, Goldsmiths University of London, University for the Creative Arts,[73] Sheffield Hallam University,[74] Liverpool John Moores University, Ruskin College, Oxford and with young people at Open School East.[75] In the US: Carnegie Mellon University, Rutgers University. In Canada: Banff Centre.[76] From 2014-2018 Chodzko was Senior Lecturer in Fine Art[77] at the University of Kent's School of Music and Fine Art, based at Chatham Dockyard.

He is on the Faculty of Fine Art for the British School at Rome.[78]

Further reading

External links

Notes and References

  1. Web site: Alumni - School of Arts, Languages and Cultures - The University of Manchester. www.alc.Manchester.ac.uk. 22 June 2017. 4 March 2016. https://web.archive.org/web/20160304103933/http://www.alc.manchester.ac.uk/subjects/arthistoryvisualstudies/people/our-alumni/. dead.
  2. Web site: Adam Chodzko - British Council. www.BritishCouncil.jp. 22 June 2017. 1 July 2018. https://web.archive.org/web/20180701165202/https://www.britishcouncil.jp/en/private-utopia/artist-profiles/adam-chodzko. dead.
  3. Web site: Adam Chodzko: Proxigean Tide - Exhibition at Tate St Ives - Tate. Tate. Tate. 22 June 2017.
  4. Web site: Adam Chodzko :: Foundation for Contemporary Arts . https://web.archive.org/web/20150304210441/http://www.foundationforcontemporaryarts.org/grant_recipients/adamchodzko.html . 2015-03-04 . 2024-06-14 . foundationforcontemporaryarts.org.
  5. Web site: Adam Chodzko. Artist Pension Trust. 22 June 2017.
  6. Andrew Wilson,'The Sacred and Traversal of Social Space', Adam Chodzko Proxigean Tide, Tate Publishing. 2008. pp 25-32,
  7. Web site: Then & Now. www.Frieze.com. 22 June 2017. 24 September 2015. https://web.archive.org/web/20150924040328/http://www.frieze.com/issue/article/then-now/. dead.
  8. Grant Pooke, "Contemporary British Art, An Introduction", 2010, pp 206–8, Routledge.
  9. Web site: Life in Film: Adam Chodzko. www.Frieze.com. 22 June 2017. 24 September 2015. https://web.archive.org/web/20150924015945/http://www.frieze.com/issue/article/life-in-film-adam-chodzko/. dead.
  10. Web site: MAP Screen - The Anthropology Effect - MAP Magazine. MAPMagazine.co.uk. 22 June 2017. 29 December 2016. https://web.archive.org/web/20161229044330/http://mapmagazine.co.uk/9665/map-screen-the-anthropology-effect/. dead.
  11. Web site: Raven Row. www.RavenRow.org. 22 June 2017.
  12. Web site: Adam Chodzko British Science Festival 13 - Invisible Dust. InvisibleDust.com. 22 June 2017. 1 December 2017. https://web.archive.org/web/20171201081817/http://invisibledust.com/project/new-adam-chodzko-at-the-british-science-festival-sept-13/. dead.
  13. Andrew Wilson,'The Sacred and Traversal of Social Space', "Adam Chodzko Proxigean Tide", Tate Publishing. 2008. pp 25-32,
  14. Web site: Archived copy . 22 March 2014 . 26 March 2014 . https://web.archive.org/web/20140326014455/http://gtr.rcuk.ac.uk/project/7D13B249-2AAE-4870-8907-8712E6320C5D . dead .
  15. Web site: People - Banff Centre. www.BanffCentre.ca. 22 June 2017. https://web.archive.org/web/20150402231747/http://www.banffcentre.ca/faculty/faculty-member/4104/adam-chodzko/. 2 April 2015. dead.
  16. Web site: Product Recall - Chodzko, Adam - V&A Search the Collections. collections.VAM.ac.uk. 22 August 1994 . 22 June 2017.
  17. [Teresa Macrì]
  18. Jonathan Jones, The Guardian, "Faces of Evil", p. 12, 18 August 1998.
  19. Rob Legge. "The Faces of God", The Independent on Sunday, London, pp.40-41, 19 September 1993.
  20. Web site: Adam Chodzko (b. 1965), The God Look-Alike Contest. www.Christies.com. 22 June 2017.
  21. Mark Crinson, Mnemotechny of the industrial city; Urban Memory Routledge. pp 202-208, 2005,
  22. Web site: Archived copy . 22 March 2014 . https://web.archive.org/web/20140323001621/https://www.frieze.com/issue/review/adam_chodzko/ . 23 March 2014 . dead .
  23. Web site: Film and Video Umbrella - Plan for a Spell. www.FVU.co.uk. 22 June 2017.
  24. Web site: The SLG's Collection - South London Gallery. www.SouthLondonGallery.org. 22 June 2017.
  25. Gabriel Coxhead, "Who let the wolf out?" The Times T2, 13 October 2005.
  26. Then, Essays by Jaki Irvine, Andrew Wilson, Caoimhín Mac Giolla Léith, Breaking Ground 2008
  27. Web site: Step 2 - Adam Chodzko - Mambo. D-sign.it. www.Mambo-Bologna.org. 22 June 2017.
  28. Web site: - - Public art directory - Public Art. www.PublicArt.ie. 22 June 2017.
  29. Web site: Adam Chodzko. 12 April 2013. FolkestoneArtworks.co.uk. 22 June 2017. https://web.archive.org/web/20170501021744/http://www.folkestoneartworks.co.uk/artists/adam-chodzko/. 1 May 2017. dead.
  30. Proxigean Tide, essays by Martin Clark, Martin Herbert, Lisa Le Feuvre, Andrew Wilson, Tate Publishing,
  31. David Barrett, "Bad Timing", Art Monthly, no. 318, cover, pp 1-6, July 2008.
  32. Web site: Island as Inspiration and Canvas . . . 25 June 2009 .
  33. Web site: Adam Chodzko's Ghost - Exhibition - River Tamar Project. TamarProject.org.uk. 22 June 2017. https://web.archive.org/web/20140323065147/http://tamarproject.org.uk/projects/ghostexhib/. 23 March 2014. dead.
  34. Web site: Nom De Strip. NomDeStrip.co.uk. 22 June 2017. https://web.archive.org/web/20121006080723/http://nomdestrip.co.uk/blog/adam-chodzko-on-tour/. 6 October 2012. dead.
  35. Web site: Schwitters in Britain: Tate and Grizedale Arts commission - Tate. www.Tate.org.uk. 22 June 2017.
  36. Web site: Schwitters in Britain - Exhibition at Tate Britain - Tate. Tate. Tate. 22 June 2017.
  37. Web site: INTERNATIONAL ASSOCIATION OF ART CRITICS - ADAM CHODZKO. www.AICA-Hellas.org. 22 June 2017. 8 May 2021. https://web.archive.org/web/20210508072210/http://aica-hellas.org/en/topic67/adam-chodzko/f7_5_2_1. dead.
  38. Zeykili Despina, "What will the Benaki be showing in 2076?", Athinorama, 14 November, pp 92-93
  39. Pari Spinou, "Benaki Museum in the Time Machine", Efimerida ton Syntakton, 19 November, p 33
  40. News: Arizona, NW3. 24 January 2000. 22 June 2017. The Guardian.
  41. Jane Rendell, Site-Writing, pp. 230, 232, 233. I.B. Tauris
  42. Web site: Tate. 'Better Scenery', Adam Chodzko, 1999. 2020-12-20. Tate. en-GB.
  43. Web site: Embedded Art and the Perils of Patronage (MAP #24 Winter 2010) - MAP Magazine. MAPMagazine.co.uk. 22 June 2017. 4 March 2016. https://web.archive.org/web/20160304003341/http://mapmagazine.co.uk/9548/embedded-art-and-perils-patronage/. dead.
  44. Web site: Archived copy . 24 March 2014 . https://web.archive.org/web/20140324141903/http://www.frieze.com/issue/review/adam_chodzko2/ . 24 March 2014 . dead .
  45. Rachel Greene, Internet Art, Thames and Hudson, pp.206–207,
  46. Andrew Renton, Adam Chodzko, Room for Laarni Image Moderator p. 31, Marlborough Contemporary.
  47. Web site: Adam Chodzko, by Helen Sumpter / ArtReview. ArtReview.com. 22 June 2017.
  48. Web site: Adam Chodzko: Room for Laarni, Image Moderator. dandelion & burdock. www.dandelion-burdock.com. ThisIsTomorrow. 24 November 2013 . 22 June 2017.
  49. Web site: Adam Chodzko – Deep Above. 2020-12-20. invisibledust.com. en.
