Year | Film | Art director(s) | Set decorator(s) |
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1950 | Black-and-White |
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Sunset Boulevard | Hans Dreier and John Meehan | Samuel M. Comer and Ray Moyer |
All About Eve | George W. Davis and Lyle R. Wheeler | Thomas Little and Walter M. Scott |
The Red Danube | Cedric Gibbons and Hans Peters | Edwin B. Willis and Hugh Hunt |
Color |
Samson and Delilah | Hans Dreier and Walter H. Tyler | Samuel M. Comer and Ray Moyer |
Annie Get Your Gun | Cedric Gibbons and Paul Groesse | Edwin B. Willis and Richard A. Pefferle |
Destination Moon | Ernst Fegté | George Sawley |
1951 | Black-and-White |
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A Streetcar Named Desire | Richard Day | George James Hopkins |
Fourteen Hours | Leland Fuller and Lyle R. Wheeler | Thomas Little and Fred J. Rode |
The House on Telegraph Hill | John DeCuir and Lyle R. Wheeler | Paul S. Fox and Thomas Little |
La Ronde | D'Eaubonne | — |
Too Young to Kiss | Cedric Gibbons and Paul Groesse | Edwin B. Willis and Jack D. Moore |
Color |
An American in Paris | E. Preston Ames and Cedric Gibbons | Edwin B. Willis and F. Keogh Gleason |
David and Bathsheba | George Davis and Lyle R. Wheeler | Paul S. Fox and Thomas Little |
On the Riviera | Leland Fuller, Lyle R. Wheeler and Joseph C. Wright (musical settings) | Thomas Little and Walter M. Scott |
Quo Vadis | Edward Carfagno, Cedric Gibbons and William A. Horning | Hugh Hunt |
The Tales of Hoffmann | Hein Heckroth | — |
1952 | Black-and-White |
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The Bad and the Beautiful | Edward Carfagno and Cedric Gibbons | F. Keogh Gleason and Edwin B. Willis |
Carrie | Roland Anderson and Hal Pereira | Emile Kuri |
My Cousin Rachel | John DeCuir and Lyle R. Wheeler | Walter M. Scott |
Rashomon | So Matsuyama | H. Motsumoto |
Viva Zapata! | Leland Fuller and Lyle R. Wheeler | Claude E. Carpenter and Thomas Little |
Color |
Moulin Rouge | Paul Sheriff | Marcel Vertès |
Hans Christian Andersen | Clavé and Richard Day | Howard Bristol |
The Merry Widow | Cedric Gibbons and Paul Groesse | Arthur Krams and Edwin B. Willis |
The Quiet Man | Frank Hotaling | John McCarthy Jr. and Charles S. Thompson |
The Snows of Kilimanjaro | John DeCuir and Lyle R. Wheeler | Paul S. Fox and Thomas Little |
1953 | Black-and-White |
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Julius Caesar | Edward Carfagno and Cedric Gibbons | Hugh Hunt and Edwin B. Willis |
Martin Luther | Paul Markwitz and Fritz Maurischat | — |
The President's Lady | Leland Fuller and Lyle R. Wheeler | Paul S. Fox |
Roman Holiday | Hal Pereira and Walter H. Tyler | — |
Titanic | Maurice Ransford and Lyle R. Wheeler | Stuart Reiss |
Color |
The Robe | George Davis and Lyle R. Wheeler | Paul S. Fox and Walter M. Scott |
Knights of the Round Table | Alfred Junge and Hans Peters | John Jarvis |
Lili | Cedric Gibbons and Paul Groesse | Arthur Krams and Edwin B. Willis |
The Story of Three Loves | E. Preston Ames, Edward Carfagno, Cedric Gibbons and Gabriel Scognamillo | F. Keogh Gleason, Arthur Krams, Jack D. Moore and Edwin B. Willis |
Young Bess | Cedric Gibbons and Urie McCleary | Jack D. Moore and Edwin B. Willis |
1954 | Black-and-White |
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On the Waterfront | Richard Day | — |
The Country Girl | Roland Anderson and Hal Pereira | Samuel M. Comer and Grace Gregory |
Executive Suite | Cedric Gibbons and Edward Carfagno | Edwin B. Willis and Emile Kuri |
Le Plaisir | Max Ophüls | — |
Sabrina | Hal Pereira and Walter H. Tyler | Samuel M. Comer and Ray Moyer |
Color |
20,000 Leagues Under the Sea | John Meehan | Emile Kuri |
