| Actor Ichikawa Ebijūrō as Samurai | |
| Artist: | Shunshosai Hokuchō |
| Year: | 1823 |
| Type: | nishiki-e woodblock print, ink and color on paper |
| Height Metric: | 37.3 |
| Width Metric: | 26.2 |
| Height Imperial: | 14 11/16 |
| Width Imperial: | 10 5/16 |
| Condition: | on display (November 2013-) |
| City: | Toronto |
| Museum: | Royal Ontario Museum |
| Accession: | 974.343.4 |
Actor Ichikawa Ebijūrō as Samurai is an ukiyo-e Japanese woodblock print by Osaka-based late Edo period print designer (fl. c. 1822-1830). The print depicts a scene from a kabuki play featuring Osaka actor in the role of a samurai. One impression of the print belongs to the permanent collection of the Prince Takamado Gallery of Japanese Art in the Royal Ontario Museum, Canada.
[1] (fl. 1822–1830)[2] was a Japanese ukiyo-e designer in Osaka. He was a member of the Shunkōsai Fukushū school, and a student of .[3] He used the gō art names (1822–1824), (1824-1830), .[4] He was not very prolific, and all of his few surviving images are yakusha-e kabuki actor portraits.
Hokuchō's works are categorized as, a term used to distinguish prints produced in the Kamigata area (Kyoto and Osaka) from those produced in Edo.[5] Kamigata-e were mainly images of kabuki actors, and were produced almost exclusively by amateur "talented kabuki fans" promoting their favourite actors.[6]
The print displays two publisher seals. On the right is the mark of or, commonly known as . The firm operated in Osaka from 1816 into the 1850s,[7] and published works by Gigadō Ashiyuki, Konishi Hirosada, Shunbaisai Hokuei, Sadamasu and Ryusai Shigeharu among others.[8] Tenki used various publisher seals. This version features the kanji character 天 (ten) followed by the katakana character キ (ki) within a rectangle.
On the left, is one of at least three variants of the hanmoto used by, which, between 1822 and 1824,[9] produced images by artists such as Ashiyuki Gigadō, Hokushū, Kunihiro and Shibakuni.[10] The seal on this print is the kanji character 市 (ichi) under a stylized double mountain (pron. yama).
The inscription to the right of the figure names him as actor Ichikawa Ebijūrō [市川蝦十郎] in the role of Hangandai Terukuni [判官代輝国]. The date of the print indicates that this is Ebijūrō I (c. 1777–1827), the first of seven generations of actors whose line ended in 1929.[11]
Born in Osaka, Ebijūrō I was a (male role) and (villain role) performer who appeared on the Osaka, Kyoto and Edo stages. He is noted for performing up to seven roles within a single play, as well as for impressive fight scenes and costume changes.
| Stage names[12] | Ichikawa Ichizō I (c. 1808–1814) | Ichinokawa Ichizō (1815) | Ichikawa Ebijūrō I (1815–1827) | |
| Poetry names | Shikaku | Shinshō | ||
| Guild name | Harikaya | |||
| Mentors | Ichikawa Danzō IV | |||
| Disciples | Ichikawa Ebijūrō II | Ichikawa Ebijūrō III | ||
| Artist portraits | Utagawa Toyokuni (1814, 1820) | Shunkōsai Hokushū (1816, 1820) | Utagawa Kunihiro (1817) |
The print depicts a scene from the history play (The Secrets of Calligraphy), "one of the 3 great masterpieces of Gidayū-kyōgen" (義太夫狂言).[13] [14] Originally written in 1746 for the puppet theatre by Takeda Izumo I, Miyoshi Shōraku, Namiki Senryū I and Takeda Izumo II, it was first staged for kabuki the following year.[15] The five-act play centres on, a tragic hero from the Heian period.[16] Hangandai Terukuni is a minor character who acts as Sugawara's escort[17] and as a representative of the retired Emperor Uda.[18] Hokuchō's print commemorates a performance of the play at Osaka's Kado no Shibai theatre in the third month of 1823.[19]
Ebijūrō is captured in a dramatic mie pose. He stands barefoot, feet planted wide apart, body bent forward at the waist. With a serious expression, he stares into the distance with his body angled in three quarter profile to the right. He appears to have been startled into a defensive pose. His right hand is raised above his head, and in the top-right corner of the image is a -type fan in mid-flight subsequent to having been tossed into the air. His left hand grips the sheath of one of the two swords on his left side, the customary position for samurai.[20]
He wears a dark outer-kimono from which his arms have been removed to increase his mobility. On the upper half of the kimono hanging down below his waist is the character "輝", which starts the name ". His yellow under-kimono is patterned with butterflies or moths. His hair is arranged in a chonmage top-knot, and the string visible around his head indicates that his eboshi hat has been knocked back.
The print's background is completely blank and coloured yellow, which was a particularly common choice for Hokuchō.[21]
Along the right side of the print is an inscription written in a style of Japanese calligraphy known as cursive script., which translates literally as 'grass writing', is a highly stylized form of writing which is typically difficult for those not specifically trained to decipher. Hokuchō's inscription appears as five vertical columns at various heights containing two or three kanji or hiragana characters each. It is read from top to bottom, right to left. A partial transcription is as follows:
Versions of this print belong to the permanent collections of the following institutions:
Hangandai Terukuni is a popular subject in late Edo period ukiyo-e. He appears in many prints including: