| A Simple Life | |
| Director: | Ann Hui |
| Producer: | Roger Lee Ann Hui Jessica Chan |
| Screenplay: | Susan Chan Roger Lee |
| Story: | Roger Lee |
| Starring: | Andy Lau Deanie Ip |
| Music: | Law Wing-fai |
| Cinematography: | Yu Lik-wai |
| Editing: | Kwong Chi-leung Manda Wai |
| Studio: | Focus Films Limited Sil-Metropole Organisation Bona Film Group |
| Distributor: | Distribution Workshop |
| Runtime: | 118 minutes |
| Country: | Hong Kong China |
| Language: | Cantonese |
| Budget: | ¥30 million (US$5.4 million)[1] |
| Gross: | US$6,202,317[2] [3] |
A Simple Life, also known as Sister Peach, is a 2011 Hong Kong drama film directed by Ann Hui and starring Andy Lau and Deanie Ip.[4] Ip, in the lead role of Sister Peach, won the Best Actress Award at the 68th Venice International Film Festival.[5] Originally, Hui considered retiring after making this film. However, due to the film's success, she changed her mind and went on to work on other projects.
Lau and Ip had not worked together since 1999's Prince Charming. Production of the film officially began during Chinese New Year. It was filmed in Mei Foo Sun Chuen.[6] Production was wrapped on 6 April 2011 after two months of filming.[7] The film competed in the 68th Venice International Film Festival.[8] It was also selected as the Hong Kong entry for the Best Foreign Language Film at the 84th Academy Awards,[9] [10] but it did not make the final shortlist.[11] A Simple Life was an official selection for competition at the 68th Venice International Film Festival, where it won 4 awards. Deanie Ip won the Volpi Cup for Best Actress for her role in this film. She is the first Hong Konger to win this prize. In March, she also became the first Hong Konger to win the Asian Film Award for Best Actress. At the same event, director Ann Hui became the first woman to win the Lifetime Achievement Award. At the 31st Hong Kong Film Awards Ceremony, A Simple Life won 5 major prizes (film, director, screenplay, actor, actress), repeating what happened with Hui's Summer Snow in 1996. Ann Hui has won Best Director (4 times) more than anyone else at the Hong Kong Film Awards. Ip is the oldest Best Actress recipient (64 years old at the time of her win).
Roger Leung (Andy Lau), an unmarried middle aged Hong Kong film producer, lives with Chung Chun-to (Deanie Ip), a maidservant who has worked for his family for decades. Returning home after a business trip, Roger discovers Chung on the floor and calls for an ambulance. At the hospital, Roger discovers that Chung has had a stroke but rather than ask for rehabilitation, Chung decides she wants to retire and asks to be put in a nursing home. While looking for a nursing home, Roger discovers one nearby that is owned by his friend. He installs Chung there and visits her in between his production jobs. While visiting To, he tells her friends and neighbours that he is her god son in order to explain their connection.
Visiting Chung in the nursing home allows Roger to become closer to her. Eventually, other members of his family, who mostly live abroad, come to visit her. Roger's mother proposes that they renovate an old apartment that the family owns and allow To to spend the remainder of her days there. However, Chung grows more sickly and suffers a second stroke causing her condition to deteriorate and nullifying the family's plans for her.
Eventually, Chung is hospitalized a final time and Roger makes the decision to allow her to die. At her funeral, the members of Roger's family pay their respects to her and while Roger delivers the eulogy, a man from the nursing home comes to give her flowers.
Producer Roger Lee began writing loose fragments together and showed them to director Ann Hui. She persuaded him it was enough for a screenplay and encouraged him through his writing process.
Andy Lau and Deanie Ip were chosen in part because of their close relationship to one another as Ip is Lau's godmother and had already played his mother in several films.[12]
In China, after being shown for only four days, the film made US$5.2 million and reached second place in the top gross film of the week ending 11 March 2012.[13]
Roger Ebert gave the film 4 stars. He wrote, "It expresses hope in human nature. It is one of the year's best films."[14] Hollywood Reporters Neil Young wrote that "Film festivals looking for undemanding crowd-pleasers will want to check it out, even at its currently excessive 118-minute running time – much too long for what is indeed a pretty "simple" affair."[15] Varietys Justin Chang commented: "Fittingly for a film about the challenges and rewards of looking after the sick and aging, this well-observed, pleasantly meandering dramedy requires a measure of patience, and some judicious trimming would improve its chances for export. But the moving, never tearjerking lead performances by Andy Lau and Deanie Ip are strong selling points for Hui's following at home and abroad."[16]
The film has appeared on the following critics' top ten lists for the best films of 2012:
| List of Accolades | |||
|---|---|---|---|
| Award / Film Festival | Category | Recipient(s) | Result |
| 68th Venice International Film Festival | Golden Lion | Ann Hui | |
| Volpi Cup for Best Actress | Deanie Ip | ||
| Equal Opportunities Award | Ann Hui | ||
| Signis Award – Honorable Mention | Ann Hui | ||
| La Navicella Award | Ann Hui | ||
| 48th Golden Horse Awards | Best Film | Focus Films Limited, Sil-Metropole Organisation, Bona Film Group | |
| Best Director | Ann Hui | ||
| Best Leading Actor | Andy Lau | ||
| Best Leading Actress | Deanie Ip | ||
| Best Original Screenplay | Susan Chan | ||
| Best Film Editing | Kwong Chi-leung, Manda Wai | ||
| 15th Tallinn Black Nights Film Festival – Official Competition EurAsia Jury Awards | Grand Prix for Best Eurasian Film | Ann Hui | |
| Jury Prize for the Best Actress | Deanie Ip | ||
| FICC Awards | Ann Hui | ||
| 18th Hong Kong Film Critics Society Awards | Best Film | Roger Lee | |
| Best Director | Ann Hui | ||
| Best Screenplay | Susan Chan | ||
| Best Actress | Deanie Ip | ||
| 2011 Hong Kong Film Directors' Guild Awards | Most Recommended Film of the Year | A Simple Life (with Let the Bullets Fly, Overheard 2) | |
| Most Outstanding Director of the Year | Ann Hui (with Jiang Wen, Tsui Hark) | ||
| Special Honour Award | Ann Hui | ||
| 6th Asian Film Awards | Best Actor | Andy Lau | |
| Best Actress | Deanie Ip | ||
| People's Choice for Favorite Actor | Andy Lau | ||
| People's Choice for Favorite Actress | Deanie Ip | ||
| Lifetime Achievement Award | Ann Hui | ||
| 4th Okinawa International Movie Festival | Peace Category: Uminchu Prize Grand Prix | Ann Hui | |
| Jury Special Prize Golden SHISA Award | Ann Hui | ||
| 31st Hong Kong Film Awards | Best Film | Roger Lee, Ann Hui, Chan Pui-wah | |
| Best Director | Ann Hui | ||
| Hong Kong Film Award for Best Screenplay | Best Screenplay | Susan Chan | |
| Best Actor | Andy Lau | ||
| Best Actress | Deanie Ip | ||
| Best Supporting Actor | Paul Chun | ||
| Best Supporting Actress | Qin Hailu | ||
| Best Cinematography | Yu Lik-wai | ||
| 1st Hong Kong Salento International Film Festival | Salento Award | Deanie Ip | |
| 12th Chinese Film Media Awards | Best Film | A Simple Life | |
| Best Director | Ann Hui | ||
| Best Screenplay | Susan Chan | ||
| Best Actor | Andy Lau | ||
| Best Actress | Deanie Ip | ||
| Film Honoured by 100 Medias in a Year | A Simple Life | ||
| Filmmaker Honoured by 100 Medias in a Year | Ann Hui | ||
| Filmmaker Honoured by 100 Medias in a Year | Andy Lau | ||
| 21st Shanghai Film Critics Award | Best 10 Chinese Films | A Simple Life (with other 9 films) | |
| Best Director | Ann Hui | ||
| 10th Paris International Film Festival | Audience's Most Favorite Film | Ann Hui | |
| Best Film Selected by Students | Ann Hui | ||
| 9th International Women's Film Festival in Rehovot | Best Feature Film | Ann Hui | |
| 33rd Durban International Film Festival | Best Actress Award | Deanie Ip | |
The book, My 30 Work Days, was written by Andy Lau extracted from diaries and notes that he wrote while shooting the A Simple Life. The book contains Lau's 30 personal diaries and notes detailing his observations and thoughts about issues raised by the story of the film, in particular appreciation of and care for the elderly, along with 300 behind the scene photographs taken by Lau and his colleagues. The book was published on 27 February 2017 by Ming Pao Publications in Hong Kong.[18] [19]