Brigadoon | Cedric Gibbons and E. Preston Ames | Edwin B. Willis and F. Keogh Gleason |
Desiree | Lyle R. Wheeler and Leland Fuller | Walter M. Scott and Paul S. Fox |
Red Garters | Hal Pereira and Roland Anderson | Samuel M. Comer and Ray Moyer |
A Star Is Born | Malcolm Bert and Gene Allen | Irene Sharaff and George James Hopkins |
1955 | Black-and-White |
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The Rose Tattoo | Hal Pereira and Tambi Larsen | Samuel M. Comer and Arthur Krams |
Blackboard Jungle | Cedric Gibbons and Randall Duell | Edwin B. Willis and Henry Grace |
I'll Cry Tomorrow | Cedric Gibbons and Malcolm Brown | Edwin B. Willis and Hugh Hunt |
The Man with the Golden Arm | Joseph C. Wright | Darrell Silvera |
Marty | Edward S. Haworth and Walter M. Simonds | Robert Priestley |
Color |
Picnic | William Flannery | Jo Mielziner and Robert Priestley |
Daddy Long Legs | Lyle R. Wheeler and John DeCuir | Walter M. Scott and Paul S. Fox |
Guys and Dolls | Oliver Smith and Joseph C. Wright | Howard Bristol |
Love Is a Many-Splendored Thing | Lyle R. Wheeler and George Davis | Walter M. Scott and Jack Stubbs |
To Catch a Thief | Hal Pereira and Joseph McMillan Johnson | Samuel M. Comer and Arthur Krams |
1956 | Black-and-White |
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Somebody Up There Likes Me | Cedric Gibbons and Malcolm Brown | Edwin B. Willis and F. Keogh Gleason |
Seven Samurai | So Matsuyama | — |
The Proud and Profane | Hal Pereira and A. Earl Hedrick | Samuel M. Comer and Frank R. McKelvy |
The Solid Gold Cadillac | Ross Bellah | William Kiernan and Louis Diage |
Teenage Rebel | Lyle R. Wheeler and Jack Martin Smith | Walter M. Scott and Stuart A. Reiss |
Color |
The King and I | Lyle R. Wheeler and John DeCuir | Walter M. Scott and Paul S. Fox |
Around the World in 80 Days | James W. Sullivan and Ken Adam | Ross J. Dowd |
Giant | Boris Leven | Ralph S. Hurst |
Lust for Life | Cedric Gibbons and Hans Peters and E. Preston Ames | Edwin B. Willis and F. Keogh Gleason |
The Ten Commandments | Walter H. Tyler and Albert Nozaki | Samuel M. Comer and Ray Moyer |
1957 [11] |
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Sayonara | Ted Haworth | Robert Priestley |
Funny Face | Hal Pereira and George Davis | Samuel M. Comer and Ray Moyer |
Les Girls | William A. Horning and Gene Allen | Edwin B. Willis and Richard Pefferle |
Pal Joey | Walter Holscher | William Kiernan and Louis Diage |
Raintree County | William A. Horning and Urie McCleary | Edwin B. Willis and Hugh Hunt |
1958 |
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Gigi | William A. Horning and E. Preston Ames | Henry Grace and F. Keogh Gleason |
Auntie Mame | Malcolm Bert | George James Hopkins |
Bell, Book and Candle | Cary Odell | Louis Diage |
A Certain Smile | Lyle R. Wheeler and John DeCuir | Walter M. Scott and Paul S. Fox |
Vertigo | Hal Pereira and Henry Bumstead | Samuel M. Comer and Frank McKelvy |
1959 | Black-and-White |
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The Diary of Anne Frank | Lyle R. Wheeler and George Davis | Walter M. Scott and Stuart A. Reiss |
Career | Hal Pereira and Walter H. Tyler | Samuel M. Comer and Arthur Krams |
The Last Angry Man | Carl Anderson | William Kiernan |
Some Like It Hot | Ted Haworth | Edward G. Boyle |
Suddenly, Last Summer | Oliver Messel and William Kellner | Scott Slimon |
Color |
Ben-Hur | William A. Horning and Edward Carfagno | Hugh Hunt |
The Big Fisherman | John DeCuir | Julia Heron |
Journey to the Center of the Earth | Lyle R. Wheeler, Franz Bachelin and Herman A. Blumenthal | Walter M. Scott and Joseph Kish |
North by Northwest | William A. Horning, Robert F. Boyle and Merrill Pye | Henry Grace and Frank McKelvy |
