| Abū Isḥāq Ismā’īl ibn al-Qāsim Abū al-‘Atāhiyya | |
| Othernames: | Abū Isḥāq Ismā’īl b. al-Qāsim b. Suwaid b. Kaisān al-Aini |
| Birth Date: | c. 748 |
| Birth Place: | Ayn al-Tamr, Anbār, Irāq |
| Death Date: | c. 828 |
| Death Place: | Baghdad, Iraq |
| Era: | Abbāsid period (al-Mahdī era) and (Hārūn al-Rashīd era) |
| Main Interests: | poetry |
| Major Works: | Diwan |
Abū al-ʻAtāhiyya (Arabic: أبو العتاهية; 748–828), full name Abu Ishaq Isma'il ibn al-Qasim ibn Suwayd Al-Anzi (Arabic: أبو إسحاق إسماعيل بن القاسم بن سويد العنزي), was among the principal Arab poets of the early Islamic era, a prolific muwallad poet of ascetics who ranked with Bashshār and Abū Nuwās, whom he met. He renounced poetry for a time on religious grounds.
Abū l-ʻAtāhiyya was born in Ayn al-Tamr in the Iraqi desert, near al-Anbar. There are two sayings in his lineage the first is that he is from the Anazzah tribe,[1] [2] and the other is that His family were mawali of the tribe of ʻAnaza. His youth was spent in Kufa, where he was engaged for some time in selling pottery. During the time when he took the occupation of selling pottery, he saw the assembly of poets in a competition and he participated in it. He composed eulogia to the governor of Tabaristan, emir Umar Ibn al-Alā (783-4/ 167AH). and with a growing reputation, he was drawn to Baghdad, the seat of the Abbāsid court where he soon became famous for his verses, especially for those addressed to ‘Utbah, a concubine of the Abbasid Caliph al-Mahdi. His love was unrequited, although al-Mahdi, and after him Caliph ar-Rashīd, interceded for him. Having offended the caliph, he was imprisoned for a short time. He died in 828 in the reign of Caliph al-Ma'mūn, and Al-Nadīm cites the qāḍī of al-Kūfah Ibn Kāmil (d.961) that he died on the same day as the grammarian ‘Amr ibn Abī ‘Amr al-Shaybānī and the court musician Ibrāhīm al-Mawṣilī in 828-9 / 213 AH. His tomb was on the banks of the Īsā canal. opposite the Kantarat al-Zaiyātīn ('Oilmen Bridge')
The poetry of Abū l-ʻAtāhiyya is notable for its avoidance of the artificiality almost universal in his days. The older poetry of the desert had been constantly imitated up to this time, although it was not natural to town life. Abū l-ʻAtāhiyya was one of the first to drop the old qasīda (elegy) form. He was very fluent and used many metres. He is also regarded as one of the earliest philosophical poets of the Arabs. Much of his poetry is concerned with the observation of common life and morality, and at times is pessimistic. Thus he was strongly suspected of heresy.Ibn Abī Ṭāhir Ṭayfūr (819/20 —893/94) published an anthology of Abū al-‘Atāhiyah’s poetry. He was also included in Hārūn ibn ‘Alī al-Munajjim’s unfinished anthology “Traditions of the Poets,” along with contemporary poets Abū Nuwās and Bashshār et al. The vizier Ibn ‘Ammār al-Thaqafī (d. 931/ 319 AH) wrote Traditions about Abū al-‘Atāhiyah.
The Family of Abū al-‘Atāhiyah
Abū al-‘Atāhiyah produced poets among his children and grandchildren who each wrote fifty leaves of poetry:
Of the many anecdotes told of al-‘Atāhiyah, al-Nadīm relates one attributed to the Abbāsid court musician, Isḥāq al-Mawṣilī, that whenever he, al-Mawṣilī, saw three men, three others appeared: “Wherever al-Haytham ibn ‘Adī was seen, Hishām al-Kalbī was there; if ‘Allawīyah was there then Mukhāriq turned up; Abū Nuwās was on hand if Abū al-‘Atāhiyah appeared.".