| Alchemist | |
| Origin: | Canberra, Australia |
| Genre: | Progressive metal, avant-garde metal, death metal |
| Years Active: | 1987–2010 (hiatus) |
| Spinoffs: | Exceed |
| Past Members: | Adam Agius John Bray Rodney Holder Roy Torkington Scott Chivers Andrew Meredith Murray Neill Nick Paddon-Row James Preece Nick Wall Nathan Willis (Filled in when Roy Torkington broke his wrist) |
Alchemist was an Australian progressive metal band from Canberra whose style combined death metal, progressive rock, psychedelic, Eastern, Aboriginal and electronic influences.[1] [2] [3] The band formed in 1987 and released six studio albums, an EP and a compilation album. Work began on a new EP in 2010 but the band went on an indefinite hiatus and then split up. They are the only group to appear at every Metal for the Brain festival, an event they ran and organised from 1996. Alchemist also played at the Big Day Out and toured Europe several times.
Alchemist was formed in 1987 by Adam Agius (lead vocals/guitar) as a death metal act. The band released a demo the same year entitled "Eternal Wedlock". The band's style was raw and undeveloped, and began to evolve with the addition of new drummer Rodney Holder in 1989. The following year, the line-up of Agius, Holder, Andrew Meredith (guitar) and James Preece (bass) recorded a second demo. The demo showed the beginning of the band's experimentation with avant-garde arrangements and psychedelic influences inspired by the likes of Pink Floyd and Frank Zappa. Another demo was produced in 1991, with Preece replaced by John (The Seal) Bray from another local band called Exceed. Alchemist also performed at the first Metal for the Brain festival in Canberra, eventually becoming the only group to feature at every occasion. The track "Escapism" from the demo recording was featured the following year on the Roadrunner (Australia) compilation album Redrum, which included other rising metal acts of the time such as Sadistik Exekution, Allegiance, and Shihad.
In 1992, Roy Torkington joined Alchemist in place of Meredith. By this time the demos had created enough interest for them to be approached by Austrian label Lethal, who released their first album, Jar of Kingdom, the next year.[4] The album was recorded in Sydney and featured an eclectic mixture of death metal, grindcore and psychedelia. Two songs featured vocals from Michelle Klemke, a friend of Agius' mother. According to the notes accompanying the 2005 compilation album Embryonics, Agius lost his voice during the recording. Dissatisfied with the sound of the album, the band re-mastered and re-released it in 1999. Alchemist was also dissatisfied with Lethal's handling of Jar of Kingdom and soon parted ways with them. After releasing Jar of Kingdom, the band went on their first tour.[5]
During 1994, Alchemist recorded a promotional tape to shop to record companies[6] and a version of the Venom song "Black Metal" for a Swedish tribute album called The Promoters of the Third World War: A Tribute to Venom, now a collector's item. The band also began work on its next album, titled Lunasphere, which was released in 1995 by Melbourne label Shock Records through its subsidiary Thrust.[6] Lunasphere showed a further development of Alchemist's unusual style, adding Eastern motifs and keyboards[7] to its already diverse style. The track "Garden of Eroticism" was added to the Triple J compilation album This Is Twelve (ABC/EMI) in 1996 and both this song and "Yoni Kunda" became live staples. The group supported the release of Lunasphere with a heavy touring schedule[8] that included several shows with joint UK/Australian ambient act Deathless, a slot on the Sydney leg of the 1996 Big Day Out, supporting Cathedral and Paradise Lost on their dual headlining tour, and also opening for Fear Factory a second time.[9] They performed live-to-air on the Triple J metal program Three Hours of Power. Two songs from this session would later be included on the Embryonics compilation album in 2005. During the same year, pioneering Canberra death metal band Armoured Angel disbanded. The band's drummer Joel Green handed over the running of the festival to Holder, who with the rest of Alchemist was responsible for the event for the next decade.
Alchemist began recording Spiritech in late 1996. After enduring a problematic recording process, the band handed production over to D.W. Norton, the guitarist with Melbourne band Superheist and the part-owner of Back Beach Studios in Rye, Victoria. Spiritech introduced more electronic elements as well as tribal rhythms and heavy sampling into the band's oeuvre and opened with the sprawling nine-minute "Chinese Whispers", which remains a particular favourite for group and fans alike.
In 1999, the band's next project was an EP that featured as its title track a version of "Eve of the War", the opening piece from the 1978 production, Jeff Wayne's Musical Version of The War of the Worlds. Josh Nixon from Canberra doom metal band, Pod People featured as a guest guitarist. The EP also included live versions of "Yoni Kunda" and "Chinese Whispers", an electronica remix of "Yoni Kunda" retitled as "Koni Yunda" and two Jar of Kingdom tracks, "Brumal: A View from Pluto" and "Worlds within Worlds." These last two were a precursor to the band's re-release of Jar of Kingdom the following year. This re-release included some new overdubs as the album's original master tapes were damaged, and included the 1991 demo in its entirety. This release completed their contractual obligation to Shock Records and Alchemist began to shop for a new local deal as well as international distribution. The group's albums had attained a heavy cult following in parts of Europe, particularly in the Netherlands, but they had not had European representation since their failed association with Lethal. In the meantime, Alchemist toured with Entombed and Pitchshifter.
Late in 1999, a new Alchemist track called "Austral Spectrum" appeared on a compilation of Australian metal called Under the Southern Cross and issued by Sydney label Chatterbox Records (with whom the band had just signed for Australian release). A slightly different version of the song then appeared on the Organasm album, again recorded with D.W. Norton in Rye and released in early 2000. To promote Organasm, Alchemist undertook a three-month Australian tour during autumn. Billed as "World War Three", the tour also featured Sydney thrash bands Cryogenic and Psi.Kore, both of whom had also just released CDs. Organasm featured a warmer sound and a focus on tighter songwriting with tracks embellished even more by duelling slide guitars, keyboards and samples.
Following 2000's Metal for the Brain, Alchemist went off the road for more than a year to work on Austral Alien, which was released by Chatterbox in May 2003. This latest album showed a mellower side of Alchemist, with highly polished production and a heavily electronic sound. Influenced by the rock band Midnight Oil, the lyrics of the semi-conceptual album focused on environmental issues affecting their country, specifically the impact of man on the ecology. Alchemist added a fifth member, Nick Wall, to provide samples during live shows.
In late 2004, Alchemist embarked on their first tour outside of Australia.[10] Because of these commitments, Metal for the Brain was held off until February 2005. In the same month Alchemist won their first Australian Heavy Metal Music Awards, with "First Contact" awarded Best Video Clip, and Agius awarded Best Keyboardist.[11]
A compilation album, Embryonics, was released in October 2005. It covered material recorded between 1990 and 1998, including tracks from the first three albums, the 1998 EP release and demo songs. Bonus tracks included two of the songs recorded on the radio in 1996. The band also announced a companion DVD release due for 2006, which, however, is yet to be released.
After ten years of successfully organising Metal for the Brain, Alchemist laid the festival to rest, playing the final event on 4 November 2006.[12] Holder, now based in Brisbane, moved on to organise the 20-band Abducted Metal Horror Festival held in July 2007. In May of that year Alchemist completed work on their next album Tripsis, which the band declared to be a return to the earlier sound of Lunasphere and Spiritech. To coincide with the release of Tripsis, Alchemist headlined the European ProgPower event and played selected other dates. In July 2008 the band played at the Graspop Metal Meeting in Belgium as part of their European tour. In October 2008, Alchemist returned to Australia to tour with Meshuggah. Afterwards, the band premiered the video for "Tongues and Knives" on 9 December. In January 2010 Alchemist began recording a new EP as a follow-up to Tripsis.[13] In an article in Sydney's Drum Media in July, drummer Rodney Holder claimed that Alchemist was currently on "extended hiatus".[14] The band's website reflected this with a splash page declaring that "Alchemist are hibernating indefinitely".[15] Holder went on to create and run a new heavy music festival named Bastardfest, inaugural shows held on 28 August in Brisbane, 4 September in Melbourne, and 16 October in Perth.
Adam Agius formed the Levitation Hex in 2010 with Mark Palfreyman of Melbourne band Alarum. They released a self-titled album in August 2012, during which time Agius talked about the hard work of being in a band, and Alchemist's eventual demise.[16]
In 2013, just before the birth of his first child, Rodney Holder started the 'Music Business Facts' podcast, aimed at sharing tricks of the trade in interviews with successful musicians and music professionals from all over the world. He also ran a number of high-profile artist webinars and online music and production courses with artists like Devin Townsend.
Rodney Holder currently lives with his wife and two children in Brisbane.
Personnel
Former members
Timeline
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