| Abominog | |
| Type: | studio |
| Artist: | Uriah Heep |
| Cover: | Abominog(album).jpg |
| Released: | April 1982[1] |
| Recorded: | October/December 1981 |
| Studio: | Roundhouse (London) |
| Genre: | Hard rock, heavy metal |
| Length: | 41:48 |
| Label: | Bronze |
| Producer: | Ashley Howe |
| Prev Title: | Conquest |
| Prev Year: | 1980 |
| Next Title: | Head First |
| Next Year: | 1983 |
Abominog is the fourteenth studio album by English rock band Uriah Heep, released in April 1982 by Bronze Records in the UK, and on 12 July 1982 by Mercury Records in the US.[2] It was their first album without keyboardist Ken Hensley. The album was critically acclaimed and fairly commercially successful, due in part to the band retooling and updating their sound to a contemporary style and delivering a "punchier, more pop metal era-appropriate effort.[3]
It featured their last US hits, "On the Rebound" and "That's the Way That It Is". The latter was their highest-charting single of the 1980s, reaching No. 25 on the rock charts.[4]
The album was preceded by a 7-inch EP titled Abominog Junior, featuring "On the Rebound" and two non-album tracks, Small Faces cover "Tin Soldier" and "Son of a Bitch".
When the previous line-up disintegrated, guitarist Mick Box briefly considered forming a new group entirely, but ultimately decided to continue with the Heep name. Abominog was the first of three albums to feature both vocalist Peter Goalby and keyboard player John Sinclair. It also marked the return of drummer Lee Kerslake to the band; his previous departure had been due to his unhappiness with the band's management, rather than the personnel. Coming along with Kerslake was bassist Bob Daisley; the two musicians had been in Ozzy Osbourne's Blizzard of Ozz-era band before being fired by Sharon Osbourne.
Half of the 10 tracks are cover versions of recordings by other artists:
The album also included a remake of "Think It Over", a song recorded by the prior (and largely different) line-up of Uriah Heep. The original version (featuring John Sloman on lead vocals, Trevor Bolder on bass, Gregg Dechert on keyboards, and Chris Slade on drums), was the A-side of a 1980 Heep single.
A retrospective review by AllMusic noted that "echoes of the group's old style could be heard in the drama and instrumental firepower of the new songs, but the overall sound owed a greater debt to the New Wave of British Heavy Metal and harder-rocking AOR groups of the time", and concluded by saying that the album "rocks hard enough to please heavy metal addicts but is slick enough to win over AOR fanatics and this combination makes it one Uriah Heep's most enduring achievements. Canadian journalist Martin Popoff defined Abominog an "intelligent, well-paced record" where the "reinvented" Uriah Heep retools the genres of each song over "a decisively strong foundation of melodic metal", evoking "the magic of the NWOBHM, tinged with the complex chemistry of the peak Byron years."