Pillow Talk | | Russell A. Gausman and Ruby R. Levitt | |
Year | Film | Art director(s) | Set decorator(s) |
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1960 | Black-and-White |
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The Apartment | Alexandre Trauner | Edward G. Boyle |
The Facts of Life | Joseph McMillan Johnson and Kenneth A. Reid | Ross Dowd |
Psycho | Joseph Hurley and Robert Clatworthy | George Milo |
Sons and Lovers | Tom Morahan | Lionel Couch |
Visit to a Small Planet | Hal Pereira and Walter Tyler | Samuel M. Comer and Arthur Krams |
Color |
Spartacus | Alexander Golitzen and Eric Orbom | Russell A. Gausman and Julia Heron |
Cimarron | George Davis and Addison Hehr | Henry Grace, Hugh Hunt and Otto Siegel |
It Started in Naples | Hal Pereira and Roland Anderson | Samuel M. Comer and Arrigo Breschi |
Pepe | Ted Haworth | William Kiernan |
Sunrise at Campobello | Edward Carrere | George James Hopkins |
1961 | Black-and-White |
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The Hustler | Harry Horner | Gene Callahan |
The Absent-Minded Professor | Carroll Clark | Emile Kuri and Hal Gausman |
The Children's Hour | Fernando Carrere | Edward G. Boyle |
Judgment at Nuremberg | Rudolph Sternad | George Milo |
La Dolce Vita | Piero Gherardi | — |
Color |
West Side Story | Boris Leven | Victor A. Gangelin |
Breakfast at Tiffany's | Hal Pereira and Roland Anderson | Samuel M. Comer and Ray Moyer |
El Cid | Veniero Colasanti and John Moore | — |
Flower Drum Song | Alexander Golitzen and Joseph C. Wright | Howard Bristol |
Summer and Smoke | Hal Pereira and Walter Tyler | Samuel M. Comer and Arthur Krams |
1962 | Black-and-White |
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To Kill a Mockingbird | Alexander Golitzen and Henry Bumstead | Oliver Emert |
Days of Wine and Roses | Joseph C. Wright | George James Hopkins |
The Longest Day | Ted Haworth, Léon Barsacq and Vincent Korda | Gabriel Béchir |
Period of Adjustment | George Davis and Edward Carfagno | Henry Grace and Richard Pefferle |
The Pigeon That Took Rome | Hal Pereira and Roland Anderson | Samuel M. Comer and Frank R. McKelvy |
Color |
Lawrence of Arabia | John Box and John Stoll | Dario Simoni |
The Music Man | Paul Groesse | George James Hopkins |
Mutiny on the Bounty | George Davis and Joseph McMillan Johnson | Henry Grace and Hugh Hunt |
That Touch of Mink | Alexander Golitzen and Robert Clatworthy | George Milo |
The Wonderful World of the Brothers Grimm | George Davis and Edward Carfagno | Henry Grace and Richard Pefferle |
1963 | Black-and-White |
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America America | Gene Callahan | — |
8½ | Piero Gherardi | — |
Hud | Hal Pereira and Tambi Larsen | Samuel M. Comer and Robert R. Benton |
Love with the Proper Stranger | Hal Pereira and Roland Anderson | Samuel M. Comer and Grace Gregory |
Twilight of Honor | George Davis and Paul Groesse | Henry Grace and Hugh Hunt |
Color |
Cleopatra | John DeCuir, Jack Martin Smith, Hilyard M. Brown, Herman A. Blumenthal, Elven Webb, Maurice Pelling and Boris Juraga | Walter M. Scott, Paul S. Fox and Ray Moyer |
The Cardinal | Lyle R. Wheeler | Gene Callahan |
Come Blow Your Horn | Hal Pereira and Roland Anderson | Samuel M. Comer and James W. Payne |
How the West Was Won | George Davis, William Ferrari and Addison Hehr | Henry Grace, Don Greenwood Jr. and Jack Mills |
Tom Jones | Ralph W. Brinton, Jocelyn Herbert, and Ted Marshall | Josie MacAvin |
1964 | Black-and-White |
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Zorba the Greek | Vassilis Photopoulos | — |
The Americanization of Emily | George Davis, Hans Peters and Elliot Scott | Henry Grace and Robert R. Benton |