  50. Web site: Rising - Adam Chodzko - Great North Run Culture. 2020-12-20. greatnorthrunculture.org.
  51. Web site: Bloomsbury.com. Don't Even Think About It. 2020-12-20. Bloomsbury Publishing. en. 14 January 2021. https://web.archive.org/web/20210114085429/https://www.bloomsbury.com/uk/dont-even-think-about-it-9781620401330/. dead.
  52. Web site: Adam Chodzko: Expulsion from the Garden of Eden, 18 July – 27 September, 2015. 2020-12-20. en-GB. 22 January 2021. https://web.archive.org/web/20210122011906/http://keithwhittle.org/wp/portfolio/project-three-2/. dead.
  53. Web site: Canterbury Christ Church University - Design for a Fold. 2020-12-20. www.canterbury.ac.uk. en-GB.
  54. Web site: Counterpoints Arts. 2020-12-20. en.
  55. Web site: Essex Road 6 – TINTYPE. 2020-12-20. en-GB.
  56. Web site: Adam Chodzko. 2020-12-20. The Botanical Mind. en-US.
  57. Web site: Chodzko. Adam. 20 December 2020. O, you happy roots, branch and mediatrix (2020). 2020-12-20. www.adamchodzko.com.
  58. Web site: Adam Chodzko. 2020-12-20. MTP. en-GB.
  59. Web site: London calling: Breakthroughs in British Art, 1986 – 1998 . 26 March 2014 . https://web.archive.org/web/20140328230434/https://ukrussia2014.ru/en/event/breakthroughs-in-british-art/ . 28 March 2014 . dead.
  60. Kevin Jackson, 'Brit Pop Art', Arena, April, pp.60–66, 1996
  61. News: Bad boys v sex dolls – the week in art. Jonathan. Jones. 5 July 2013. 22 June 2017. The Guardian.
  62. Web site: British Council − British Pavilion in Venice . 3 April 2014 . https://web.archive.org/web/20140511203532/http://venicebiennale.britishcouncil.org/timeline/1995 . 11 May 2014 . dead.
  63. Web site: British Council − Art Collection − Whats on . 3 April 2014 . https://web.archive.org/web/20140407085817/http://visualarts.britishcouncil.org/whats-on/exhibition/11/15622 . 7 April 2014 . dead.
  64. Web site: Private Utopia - British Council. www.BritishCouncil.jp. 22 June 2017.
  65. Web site: Jarman Award - FLAMIN Projects Landing Page. FilmLondon.org.uk. 22 June 2017.
  66. Web site: The Weird And Witty Film Art Up For This Year's Jarman Award. 30 November 2015. Londonist.com. 22 June 2017.
  67. Web site: DACS ART360 award. 15 August 2018. 16 August 2018. https://web.archive.org/web/20180816025519/https://www.art360foundation.org.uk/adam-chodzko. dead.
  68. Web site: Adam Chodzko. 2020-12-20. Art360 Foundation. en-US.
  69. Web site: Being Human Wellcome. 2020-12-20. wellcome.org. 4 September 2019 .
  70. Web site: Film - School of Arts - University of Kent. www.Kent.ac.uk. 22 June 2017.
  71. Web site: FoxLand. The Way Things Work (cycle three) - Archive - Double Agents. 22 June 2017. www.DoubleAgents.org.uk.
  72. Web site: Team. University of Arts London, Web. MA Fine Art - Chelsea College of Arts - UAL. 22 June 2017. www.Arts.ac.uk.
  73. Web site: About Us | UCA Schools. dead. https://web.archive.org/web/20140323202352/http://schools.ucreative.ac.uk/fine-art/about-us. 23 March 2014. 23 March 2014.
  74. Web site: GRAVITY. 22 June 2017. Gravity21.org. 19 January 2016. https://web.archive.org/web/20160119040830/http://gravity21.org/about.html. dead.
  75. Web site: Young Associates Programme. 2020-12-20. Open School East. en-GB.
  76. Web site: Programs | Banff Centre.
  77. Web site: Fine art lecturer in new exhibition on climate change. 2020-12-20. News Centre - University of Kent. 27 November 2017 . en-GB.
  78. Web site: Governance « The British School at Rome. 2020-12-20. en-US.

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