Hush...Hush, Sweet Charlotte | William Glasgow | Raphaël Bretton |
The Night of the Iguana | Stephen B. Grimes | — |
Seven Days in May | Cary Odell | Edward G. Boyle |
Color |
My Fair Lady | Gene Allen and Cecil Beaton | George James Hopkins |
Becket | John Bryan and Maurice Carter | Patrick McLoughlin and Robert Cartwright |
Mary Poppins | Carroll Clark and William H. Tuntke | Emile Kuri and Hal Gausman |
The Unsinkable Molly Brown | George Davis and E. Preston Ames | Henry Grace and Hugh Hunt |
What a Way to Go! | Jack Martin Smith and Ted Haworth | Walter M. Scott and Stuart A. Reiss |
1965 | Black-and-White |
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Ship of Fools | Robert Clatworthy | Joseph Kish |
King Rat | Robert Emmet Smith | Frank Tuttle |
A Patch of Blue | George Davis and Urie McCleary | Henry Grace and Charles S. Thompson |
The Slender Thread | Hal Pereira and Jack Poplin | Robert R. Benton and Joseph Kish |
The Spy Who Came In from the Cold | Hal Pereira and Tambi Larsen | Ted Marshall and Josie MacAvin |
Color |
Doctor Zhivago | John Box and Terence Marsh | Dario Simoni |
The Agony and the Ecstasy | John DeCuir and Jack Martin Smith | Dario Simoni |
The Greatest Story Ever Told | | Ray Moyer and Fred M. MacLean and Norman Rockett |
Inside Daisy Clover | Robert Clatworthy | George James Hopkins |
The Sound of Music | Boris Leven | Walter M. Scott and Ruby Levitt |
1966 | Black-and-White |
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Who's Afraid of Virginia Woolf? | Richard Sylbert | George James Hopkins |
The Fortune Cookie | Robert Luthardt | Edward G. Boyle |
The Gospel According to St. Matthew | Luigi Scaccianoce | — |
Is Paris Burning? | Willy Holt | Marc Frédérix and Pierre Guffroy |
Mister Buddwing | George Davis and Paul Groesse | Henry Grace and Hugh Hunt |
Color |
Fantastic Voyage | Jack Martin Smith and Dale Hennesy | Walter M. Scott and Stuart A. Reiss |
Gambit | Alexander Golitzen and George C. Webb | John McCarthy Jr. and John P. Austin |
Juliet of the Spirits | Piero Gherardi | — |
The Oscar | Hal Pereira and Arthur Lonergan | Robert R. Benton and James W. Payne |
The Sand Pebbles | Boris Leven | Walter M. Scott, John Sturtevant and William Kiernan |
1967 |
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Camelot | John Truscott and Edward Carrere | John W. Brown |
Doctor Dolittle | Mario Chiari, Jack Martin Smith and Ed Graves | Walter M. Scott and Stuart A. Reiss |
Guess Who's Coming to Dinner | Robert Clatworthy | Frank Tuttle |
The Taming of the Shrew | Renzo Mongiardino, John DeCuir, Elven Webb and Giuseppe Mariani | Dario Simoni and Luigi Gervasi |
Thoroughly Modern Millie | Alexander Golitzen and George C. Webb | Howard Bristol |
1968 |
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Oliver! | John Box and Terence Marsh | Vernon Dixon and Ken Muggleston |
2001: A Space Odyssey | Anthony Masters, Harry Lange and Ernest Archer | — |
The Shoes of the Fisherman | George Davis and Edward Carfagno |
Star! | Boris Leven | Walter M. Scott and Howard Bristol |
War and Peace | Mikhail Bogdanov and Gennady Myasnikov | Georgi Koshelev and Vladimir Uvarov |
1969 |
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Hello, Dolly! | John DeCuir, Jack Martin Smith and Herman A. Blumenthal | Walter M. Scott, George James Hopkins and Raphaël Bretton |
Anne of the Thousand Days | Maurice Carter and Lionel Couch | Patrick McLoughlin |
Gaily, Gaily | Robert F. Boyle and George B. Chan | Edward G. Boyle and Carl Biddiscombe |
Sweet Charity | Alexander Golitzen and George C. Webb | Jack D. Moore |
They Shoot Horses, Don't They? | Harry Horner | Frank R. McKelvy | |